ROTTING CHRIST — Decline's Return

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ROTTING CHRIST - Decline's Return cover
1.50 | 1 rating | 1 review
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Demo · 1989

Filed under Grindcore
By ROTTING CHRIST

Tracklist

1. Slaughter of the Innocents (0:22)
2. Decline's Return (0:38)
3. Chemical Neurosurgery (2:02)
4. Embryonic Necrocannibalism (0:54)
5. Syringomyelia (0:53)
6. Lost in the Void (0:28)
7. Baptised in Phlegm (1:02)
8. Myxomycetes Attack (1:09)
9. Pneumonovascular Carcinogenesis (1:12)
10. Thyrotoxicosis (0:50)

Total Time 9:30

Line-up/Musicians


- Sakis / guitars, vocals
- Jim / bass

About this release

Independent cassette
January 25, 1989

Thanks to siLLy puPPy for the addition and adg211288 for the updates

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UMUR
"Decline's Return" is the 2nd demo by Greek grindcore (later black/gothic metal) act Rotting Christ. The demo was independently released on cassette tape in January 1989. It´s the successor to the "Leprosy of Death" demo from November 1988.

The music style is still a raw and aggressive type of grindcore, loaded with heavy hardcore sections, and loads of noisy and furiously fast-paced blasting. Like the case was with "Leprosy of Death" (1988), the material on "Decline's Return" was also recorded live at the band´s rehearsal space (on the 25th of January 1989), but unlike the first demo, the lo-fi sounding (non)-production of the material on "Decline's Return" makes it an almost impossble release to listen to. I can hear a distored rumbling bass somewhere in the mix, a vocalist shouting, and maybe a cymbal here and there, but other than that this is just a muddy and dark collage of noise.

While the musical influences are obviously still acts like Napalm Death and Extreme Noise Terror, the band´s lyrical approach has shifted towards goregrind Carcass territory which song titles like "Baptised in Phlegm", "Pneumonovascular Carcinogenesis", and "Embryonic Necrocannibalism" are a testimony to. 10 tracks and a total playing time of 9:30 minutes and then the demo is over, and in this case it´s hard not to feel some sort of relief. I don´t hesitate to call this sonic violence on the ears and there are probably not many out there, who will be able to appreciate a recording this raw and extreme. A 1.5 star (30%) rating is warranted.

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