SHADOW GALLERY — Digital Ghosts

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SHADOW GALLERY - Digital Ghosts cover
4.06 | 29 ratings | 2 reviews
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Album · 2009

Tracklist

1. With Honor (9:58)
2. Venom (6:21)
3. Pain (6:21)
4. Gold Dust (6:45)
5. Strong (6:49)
6. Digital Ghost (9:36)
7. Haunted (9:36)

Total Time 55:32

Line-up/Musicians

- Brendt Allman / guitars, vocals
- Carl Cadden-James / bass, vocals, flute
- Gary Wehrkamp / guitars, keyboards, vocals
- Brian Ashland / vocals
- Joe Nevolo / drums

Guest musicians

- Vivien Lalu / keyboards (track 4)
- Srđan Branković / guitars (track 5)
- Clay Barton / vocals (track 2)
- Ralf Scheepers / vocals (track 5)

About this release

Release date: 23 October 2009 (Europe) , 3 November 2009 (North America)
Label: Inside Out Records

Limited Edition has the following bonus tracks:

8. Two Shadows (5:08)
9. Gold Dust (demo) (6:01)
10. In Your Window (2:52)
11. World Of Fantasy (demo) (4:38)

Thanks to colt, Lynx33, diamondblack for the updates



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SHADOW GALLERY DIGITAL GHOSTS reviews

Specialists/collaborators reviews

martindavey87
After a three-album streak of absolutely stellar releases (‘Tyranny’, ‘Legacy’, and ‘Room V’), Shadow Gallery looked to have found their niche and really hit their stride, consistently putting out fantastic albums with their own recognisable sound. Tragically, this came to halt in 2008, with the passing of vocalist Mike Baker.

Losing any band members must be hard, especially once the grieving is done, and it’s time to pick up the pieces. Do you start anew? Plod along with previously written material? And is there guilt in getting someone new to record those parts? Barely a year after Baker’s passing, Shadow Gallery were back, recruiting a new vocalist and releasing ‘Digital Ghosts’ upon us all. Sadly, it’s quite noticeable that a huge part of the band is missing.

That’s not to say this is a bad album, but I’ve really, really struggled with this one. The musicianship is excellent as always, but there’s just a huge absence of something. Call it magic? Heart? Soul? I don’t know what it is, but the song-writing just doesn’t quite seem as inspired as before. Maybe the band were just going through the motions to finish the album and move on?

With that said, there’s still a few tracks worth checking out. Songs like ‘Venom’, ‘Gold Dust’ and ‘Pain’ are all decent enough, and are worthy of the Shadow Gallery name, and there’s some good, solid progressive metal on offer here if you can be patient enough, but overall, this is far, far from the best work this band is capable of, and I think I’d much rather just listen to one of their previous albums.

Windhawk
Digital Ghosts is the latest creation from US act Shadow Gallery, and their first production since the tragic loss of their former vocalist Mike Baker.

As this is a band I really haven't listened much to previously I don't know how new singer Brian Ashland compares to Baker, but he comes across as a good and versatile vocalist - perhaps a tad steeped in metal traditions but with a fine set of pipes. And with enough scope to cover the stylistic variations on this album.

The core of the music on this production are vintage progressive metal. Drawn out riffs and riff patterns at times heavily embellished with keyboard textures of a symphonic nature. But while many tracks draws upon the stylistic elements first laid down by Rainbow and later further developed by Yngwie Malmsteen's Rising Force and Symphony X, Shadow Gallery adds a few dimensions of their own to the proceedings. Vocal harmonies for starters, where influences from both The Beatles and Yes are easily detected.

Musically the scope is rather extensive too. The songs shifts back and forth in pace, style and intensity, and unlike many other progressive metal bands Shadow Gallery seems to be fond of venturing forth towards neo progressive territories rather than other metal-based expressions. Those familiar with acts such as The Flower Kings and Transatlantic should be able to detect themes and passages with a great deal of similarity to those artists - even if those sequences may have more of a metal coating in this particular case.

All in all it is a well made effort, and while there aren't too many moments of pure brilliance - limited to the songs Venom and Strong in my opinion - the rest of the tracks are all intriguing excursions without any notable weaknesses as such.

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