Warthur
Blood Inside presents a murky electronic nightmare, a dark and troubling territory that provides a sinister counterpart to Sigur Ros' light and airy brand of electronic post-rock. Slipping in classical themes in the synthesiser lines here and there, the band create soundscapes which somehow manage to be even more dense and multilayered than those of Perdition City - and are more complex as well. Veering away from the minimalism characteristic of much post-rock, the band instead go for an everything and the kitchen sink approach to stuffing as many different influences into their sound as possible. Garm's vocals make a return after the all- instrumental soundtrack efforts and complete the picture. Blood Inside might be Ulver's best album of their non-metal period yet.