WINDIR — 1184

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WINDIR - 1184 cover
4.43 | 10 ratings | 2 reviews
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Album · 2001

Tracklist

1. Todeswalzer (4:55)
2. 1184 (5:28)
3. Dance of Mortal Lust (5:44)
4. The Spiritlord (6:11)
5. Heidra (8:18)
6. Destroy (6:30)
7. Black New Age (4:54)
8. Journey to the End (9:34)

Total Time: 51:36

Line-up/Musicians

- Valfar / Vocals, Accordion, Programming, Guitars, Bass, Keyboards
- Sture / Guitars
- Strom / Guitars
- Hvàll / Bass
- Steingrim / Drums
- Righ / Keyboards

Guest/Session Musicians:

- Cosmocrator / Clean Vocals

About this release

Released by Head Not Found
November 19th, 2001

Released in Brazil by Somber Music in December 2009.

Thanks to Vehemency, adg211288 for the updates

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WINDIR 1184 reviews

Specialists/collaborators reviews

adg211288
As far as household names of melodic black metal go, then Norway's Windir is right up there with Sweden's Dissection, arguable the style's pioneer. They were the brainchild of one Terje Bakken, known as Valfar, who started the band in 1994. Windir's is one of the genre's tragic tales though, as in 2004, while journeying to his family's cabin in Fagereggi, Norway, Valfar was caught in a snow storm and never made it. His body was discovered three days later in the Sogndal Valley near the town of Reppastolen, where he had died of hypothermia. He was just 25 years old at the time of his death. Although Windir was only able to exist for a decade, four well regarded full-length albums were produced. The third of these was 1184 (2001), where for the first time Valfar had expanded his project into a full six strong group and switched primarily to English lyrics instead of the Sognamål Norwegian dialect.

Compared to all the other Windir full-length albums, 1184 is also the most unique and experimental one among them. Windir, with their choice of lyrical themes and cover artwork, had the air of Viking/Pagan styling about them but that didn't stop Valfar and company from trying some new things on 1184 that weren't really in context with that, such the use of electronic elements, most notably on the final track Journey to the End. This may somewhat explain why fans are said to have been a bit divided by the album at the time of its release, as compared to the prior Sóknardalr (1997) and Arntor (1999) this one also features some departures, featuring less developed folk ideas and being more in line with the so called Viking metal sound, with some really rich sounding ambient synths being used, which you can hear right away in the opening track Todeswalzer. At its heart though, 1184 remains very much a melodic black metal album, guitar based and lively and even a bit thrashy in some places. I struggle to really follow the vocals of Valfar himself but they're delivered with an infectious sort of energy that makes me instantly dig what the band are doing. I also find that their choice of guest clean vocalist to be an improvement on the first two albums, with Cosmocrator replacing Steinarson.

With albums like 1184 to his name, Valfar left a small but amazing legacy that few melodic black metal acts will ever hope to match. The key tracks on this one for me have to be the epic Destroy, which instantly strikes as an absolute beast of a track, and also Dance of Mortal Lust which is made of the same stuff. The closing Journey to the End is also deserving of another mention as it's the most surprising track, initially starting as a typical Windir song but then at about a third of the way through it changes into ambient/electronic music, which actually displays some really good melodies. It's the kind of moment that makes you sit up and wonder if you really just heard the band do that. It's surprises like this that make, for my money at least, 1184 the best of Windir's four albums. I'd consider this one an absolute essential for anyone with even a small interest in black metal to purchase.
Warthur
Valfar seems to be happy with the Windir sound as executed on Arntor, because on 1184 he along with an extended cast of helpers present a continuation of the sound of that album, with the main musical development being somewhat cleaner and clearer production. It's a satisfying album which will win over those who enjoyed the melodic black metal of Arntor, though it doesn't quite hit the level of its predecessor perhaps because of a mild lack of ambition and failure to musically develop compared to its predecessor. It's not a bad Windir album by any means, but it doesn't feel quite as fresh and exciting as its predecessor.

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