CIRITH UNGOL

Heavy Metal • United States
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Cirith Ungol was a Californian heavy metal band who formed in 1972 and split up in May 1992. They drew influences from other metal groups such as Black Sabbath and Thin Lizzy, as well as Iggy And The Stooges. Their first album, "Frost and Fire", was closer to a hybrid between 1970s hard rock and metal with songs written by then bassist/guitarist Greg Lindstrom and drummer Robert Garven, but from "King of the Dead" (1984) and onwards they played a progressive rock influenced brand of doom metal with songs primarily written by vocalist Tim Baker.

The band began with Greg Lindstrom, Robert Garven, Jerry Fogle and Pat Galligan (who would later go on to play guitar for Angry Samoans}, were playing in their first band "Titanic" in high school. With a desire to play heavier music, the rest of the band dumped Pat and reformed in 1972 as Cirith Ungol
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CIRITH UNGOL Discography

CIRITH UNGOL albums / top albums

CIRITH UNGOL Frost and Fire album cover 3.62 | 15 ratings
Frost and Fire
Heavy Metal 1981
CIRITH UNGOL King of the Dead album cover 3.85 | 14 ratings
King of the Dead
Heavy Metal 1984
CIRITH UNGOL One Foot in Hell album cover 3.52 | 15 ratings
One Foot in Hell
Heavy Metal 1986
CIRITH UNGOL Paradise Lost album cover 3.55 | 11 ratings
Paradise Lost
Heavy Metal 1991
CIRITH UNGOL Forever Black album cover 3.96 | 8 ratings
Forever Black
Heavy Metal 2020
CIRITH UNGOL Dark Parade album cover 3.67 | 3 ratings
Dark Parade
Heavy Metal 2023

CIRITH UNGOL EPs & splits

CIRITH UNGOL Half Past Human album cover 3.50 | 2 ratings
Half Past Human
Heavy Metal 2021

CIRITH UNGOL live albums

CIRITH UNGOL demos, promos, fans club and other releases (no bootlegs)

CIRITH UNGOL Cirith Ungol album cover 0.00 | 0 ratings
Cirith Ungol
Heavy Metal 1979
CIRITH UNGOL The Orange Album album cover 0.00 | 0 ratings
The Orange Album
Heavy Metal 1979

CIRITH UNGOL re-issues & compilations

CIRITH UNGOL Frost and Fire / King of the Dead album cover 5.00 | 1 ratings
Frost and Fire / King of the Dead
Heavy Metal 1995
CIRITH UNGOL Servants of Chaos album cover 5.00 | 1 ratings
Servants of Chaos
Heavy Metal 2001

CIRITH UNGOL singles (2)

.. Album Cover
0.00 | 0 ratings
Live
Heavy Metal 1996
.. Album Cover
4.00 | 1 ratings
Witch's Game
Heavy Metal 2018

CIRITH UNGOL movies (DVD, Blu-Ray or VHS)

CIRITH UNGOL Reviews

CIRITH UNGOL Forever Black

Album · 2020 · Heavy Metal
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siLLy puPPy
So much has happened since the legendary heavy metal band CIRITH UNGOL once roamed the Earth. This epic entity of classic metal mojo was very much at the forefront of the whole hard rock 70s morphing into the metal mayhem 80s having formed all the way back in 1972 in Ventura, California but not releasing its first independently released debut “Frost And Fire” until 1981. While this band was neck in neck with the more famous bands to emerge of the day, there was a bit of a problem in that these guys weren’t English and were upstaged by the metal British Invasion that included the usual suspects of Judas Priest, Iron Maiden and Saxon which meant the might UNGOL had to forge its steel on its own terms and in the process has gone down in the metal annals as one of the quirkiest bands ever to emerge in the nascent metal universe.

Despite the scant returns during the band’s initial run of albums from 1981’s “Frost And Fire” to 1991’s “Paradise Lost,” the band that exuberantly excelled in bringing J.R.R. Tolkien fantasy infused metal to the world remained somewhat obscure and lurked in the shadows of the commercial behemoths that dominated the MTV video drenched 80s however the decades have rightfully redeemed CIRITH UNGOL’s rightful status as one of the more innovative heavy metal bands of the era as new legions of headbangers have had the opportunity to experience the entire history of music on a level playing field courtesy of the miracle called the internet. As time has elapsed the mighty UNGOL’s contributions have finally been recognized and in the process catapulting the band’s albums “King Of The Dead” and “One Foot In Hell” into the undisputed classic zone of metal history.

A decade of gigging and demos aside, CIRITH UNGOL emerged in 1981 with its own epic style of heavy metal that delivered anthemic sword and sorcery themes coupled with adolescent angst and intense heavy guitar riffing that straddled the line between the trad metal bigwigs and the plodding doom metal riffs of Black Sabbath and Pentagram. Add to that the unique eccentric style of Tim Baker’s distinct shrill vocal power was capable of rousing the troops for a heroic journey into the world of sci-fi infused drama. Unfortunately due to a series of events that included on again, off again interest in band members, incessant delays with management, restructuring in the record company and changes in the music industry, CIRITH UNGOL finally succumbed to all the pressures and disbanded in 1992 but the spark was never extinguished and like the ring of power from the Lord of the Rings tales remained in existence albeit dormant. It would take another 25 years for the band to show signs of life, but once the resuscitation had begun, the revived CIRITH UNGOL was back with a vengeance.

While the core team members of Tim Baker (vocals), Robert Garven (drums) and Greg Lindstrom (guitars, keyboards) never officially declared that a reunion was out of the question, neither were they compelled to resurrect the legends of the past and it wasn’t until these guys realized that a huge fanbase that had accrued over the decades was demanding a return to the limelight so CIRITH UNGOL officially reunited and headlined the Frost And Fire II festival in the Majestic Ventura Theater where they packed the house filled with longtime fans and newbies who weren’t there the first time around. The event was a smashing success as these guys who lost their confidence to play the old material was hit by a tidal wave of inspiration and realized that CIRITH UNGOL was alive and well all those years. The first line of order was to find musicians to carry the torch of guitarist Jerry Fogle who sadly passed away in 1998 as well as finding a bass player who wanted to stick around for more than six months ( Flint, Bob Warrensburg, Vern Green and Greg Lindstrom have all played with the band.)

With a new lineup that includes Jarvis Leatherby on bass and Jim Barraza on guitars, CIRITH UNGOL has just released its first album in 29 years! Right away when you see the familiar album cover art of long time associate Michael Whelan on the band’s brand spanking new album FOREVER BLACK, it’s obvious that CIRITH UNGOL is back! With a set of nine tracks that sound like the 80s never ended and for those who have long remained disappointed with the 1991 album “Paradise Lost,” this new album is a virtual time traveling machine to another era will surely make up for all those lost decades. While it’s fair to say that there is nothing even remotely cutting edge or innovative about FOREVER BLACK, i can also say that that is not the point. In fact if anything this long awaited album seems to be a celebration of all the aspects of CIRITH UNGOL that borrows liberally from the first four albums. While it seems to be all the rage for long defunct metal bands to find a new lease on life in the modern era, more often than not we encounter a band that has lost its magic mojo but luckily that is not the case with CIRITH UNGOL.

FOREVER BLACK starts strong with a catchy classic 80s sounding instrumental intro “The Call” and blends in with the anthemic “Legions Arise” as if the band were announcing its resurrection from the dead and rallying the troops for an epic sword and sorcery battle carried out in the modern times. Immediately the most surprisingly aspect of all is not how perfectly crafted the new material is and how it resonates flawlessly with the band’s legacy but how incredibly well Tim Baker’s vocals have held up after so many decades and in many cases he exceeds his prowess in an incessant flow of energetic metal madness from one of the true pioneers of 80s metal. With “Frost And Fire” fury intertwined with “King Of The Dead” doom, FOREVER BLACK is the ultimate orgy of ideas from the band’s career all teased out into delicious deliveries of classic retro metal that actually succeeds on all fronts! Fast NWOBHM guitar gallops intersect with Pentagram inspired doom and somehow despite 29 years and two new members the band excels in recreating all those slightly off-kilter instrumental deliveries in abundance.

CIRITH UNGOL’s trick of the trade has always been to craft an album’s worth that offers a variety of shapeshifting sounds that keep the album from becoming stagnant and all those learned lessons haven’t gone forgotten over the years. FOREVER BLACK churns on from track to track with strong pungent hooks drenched in 80s metal attitude laced with the familiarity of themes of fantasy accompanied by pounding rhythmic drive, searing guitar solos and Baker’s idiosyncratic vocal attacks. While tracks like “Legions Arise” and the downtempo doom inducing “Stormbringer” are clearly the strongest tracks that unfortunately overpower the competition, the remaining tracks do not disappoint either as each presents a new aspect of the band without jettisoning that which came before. For a band that had no true intention of reuniting and basically only did so out of the sheer demand of the fanbase, it is really nothing less than amazing that an album like FOREVER BLACK has come into existence.

While it remains to be seen if CIRITH UNGOL is back for another run of albums or if this is a one time offering to appease the hungry fanbase, it goes without saying that if the fans were expecting the same sort of classic epic metal that the band is legendary for, then FOREVER BLACK will not disappoint in the slightest. If however you are expecting a new version of CIRITH UNGOL that brings their unique classic sound into the modern world then do look elsewhere! Even the production has a muddy quality to it and is perhaps the weakest aspect of the entire recording. While not exactly disturbing or unlistenable, the graininess suggests a deliberate attempt to keep FOREVER BLACK as authentically retro as possible. I would’ve preferred a bit more polish to the final mix but when all is said and done it’s the music that counts and with nine strong tracks despite hitting sheer perfection nevertheless scratch that itch for that album that should’ve been released over two decades ago. Very much surprised by this one and hoping that more is in the works. Bravo!

CIRITH UNGOL Frost and Fire

Album · 1981 · Heavy Metal
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While the New Wave of British Heavy Metal (NWOBHM) was gaining steam in jolly ole England in the 70s with bands like Judas Priest and Saxon gestating the stylistic approach into the behemoth musical style that would overtake the metal saturated 80s, similar bands existed elsewhere whether it be Germany’s Scorpions cranking out similarly minded heavy rock tunes or even Argentina’s Pappo’s Blues however there was a huge scene in the USA as well with bands like Riot, Alkana and Bang in the forefront of more metal infused hard rock. Add to that list another legendary act, namely CIRITH UNGOL which formed in 1971 in Ventura, CA and was well known for its fantasy based lyrics and power metal leanings long before its 1981 debut FROST AND FIRE.

While this band was in the same league as the early pioneers of the NWOBHM such as Iron Maiden, Angel Witch and Def Leppard, given the exclusionary premises of the ill-fated descriptor, such American based bands have been since been fitted with the tag of early US power metal which isn’t without its merits but hardly adequate. The decade of music that spanned from the band’s formation in 1971 and its debut a decade later is perhaps one of the most dynamic ten years in all of music history. The band started with the lineup of Greg Lindstrom (guitars, synthesizers), Robert Garven (drums), Jerry Fogle (guitars) and Pat Galligan (bass) as Titanic with an interest in playing hard rock that was similar to Mountain and Grand Funk Railroad and after changing their name to CIRITH UNGOL which refers to the mythical tower in the Tolkien universe. For this debut the lineup was Greg Lindstrom (guitars, synthesizers), Robert Garven (drums), Jerry Fogle (guitars) and Michael Vujea (bass) and Tim Baker on vocals.

FROST AND FIRE was hardly regarded as a classic at the time of release and although the album cover art by Michael Whelan suggests a connection to the rather mediocre animated flick “Heavy Metal” which came out the very same year of 1981, CIRITH UNGOL’s album is much more interesting than the lame soundtrack that supported that rather ho hum film. This debut album is sort of an anomaly in the CIRITH UNGOL canon as it’s more rooted in traditional heavy metal than the following albums that are slower that adopt many characteristics of doom metal. This one is much more diverse but generally speaking employs faster tempos and is much easier to latch onto upon a single listen. The opening title track is the perfect example as it implements a catchy rhythmic groove, guitar riff and captures the spirit of the early NWOBHM scene perfectly. Augmented by the rather idiosyncratic vocal style of Tim Baker, CIRITH UNGOL immediately stands out as an act that is utterly existing in its own paradigm and yet it was not only influenced by the past but provided a lot of inspiration for the bands to come.

While based in the as expected sword and sorcery fantasy world of early metal that was the norm, FROST AND FIRE exceeds in its ability to take heavy metal into unexpected terrain. Added to Baker’s idiosyncratic stylistic approach as vox box in chief, the album just plain rocks with seven disparate tracks that all partake in implanting a different approach. While the title tracks bursts onto the scene with a brash bravado, “I’m Alive” is a bit reserved but a careful analysis will reveal a close connection musically speaking to Iron Maiden’s “Revelations” on the “Piece Of Mind” album revealing how the mighty Maiden had its ears pricked far and wide to capture the sonic displays from afar. “A Little Fire” on the other hand finds CIRITH UNGOL as the borrowers of past ideas as it really does evoke a bit of Jimi Hendrix’s classic “Fire” albeit teased out into contemporary sonic regalia. “What Does It Take” may catch some flack for the cheesy synth sounds and slap bass effects that makes it sound like a new wave hit on MTV but personally i love this track as it adds a bit of contrast to the business as usual. Despite sounding as if it could’ve emerged as a harder edged song by The Cure, despite the synth-laced atmospheres delivers all the metal creds in abundance.

“Edge Of A Knife” displays a rather proto-metal sound that seems like it emerged from the band’s earliest days but offers a chorus that sounds an awful lot like Judas Priest’s “Breaking The Law” so it goes without saying that CIRITH UNGOL was a fan of the NWOBHM even if they as a band emerged before its official inauguration into the world of heavy metal. “Better Off Dead” starts off with a drumbeat that ushers in a funky bass groove way before funk metal was a “thing” but also seems to add a few parts that Cinderella took liberties in borrowing on their single “Somebody Save Me.” Just check out the “Shot o’ gasoline” part of Cinderella’s single. The album ends with the very unique sounding instrumental “Maybe That’s Why” which sounds somewhat like as Lynyrd Skynyrd song progression at first but then engages in a unique guitar stum-athon with bluesy licks and despite sounding out of sync with the rest of the album displays the band’s interest in varying styles of musical format. Pretty cool if you ask me.

For some reason, CIRITH UNGOL’s debut album FROST AND FIRE gets panned a lot for not being on the same league of the more focused “King Of The Dead” and “One Foot In Hell” but i guess i’m in the minority in actually liking the different styles on display on FROST AND FIRE which display a band in a free-for-all modus operandi of just doing whatever the fuck these band members want to! Granted a lack of focus can diminish from an experience but nothing on FROST IN FIRE does just that. Everything on this debut is kept within a certain parameter of focus but yet allows a bit of creative mojo to ooze out from the big bang of creative explosive music magic. For that i love this debut by CIRITH UNGOL and all i can say is that the naysayers probably have never heard this album (in remastered form of course) on a ridiculously expensive stereo system on a road trip. OMG! After experiencing this album in a much more intimate setting, i TOTALLY upped my appreciation. Just sayin! Classic classic classic!!!! BTW the eighth track “Cirith Ungol” on many releases is a BONUS track on reissues. Nice but from the doomier side of the band’s sound beginning with the next album.

CIRITH UNGOL Paradise Lost

Album · 1991 · Heavy Metal
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Warthur
The good but not great conclusion to the band's career. Paradise Lost includes a cover of Fire by The Crazy World of Arthur Brown, which whilst enjoyable doesn't quite reach its full potential - in particular, Tim Baker's sneering vocals don't quite capture the majesty and confidence of Arthur Brown's legendary delivery. On the whole, it's a microcosm of Cirith Ungol's career - fun, listenable, and a good pick if you're particularly into metal harking back to the 1970s, but at the same time they never quite reached their full potential for one reason or another. Worth getting if you can track it down at a reasonable price, but not worth moving heaven and earth for.

CIRITH UNGOL One Foot in Hell

Album · 1986 · Heavy Metal
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Warthur
The third Cirith Ungol album isn't as highly regarded by the band as its predecessor, and for good reason. With modern NWOBHM-ish influences creeping into their sound more than ever, the album gives the impression of a band at a crossroads - do they continue on the doomy path they'd planned out for themselves, or do they embrace newer influences and refresh their sound? Unfortunately, One Foot In Hell doesn't give the impression the band had any clear idea of which direction they wanted to go on, with the end result that it's an album that neither revitalises the band's sound nor is particularly true to their former approach. It's entertaining and enjoyable, but it's far from being a classic.

CIRITH UNGOL King of the Dead

Album · 1984 · Heavy Metal
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Warthur
The second Cirith Ungol album is more in tune with the doom metal sound the band is famous for, and coming out as it did in 1984 has a fair claim to being one of the foundational albums of post-Sabbath doom metal, alongside the debuts by St Vitus and Trouble which came out the same year. Whilst the adaptation of Toccata in D Minor is rather ponderous and predictable, the album as a whole is a great combination of Sabbath-esque riffs and wailing, shrieking vocals. These epic SF/fantasy songs represent some of the heaviest doom metal of the earliest 1980s and are recommended to all fans of traditional doom.

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