Time Signature Now and forever...

Genre: progressive power metal

The metal opera concept is definitely hugely popular in progressive metal these days with projects like Star One, Ayreon, Trans-Siberian Orchestra, and Consortium Project being hugely successful. Epysode is such a project, and Fantasmagoria is their second album.

As on the debut Obsessions, the music found on Fantasmagoria is a type of progressive power metal wrapped in an appropriately polished production. With songs primarily built upon heavy and groovy riffs, there definitely is a heav edge to this album. Still, as they showed on Obsessions, melody is an integral part of the Epysode sound, and there is plenty of melody on this album – be it in the shape of the power ballad that is 'Fantasmagoria' or in the shape of the compelling vocal melodies of 'Living Fortress' or 'The Inheritance'. There are very few quirky elements on the album, and its progressive nature consists more in the metal opera format and the general sophistication that characterizes it. Another progressive element is the use of keyboards akin to, but not as self-indulgent, as what you might hear on a Dream Theater album, a successful example of which is found in 'Forgotten Symphony'.

The multiple-vocalists format works well most of the time, adding variation and a multifacetted character. The musicianship is top notch, and the listener is treated to impressive solos on both keyboards and guitars. The production, which was done by Jacob Hansen, is, as mentioned, polished, but with this kind of music, the production must be polished to bring out the best of the progressive and epic details.

In all, this is a solid progressive power metal album which should click immediately with fans of the metal opera format.

(review originally posted at seaoftranquility.org)

Time Signature First blood...

Genre: progressive metal

With members from Pain of Salvation, Virus IV, Ethernity, At Vance, Adagio, and Communic among others Epysode surely is somewhat of a supergroup.

Stylistically, this is progressive power metal with focus on melody and vocals. There are no less than five vocalists, each with their own unique singing style, and this obviously generates of variation in the vocals department and and there are plenty of harmonies and duets, and other interesting goodies. This does not mean that the music is deprioritized; like the singers, the musicians are highly skilled. The music is varied and dynamic, and alternates between rich and heavy sections, groovy sections, more melodic sections, ballad passages and more traditional power metal sections, and the keyboards contribute with both symphonic and spacey effects.

Epysode belong to the same category as Star One, Ayreon, Trans-Siberian Orchestra and Consortium Project - that is, multi-vocalist metal opera projects whose releases are typically concept albums. In this case the lyrical concept blends horror and crime, and thus Epysode's "Obsessions" has something in common with acts like King Diamond and Albatross.

Unlike some of my fellow reviewers, I do not think that the production is too polished, and my impression is that the production suits the style and mood(s) on the album quite ell.

Epysode's "Obsessions" is a solid progressive power metal opera release, and is recommended for fans of prog power metal in general and fans of Ayreon, Star One and similar bands specifically.

J-Man The major success of star-studded metal operas from acts like Ayreon, Star One, and Avantasia has clearly had a large impact on the progressive power metal landscape, and now it seems that more and more seasoned musicians are taking a stab at this format of music making. Epysode is Samuel Arkan's (of Virus IV fame) first attempt at a bombastic prog metal opera, complete with a lyrical concept, top-notch guest vocalists, and impressive session musicians. Obsessions is the first (and hopefully not final) album from this project, and the sleek melodic progressive power metal style exemplified here is sure to win over fans of Evergrey, Symphony X, Star One, and the like. Obsessions isn't without its flaws, but it's an impressive debut from this ambitious project.

One glance at Epysode's lineup is sure to have plenty of progressive metal fans drooling all over their computer screens. In addition to guitarist Samuel Arkan of Virus IV, you also have Kristoffer Gildenlöw on bass (Pain of Salvation, The Shadow Theory, For All We Know), Leo Margarit on drums (Pain of Salvation), Christophe Godin on guitar (The Mörglbl Trio), and keyboard player Julien Spreutels (Ethernity). As you can probably imagine, the musicianship is just about as professional as it gets - the rock solid rhythm section, blinding guitar leads, and tasteful keyboards always get the job done right, and it's always a pleasure to hear such a fantastic cast of musicians on one album. The vocal cast is just as, if not even more, appealing than the instrumental lineup - the singing talents on Obsessions further deepen the conceptual feeling of the album, and the vocalists themselves all deliver fantastic performances. A lineup that consists of Kelly Carpenter (Beyond Twilight, Darkology), Oddleif Stensland (Communic), Rick Altzi (At Vance, Thunderstone), Magali Luyten (Ayreon, Beautiful Sin, Virus IV) and Liselotte Hegt (Ayreon, Dial) should undoubtedly catch the eye of most prog/power metal fans.

In addition to the strong musicianship in all departments, the music and lyrics are also exceptionally well-written and cohesive. Epysode embrace the concept album format on Obsessions, and the lyrics tell a story about a police officer who must investigate a strange string of homicides that lead him to multiple supernatural encounters that slowly unravel more and more about the mysterious crimes. A very interesting and original concept indeed, the lyrics of Obsessions often bring the epic heavy metal horror stories of King Diamond to mind. The songwriting is a bit "conventional" by progressive power metal standards, but I don't mean that to sound like a bad thing at all. Expect plenty of heavy riffs, melodic choruses, and instrumental acrobatics on Obsessions - a band like Everygrey certainly wouldn't be a bad point of reference. I would've liked a bit more originality and experimentation in Epysode's sound, but it isn't a major issue when the music is this well-written and professionally crafted.

My major gripe with Obsessions ultimately lies in the hands of the production. Despite being mixed and mastered by famed metal producer Tommy Hansen, I can't shake the feeling that the sound here is exceptionally weak. Not in a "lo-fi" sense, but more in the generic, overproduced, and sterile nature of the production. While that's not a crippling flaw by itself, the super-loud mixing gives Obsessions an almost "muddy" quality that I doubt was the intended effect.

Epysode may not have crafted a flawless debut here, but it's a very solid effort that fans of progressive power metal will undoubtedly get a kick out of. If you also enjoy a nice thriller concept story, that's yet another reason to give Obsessions a shot. A big 3.5 stars are deserved in this case. Obsessions is an impressive album marred by a weak production - if you're able to easily look over production-related flaws, I'd recommend this album in a heartbeat. One of the better progressive power metal albums from 2011 for sure, people who enjoy the catchy intricacy of Evergrey's early albums, the heavy-edged prog metal of Symphony X, and the operatic tendencies of Ayreon should be sure to give this debut album a shot.