aglasshouse
Any person with half a semi-rational head between their shoulders should be able to tell you in good conscience that alternative hard rock was the king of the 90's. In both sales and popularity, bands like Nickelback, Creed, and a plethora of others quite literally became millionaires in the span of only a few years. A large criticism of these groups was their indistinguishability from one another, as they all seemed to play the same brand of commercially friendly riffage and golf-ball-in-the-throat croons. Looking back, these criticisms were certainly well-justified, but it's also easier to tell apart the higher quality hard rock bands from others.
I believe that Tennessee-based Fuel is one of these higher quality groups. Their history stretches back to 1994 when they emerged as a post-grunge band under the name Small the Joy. After a name change that year, the band would go onto release a variety of DIY EPs. One EP in particular, titled Porcelain, featured the band's first breakout single 'Shimmer' (which remains the band's most popular song today), which more or less got the EP an unprecedented 5,000 copies sold. Record labels were quick to notice a potential profit, particularly Epic Records who swooped up a record deal with them as soon as possible. Two years and one more EP later the band would find themselves presented with a major-label debut, one they called Sunburn.
Aside from being enormously popular, going platinum in only two years, Sunburn is still the crowning achievement of the band. Showcasing some of Fuel's most fun-loving endeavors, the overall quality of the album remains still enjoyable even after almost two decades. This is less due to really the skill of the band members and more to the fact that the songs they play are catchy as all hell. This factor can be a bit obtuse if you're extremely critically minded, and I'd hate to employ a "turn your brain off" methodology to enjoy this album, but I believe to a certain extent it is required. It should be a given though that that makes this album isn't exactly formidable or even sophisticated, but I don't believe that really was Fuel's intention. If it's a mission to rock, then I can't really fault them because they do numerous times. In particular, 'Ozone', grooves with the ferocity of a swagger-filled city slicker, as well as 'Jesus or a Gun' being more along the grunge of the Foo Fighters. The tracks, while being crunching, fast-paced and aggressive, don't exactly stick out too much from one another, other than the aforementioned two, but it really adds to the easy-on-the-ears experience if you're planning on listening to the album in one go.
If you're a stiff-lipped music critic who has no intention of letting loose with some undeniably low-brow music, let me be clear that Fuel's work or at least this one is not for you. Even I'm still sort of on the fence about it, even after all these years. All in all though if you are looking for a flash-fire of enjoyment, then Fuel's Sunburn delivers it like a one-two-punch.