GUARDIANS OF TIME

Power Metal • Norway
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Sometime in 1997 a handful of bored Norwegian metalheads were drinking beer at the local pub. Someone around the table came up with the idea to form a band. They were all playing an instrument and hade the same musical preferences, so why not? What started out as bored musicians killing time, soon developed to something a lot more serious during the next 2 years. And somehow during this time they stumbled upon something great; their own sound!

By the end of 1999 they felt their songs were strong enough for a professional level, and in January 2000 they recorded their first demo, entitled "Soul Reaper", containing three songs. (Torn Apart, As the Morning Rise and Soul Reaper) The demo received very good reviews from both record labels and magazines.

The demo caught the attention of the German Axel Thubeuville of Shark Records who signed the band, and the debut
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GUARDIANS OF TIME Discography

GUARDIANS OF TIME albums / top albums

GUARDIANS OF TIME Edge of Tomorrow album cover 4.00 | 2 ratings
Edge of Tomorrow
Power Metal 2001
GUARDIANS OF TIME Machines of Mental Design album cover 4.33 | 3 ratings
Machines of Mental Design
Power Metal 2004
GUARDIANS OF TIME A Beautiful Atrocity album cover 3.96 | 4 ratings
A Beautiful Atrocity
Power Metal 2011
GUARDIANS OF TIME Rage and Fire album cover 4.50 | 2 ratings
Rage and Fire
Power Metal 2015
GUARDIANS OF TIME Tearing Up the World album cover 4.50 | 1 ratings
Tearing Up the World
Power Metal 2018

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GUARDIANS OF TIME Soul Reaper album cover 0.00 | 0 ratings
Soul Reaper
Power Metal 2000

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GUARDIANS OF TIME Reviews

GUARDIANS OF TIME Tearing Up the World

Album · 2018 · Power Metal
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DippoMagoo
Over the years, I have discovered quite a few bands that failed to make much of an impression on me at first, only to come back to them somewhere down the road and suddenly find myself hooked on their music. One such example is Norwegian power metal band Guardians of Time. My first time hearing the band was with their 2011 release A Beautiful Atrocity, which initially did very little for me, and left me quite unimpressed. However, when the band released their next album, Rage, and Fire, in 2015, I decided to give them another shot, and this time around I found myself instantly wowed by their brand of hard-hitting, fast-paced power metal. It turns out, that one release I tried before had been a bit experimental, and even to this day, while I certainly enjoy it more than I did initially, it still remains my least favorite by the band. Now, three years after me becoming a fan, the band is set to release their fifth full-length release, Tearing Up the World, and this one is certainly more of an instant classic than any of their others I’ve heard, so far!

The band has changed their sound quite a bit over the years, but on their previous album they played a very aggressive, guitar-driven brand of power metal, similar to what one would expect from a German band, and this has continued with Tearing Up the World. In fact, this is definitely the fastest paced, most intense album I’ve heard by the band so far, with the majority of the tracks being very up-tempo while striking a perfect balance between frantic verses and very melodic, catchy choruses. There’s some slightly thrashy guitar work at points, as well as brief bursts of harsh vocals, most notably on “Valhalla Awaits”, but for the most part, this is about as pure a power metal album as you’ll ever hear. Performances are strong across the board, with the crunchy guitar work, in particular, being a highlight, with a mix of excellent riffs and grand solos, while the drums are also quite interesting and rather complex at times. Songwriting is excellent across the board, and while the songs are generally fast and straight-forward, there are a couple slower tracks to serve as a nice change of pace, as well as just enough surprises thrown in to keep the album feeling fresh and inspired the whole way through.

One element of the band I needed some time to get used to is vocalist Bernt Fjellestad. At the time I first heard the band, I was not really into rougher power metal vocals, which was obviously a problem, because that’s exactly what Bernt does. He has a rather deep voice and can get very animated at times, coming pretty close to screaming at the top of his lungs on occasion, while generally being quite fiery and powerful. He can deliver choruses nicely and does so frequently on this album, and he also does a good job of singing softly from time to time, but for the most part, he sticks to being very intense, and he isn’t afraid to throw in some epic falsettos, either.

I’ve found past Guardians of Time albums to be a bit slow starting, but it’s safe to say, that’s not the case with Tearing Up the World. The album gets off to a blistering start with the explosive title track, which opens up with some hard-hitting riffs that would feel right at home on a modern melodic death metal album, and indeed we get our first glimpse at some brief harsh vocals during the second verse. The song overall is fast, intense, and has an excellent chorus, as well as a fun solo section, and it certainly gets the album off to a strong start. The pace drops slightly on “Raise the Eagle”, a lighter, more melodic track, which introduces some light keyboards. It has a very classic power metal sound to it, alternating between mid-paced verses and a fast, very melodic chorus, and it has one of the most melodic and impressive solo sections on the album. Next is “We Bring War”, a hard-hitting song, which also had fairly slow verses, before speeding up for a frantic and intense chorus, which stands as one of the bands on the album.

The album only picks up further with “The Burning of Rome”, one of the fastest tracks on the album, slowing down briefly during the first verse, before picking up the pace and never looking back. It has probably the catchiest, the most epic chorus on the entire album, as well as one of the more relaxed performances from Bernt, which ends up paying off in a big way. Following that, “Kingdom Come” is even speedier and doesn’t slow down at all, with some excellent rhythm guitars and drums throughout, as well as a very frantic but melodic chorus. It’s short, but definitely one of the most addictive tracks on the album. The first curveball comes next, during “Valhalla Awaits”. The song itself is typical high energy power metal, as always, with some very fun, melodic verses, but it’s during the chorus where it takes a surprising turn. The guitar work stays very melodic throughout, but the vocals are performed by former Immortal vocalist Abbath, who uses his usual blackened growls. Honestly, I usually don’t mind harsh vocals in power metal, but I find the vocals really clash with the melodic chorus here, and if anything would fit better on the verses, or even on one of the heavier tracks on the album, such as the title track or “We Bring War”. To have placed them on such a melodic track feels like a bit of a mistake to me, and causes the song to be my least favorite, even though the rest of the track is still up to the excellent quality of the rest of the album.

After that slight disappointment, the band bounces back with yet another super fast track in “Brothers of the North”, this time offering up some very intense verses, before giving way to one of the most melodic and well-sung choruses on the album, making it an instant favorite. The last run through is especially inspiring, and overall it’s simply an addictive track. In case anyone thought the band was incapable of slowing things down, “Light Won’t Shine” comes in to offer a sledgehammer to the head of that theory. Indeed, it’s a slow but very hard-hitting crusher of a track, with some especially hard riffs during the verses, giving way to an excellent chorus. It’s both a nice change of pace and an excellent track on its own. Next is “As I Burn”, the other track on the album to feature guest vocals. It’s another speedy track, with slight thrash influences to the guitar work, which fits perfectly as the guest here is Tim “Ripper” Owens, using his typical falsetto vocals to great effect. There’s a nice guitar solo near the end, with some slight Maiden influences, and overall it’s another excellent track. The second and last slower song on the album is “Drawn in Blood”, a very folk-influenced song, with some folk melodies thrown into the guitar work. It’s the most relaxing track on the album, with some excellent melodies, as well as some more lighter vocals from Bernt, and while it’s fairly short-lived, it’s certainly a very fun, catchy track, and stands as my personal favorite, just because it’s such an effective change of pace, and because I love the folk melodies. Closing out the album is “Masters We Were”, another fast-paced track with an excellent chorus, and some excellent melodic guitar work, as well as probably the best solo section on the album. It closes out the album in great form and is another one of my personal favorites. As a bonus, the band has offered up a live performance of “Empire”, a track from Rage and Fire, and it’s a fine performance, with everything sounding near identical to the studio version.

I was hoping for Tearing Up the World to be a fun, hard-hitting power metal album, and it’s exactly that, except with a few nice surprises thrown in, as well as one slight misfire. Aside from that one chorus, though, the album is excellent the whole way through, giving listeners plenty of excellent fast and furious power metal moments, as well as a couple very effective slower tracks. It’s my favorite Guardians of Time album to date, and one that can easily be recommended, both to fans of the band as well as to anyone looking for some great guitar driven power metal, as it’s definitely one of the best released this year.

originally written for myglobalmind.com: https://myglobalmind.com/2018/10/13/guardians-of-time-tearing-up-the-world-review/

GUARDIANS OF TIME A Beautiful Atrocity

Album · 2011 · Power Metal
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Stephen
The last time you heard of this band is probably in 2004 when they released 'Machines of Mental Design', and after 7 years of silence, they're back with 'A Beautiful Atrocity', and damn me if this one ain't a strong come back, in love with this after only one single spin. Probably you'll be curious what's inside like a virgin boy peeking a hole to see a hot lady showering up, a hint for you that a lot of influences from many metal genres bounded together such as progressive, European power metal, and classic heavy metal. Melodic metal with a decent prog twist might be a good summary of their core engine.

"Perverse Perfection" started in a midtempo fashion and explosive riffs before they're building up the tempo and packed it with a great combo of melodic and prog metal. The solos are mindblowing and definitely a great track to start. "God V2.0", a lousy title but a very strong track. Traditional metal style, awesome chorus with blistering drummings. The guitarworks are monster, another personal fave. "Monster" is a good Rhapsody of Fire-influenced track but "Mind Divided", "Sleep Eternal", and "Only In A Dream" are examples of their boring mode.

Despite "The Man" which is a confusing bluesy feel track for metal fan but still a good one for me, the rest are excellent tracks. "Altered In Red" is a superb melodic metal tune and that also goes for "Dreamworld Messiah" which has a trace of Iron Maiden influence on it. "Heart of Darkness" and "I Sinner" are both spectacular and "Tide of Time" reminds me a lot of Edguy's "Hellfire Club" era and definitely another winner from the band.

Bernt Fjellstad has a great range of vocal, the production is also great, and everything you need from a wonderful prog/melodic metal thing is here. Influences are sure come from those classic giants such as Helloween, Symphony X, Stratovarius, and Edguy, and many songs are in 3-5 minutes range so it's pretty much accessible to most casual fans. A great one from Norway that's right up my alley, not very original and some tracks are passable, but kudos on the excellent work!

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