MARCHING MIND

Progressive Metal • Canada

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MARCHING MIND hails from Vancouver, Canada. The band was formed by Jeremy TARDIF (vocals, keyboards) and Chris NEAL (guitar). Both had played together since 2005. The duo wrote and album worth of songs before they were joined on bass and drums by Will GODALL and Chris NEAL. The self-titled debut album was released in 2010.

The band plays a mix of Prog, Grunge and Metal, in the same vein as VOIVOD's Angel Rat.

Biography by Bonnek

Thanks to bonnek for the addition

Marching Mind - Live @ Pub 340 May 13 2010 - "Mission"
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Marching Mind - Live @ Pub 340 May 13 2010 - "Forgotten Face"
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Data Complex online metal music video by MARCHING MIND

Data Complex
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MARCHING MIND Discography

MARCHING MIND albums / top albums

4.27 | 3 ratings

Marching Mind
Progressive Metal 2010

MARCHING MIND The Sickness And The Theory album cover

3.86 | 3 ratings

The Sickness And The Theory
Progressive Metal 2012

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MARCHING MIND Reviews

MARCHING MIND The Sickness And The Theory

Album · 2012 · Progressive Metal

UMUR

"The Sickness And The Theory" is the 2nd full-length studio album by Canadian, Vancouver based progressive rock/metal act Marching Mind. The album was released through Fivebyfive Records in February 2012. Compared to the band´s self-titled debut album, which had a catchy and imidate nature (while still challenging the listener with progressive ideas and structures), "The Sickness And The Theory" is quite the ambitious and challenging size.

...we´re talking a nearly 70 minutes long concept album, with an emphasis on dynamic playing and atmosphere. While the debut album featured a lot of spacy sounding synths to go along with the sci-fi imagery/lyrics, the keyboard weapon of choice on "The Sickness And The Theory" is piano. The piano actually has a very dominant role on the album, which provides the music with a pretty different sound compared to the more guitar driven debut album. It´s probably the consequence of "The Sickness And The Theory" being written more as a group effort, where the debut was mostly written by guitarist Chris Neal and lead vocalist/keyboard player Jeremy Tardif. Especially the latter seems to have been given more room and influence on the sound.

The tracks generally appear more progressive in structure than the case was on the debut and they are also longer. Most tracks on the album are between 7 and 13 minutes long. The short piano intro "Conception" and the epic and melancholic "Borne Upon Tears" (which in some ways reminds me of "I Remember" from "A Social Grace (1990)" by Psychotic Waltz) are the only exceptions. To begin with I wasn´t too impressed by the often structurally complex tracks as I didn´t think they stood out enough and because the melodies didn´t imidiately click with me. "The Sickness And The Theory" is what I´d call a grower though, and it´s certainly an album that both requires and deserves multible spins. At 68:29 minutes it´s maybe sligthly too long for it´s own good, but on the other hand I wouldn´t want to miss out on some of the closing tracks like "Locust Enigma" or the 13 minutes long "Convergence". So while especially the songlines/vocal melodies take a while to get into and remember and the song structures are at times so complex that after a couple of minutes you begin to doubt if it´s the same track still playing, "The Sickness And The Theory" is still a very strong effort by Marching Mind. The fact that the musicianship is excellent and the sound production professional and well sounding aren´t exactly issues either.

I like the fact that even though artists like Rush and Voivod and various early- to mid nineties Seattle rock acts are an audible influence, Marching Mind still have a sound of their own and with "The Sickness And The Theory" they prove that they still develop on that sound. This is a "true" progressive rock/metal act continuously pushing boundaries and exploring new territory. A 4 star (80%) rating is deserved.

more than 2 years ago
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MARCHING MIND Marching Mind

Album · 2010 · Progressive Metal

UMUR

"Marching Mind" is the self-titled debut full-length studio album by Canadian, Vancouver based progressive rock/metal act Marching Mind. The album was released through Baby.Com/Indys in November 2009. Jeremy "Diebux" Tardif (vocals, keyboards) and Chris Neal (Guitar) met in 2005 and wrote songs and played together in another band, but after that band split-up, it took a couple of years before the two met again. When they did, it was with a renewed enthusiasm and they wrote enough material for a full album before recruiting Will Goodall (bass) and Sebastian Leger (drums) to complete the lineup and record "Marching Mind".

The music on the album is alternative/progressive rock/metal which certainly don´t deny the band´s Candadian musical heritage but don´t plagerize it either. We´re talking influcences from especially early 90s Voivod (their alternative/progressive period), post 2000 Voivod and late 70s/early 80s and mid- to late 90s Rush, but Marching Mind expands on those influences and have created a sound of their own. For example I´d mention a band like Pearl Jam as an influence too. There is something about the vocal lines and occasionally also the way Jeremy Tardif sings that remind me of the latter mentioned act. Because of the sci-fi themed lyrics and cover artwork it´s probably Voivod I´m mostly reminded of though.

The music is predominantly guitar driven but with a fusion influenced rythmic foundation. Besides the memorable vocal lines and strong vocal performance by Jeremy Tardif, which provides melodic texture to the music, there is also occasional use of keyboards in the music. Sometimes it´s piano, like it´s the case in "Mission", and sometimes it´s more spacy sounding synths which are used. No matter what type of piano/keyboard og synth sound are used they are always incorporated in a very tasteful way. This is by no means a keyboard dominated album but their presence add an extra dimension to the music that´s greatly enjoyable.

The 52:01 minutes long album features 10 tracks of intriguing and well written progressive rock/metal and while my initial listen didn´t reveal it, repeated listens have revealed great songwriting depth and variation too. Tracks like the dark and haunting "Mission" and the beautiful closing track "Awakening" bring diversity and flow to the album while tracks like "Data Complex", "The Harbinger" and "Luminous Descent" both challenge me and also have emotional impact on me. I admire the way Marching Mind strike the fine balance between complexity and immediancy/accessibility. It´s not as easy as it may sound.

Featuring a rich, warm and organic sound production the album comes off as highly professional and I´m actually quite impressed by how well sounding the album is considering the fact that this is a debut album by a relatively unknown act.

"Marching Mind" is upon conclusion a great album in almost every aspect. Professional and well sounding production, strong musicianship and intriguing compositions. The fact that it´s a debut album only further enhances my admiration for the band. Few are able to produce albums this strong in their first try. A 4 - 4.5 star (85%) rating is fully deserved.

more than 2 years ago
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MARCHING MIND Marching Mind

Album · 2010 · Progressive Metal

bonnek

Marching Mind are from Vancouver, Canada, and there's no better way to describe their debut as a 2010 incarnation of the best Canada had to offer in previous decades, a mix of 77-81 Rush and 89-93 Voivod. But it's no mindless copy of those bands. The presence of their spirit is quite obvious but there's not one riff or melody that sounds like it's nicked one from the masters. Also, they never sound retro or old-school but very fresh and vibrant.

The focus on the album is the songwriting, which is quite brilliant to my ears: original and both catchy and complex. Guitarist Chris Neal is a marvel, switching between acoustic and electric, he rushes through an abundance of ideas, as if he opened a long-lost bag of Alex Lifeson riffs. Also drummer Sebastien Leger has a sound and style very similar to Rush, but less ornamental, laying low on the fills and ruffles. The bass and vocals are different though; the bass is quite sober but still very present and fluent, while vocalist Jeremy Tardif sounds not entirely unlike Voivod's vocalist in a melodic mood, as on "Angle Rat" and "Outer Limits". But his voice is less strained, limited in scope maybe but used very wisely, well aware of its limits and possibilities. He also handles the keyboards, used very sparsely but always very fitting and refreshing where they feature.

The most surprising and admirable about this album is the balance that this young band reached. Their way of playing is definitely Prog Rock/Metal, meaning technical, busy, complex and unconventional, but it's done very maturely, with fitting restraint: when there is a keyboard part, the guitars are put to the background or even absent, when there's a solo there is no rhythm guitar, when the vocals come to the fore, there are no keyboards and so on. In combination with the effective playing style of every band member the album never gets too busy or frantic, but remains very open and spacious. This music really breathes!

A marvelous 9/10 album, and I assume this band still has growing potential. Great debut, highly recommended for fans of classic Rush with a modern vibe.