adg211288 There are plenty of metal bands out there whose output is best described as reliable. They are the type of band who prove themselves consistent time after time, but or the same reason don't usually offer up anything that will surprise you. I usually don't brand an artist like this unless they have five or more albums to their name but with their third album Master Creator (2016) German power metal act Sinbreed have taken another step to being one of these acts. When describing their music comparisons to Blind Guardian are easy to make due to the presence of Frederik Ehmke on drums (the previous album Shadows (2014) also featured guitarist Marcus Siepen but he's stepped down from Sinbreed on this album), but they are not a clone act along the lines of Savage Circus. Just on the same page. If you enjoy the harder edges German sound of the power metal genre, Sinbreed is a band you need to be listening to.

Master Creator, as hinted above, isn't going to serve up anything of surprise to anyone who has heard either of the previous Sinbreed albums, When Worlds Collide (2010) and Shadows, or even to those who know what the typical German power metal sound is. There are some bagpipes on the last track On the Run, but as any Blind Guardian or Grave Digger fan will tell you, that's not at all unusual for German power metal. The whole 'it's quite typical of the genre' description makes the band and this album seem lesser than they actually are though, because while Sinbreed aren't reinventing any wheels they have always clearly been a band who know what they're about and that's why their albums always come across as being of very high quality. A go in and get the job done with minimal fuss kind of band. While not very exciting to explore since you know what you're getting, acts and albums like this rarely fail to hit the spot they're aiming for and that's definitely the case here as well.

Sometimes acts like this really hit one out of the park as well, but most of the time they're just very consistent. I will be honest here, out of the three Sinbreed albums to date this one does rank third to my ears, so its not one of those home run albums. It's another solid album from them though and highlights from the tracks this time around include the opening duo of Creation of Reality and Across the Great Divides along with the Master Creator title track and The Riddle. I think it mostly seems a step back from Shadows because the previous album seemed to be hinting that they were developing some more thrash metal based influences which would have really stirred up their sound a bit if they'd taken them further here, but such a thing hasn't materialised.

Master Creator is worth picking up if you're already a fan of the band/genre but if you're only just discovering Sinbreed I recommend starting at the beginning with When Worlds Collide. Now that's an album and a half if ever there was one...this is good supplemental material though.

DippoMagoo As much as I enjoy German power metal, I’ve found that lately aside from the always reliable Blind Guardian, it’s been smaller bands impressing me much more than the big names. One of these bands to impress me most over the past few years has been Sinbreed, who made quite the impressive debut in 2010 with When Worlds Collide, and delivered another very strong album in 2014 with Shadows, so when I heard they had a new album coming in 2016, it immediately became one of my more anticipated early year releases. Well, their third release Master Creator is now nearing its release date, and I am excited to say it not only lives up to previous Sinbreed releases, but has already left me more impressed than Shadows did.

There’s been only one change in the Sinbreed camp in between releases, which is the departure of guitarist Marcus Siepen, who left so he could focus all his energy on touring with his main band Blind Guardian, though his band mate Frederic Ehmke remains as the drummer.. For the most part, the lineup has seen little change since their debut, so it’s no surprise that Master Creator is the same brand of aggressive guitar driven power metal with the huge choruses that the band has always delivered. Like with Shadows, the guitar work occasionally ventures into thrash territory, especially on the more subdued than normal but still fast “Behind a Mask” and the very fast paced, extra heavy “The Riddle”, which is one of my personal favorites. On the whole, though, I find this album to be a little more melodic than Shadows, and it features even bigger choruses and more memorable vocal melodies than that album had, with Herbie Langhans delivering some of his best vocal work yet. The majority of the album is very fast paced, as fans would expect, and it’s mostly in line with the first two releases, but I find a couple tracks to be a bit surprising in a positive way, and this helps take the album to the next level.

Opening track “Creation of Reality” is exactly what fans would expect. It starts off with a nice melody before launching into some heavy riffs during the verses, then opening up for huge vocal melodies during the chorus, and all around it feels like the perfect way to start this kind of album, just like “Bleed” from Shadows and “Newborn Tomorrow” from When Worlds Collide. The next track “Across the Great Divide” is even faster paced and more melodic, and is another track that plays to the bands strengths. Other excellent tracks in the same vein are “Moonlit Night”, which starts off a bit slow and more atmospheric during the verses, before picking up big time during the chorus, the title track, “Last Survivor” and “The Voice”.None of these tracks are overly surprising, but the performances are so strong, the production so perfect and the songwriting so good that they all instantly stick in the listener’s head anyway, and provide some excellent power metal.

Moving on to the two biggest surprises on the album, we start with “At the Gate.” This track starts off with just the piano and Herbie, who sings in a register that can be described as lower than his normal voice but still not quite as low or dramatic as his recent guest work for Avantasia, before the guitars kick in during the second verse and it turns into a really good power ballad. This is the biggest surprise on the album, because previously the band had delivered nothing but up tempo tracks, and had certainly never done anything this quiet, but they actually pull it off very well and the vocals stand out as a major highlight, like usual. The other surprise is the closing track “On the Run” which starts off like a fairly typical Sinbreed track, before turning extra happy during the chorus, and it has just a slightly more epic feeling to it than normal, and then towards the end some folk elements are added in to give it an even more upbeat feel. It’s not what I was expecting for the closing track, but it leaves with me with a very happy feeling and it’s both my favorite track on the album and possibly my favorite Sinbreed song ever, so I’m glad they tried something a bit different, and I certainly won’t complain if they do something similar on future albums.

Overall, Master Creator is a case of a band delivering everything that’s expected of them and then going just a little bit further, by adding in a couple unexpected tracks, making it an early year highlight for power metal fans, and an album that easily stands up to their impressive debut, while at least in my eyes, surpassing their previous album. Highly recommended for fans of Sinbreed, Blind Guardian, and anyone who prefers the more aggressive, guitar driven side of power metal.

(originally written for myglobalmind.com: http://myglobalmind.com/2016/02/01/sinbreed-master-creator-review/)

adg211288 Shadows (2014) is the second full-length by German power metal act Sinbreed. These guys can be considered a pretty big deal on the German power metal scene due to a pretty major artist connection they have: Blind Guardian. While drummer Frederik Ehmke has been with Sinbreed since they were known as Neoshine and played on their debut When Worlds Collide (2010) from 2012 onwards the band has also featured Marcus Siepen in their line-up as a second guitarist, bringing them up to a five piece act.

It probably will come as no surprise then that Sinbreed are an example of German power metal in near enough its purest form. There's a slight thrash metal edge to some of the guitar riffs on Shadows that I didn't detect on When Worlds Collide but since German power metal is known for its more aggressive guitar driven approach this may be more of a fluke than a conscious decision on the band's part, although they certainly are there either way, particularly during the title track. Other than that Shadows is a more of the same album from Sinbreed but seeing as When Worlds Collide is one of the best pure power metal albums of recent years that's certainly what I've been wanting to hear from Sinbreed again.

And I have to say they've delivered another exceptionally strong power metal album, although it is a case where I have found I enjoyed the debut a bit more. Songs like the pre-release numbers Bleed and Call to Arms are easy favourites that stand up to anything that appeared on the debut. If you like your power metal to be furious in sound but still with a strong sense of melody and epic vocals then Sinbreed are an act you can't go far wrong with, for either of their releases up until this point. They embody everything that makes this particular branch of the genre so great. There are a couple of tracks that don't hit the spot the same way on Shadows, London Moon being filler by comparison, but those are still pretty praiseworthy tracks and overall it's an easy 4.5 star album that will keep both fans of the debut and newcomers to Sinbreed alike happy. Hell even with a few slightly lesser songs it's so close to making my top tier. Power metal does not get much more essential than these guys.