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Thought Industry-Songs for Insects
'Songs for Insects' is the debut studio album by avant-garde/thrash metal band Thought Industry. This is one weird band and album, and you may wonder how they got signed to a major label so quickly in their career. Well, Metallica's Jason Newsted brought their demo to the ears of Metal Blade Records and they were signed on. Thought Industry would continue to be pretty damn weird until their fourth release in 1997 when they moved in an alternative rock direction.
If you listen to this album once, you most likely won't fully understand it. However, the more you listen, the more the pure strangeness just sinks into your brain. This is no ordinary thrash album as you can most likely tell by the usage of Salvador Dali's 'Soft Construction with Boiled Beans (Premonitions of Civil War)' as an album cover. This is a crazy avant-garde technical thrash metal album with a big smorgasbord of musical styles combined, and probably one of the most unique albums I've ever heard. The opening track 'Third Eye' is an instant gem. I fell in love with this song the first time I heard it, the fast-paced drum beats and the grooving stomp of the guitars opens this song perfectly. Once Brent Oberlin's vocals come in, it fits perfectly with the crunching guitar and just sends chills down my spine. Easily my favorite on the album.
The weirdness comes in with the next song, the title track. This nearly 10-minute song never stays in one place. From thrashing goodness, to menacing passages with meandering guitar, to crazy drumming combined with wacky bass slaps that would later be heard in Mudvayne's 'L.D. 50' album. My second favorite from the album is probably 'Cornerstone' with it's industrial groove. Oberlin gives some strange vocals here, with weird guitar and mechanical drum pounding. The avant-garde strangeness continues with 'Daughter Mobius', which enters in with what sounds like some folk dance before thrashing guitar comes in. Next is the beautiful acoustic track 'Alexander Vs. The Puzzle', before being assaulted with another wacky thrash song in 'Ballerina' with great unique vocals from Oberlin. As you can probably tell, the lyrics are mostly surreal and unconventional, matching the Dali album cover.
Overall, this will most likely be one of the weirdest albums you'll ever hear. It may take a few listens to really enjoy it, but I highly recommend this album to anyone wanting something weird, avant-garde, and unique. If you like thrash metal, groove metal, industrial metal, or anything avant-garde, this has elements of all of those. Hope you found this review helpful.
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