Conor Fynes
'Naät' - Whourkr (2/10)
Despite being a relatively short, twenty five minute mini-album, I must say that it's incredibly difficult for me to place a 'rating' on this album. Certainly, I have quite a few things to say about this music (it would be difficult not to have something to say about it), but in terms of actually laying the final judgement down, I'm put in an awkward position. Although the music of French/Danish collaboration Whourkr is practically unlistenable and admittedly not- at least by the conventional standard- in 'good taste', I find myself really intrigued by what the band is doing here. With that in mind, don't take the rating I've given here too seriously; it is indicative of my perception of the music's quality, but as with most things, it really isn't that simple.
Whourkr plays a little style of music that many like to call 'cybergrind'- that is-, the fusion of electronic music and grindcore. Merging two potentially extreme styles of music together, Whourkr gives a musical trip like none other I have really heard. The base of Whourkr's music is beyond-generic brutal death metal, with downtuned guitar riffs and gutturals so deep that they could be misinterpreted as a clogged vacuum. Of course, a band like that could go for a nickel for twenty, so given my rather shocked reaction to this music, there is obviously something else that Whourkr have done to spice up this sound. In this case, they have used computer programming to chop up the guitars virtually beyond recognition; the guitars are quick to cut out artificially, and sometimes they are teched out to sound more like a loading internet modem, than anything typically musical.
For twenty five minutes, Whourkr overloads the listener with inhumanly fast drum machines, noisy electronics, and deep death metal riffs. The concept is very interesting on paper, but actually listening to 'Naät', it comes across as painful to listen to, despite being intriguing on an intellectual level. Some of Whourkr's work here even sounds like a generic death metal album having been scratched, caught in some dismal loop. Although there's a (surprising) symphonic interlude thrown into the middle of this mess, 'Naät' is more of less a one trick show, it gets old quickly, and by the end of this short record, my ears are in violent shock, and asking that I pour wax into them, to hopefully dull the ringing caused by the uncomfortable dynamics in this album.
Whourkr is interesting, and they do have an exciting sound, but it is one-dimensional, and painfully so. It's granted that this cybergrind is not for me, but it does not stop me from appreciating the experiment. All the same, I could recommend this album more if it had just been left as a concept on paper.