Kev Rowland

Kev Rowland
MMA Special Collaborator · Errors & Omissions Team
Registered more than 2 years ago · Last visit 9 days ago

Favorite Metal Artists

All Reviews/Ratings

667 reviews/ratings
ENSLAVED - RIITIIR Progressive Metal | review permalink
SYLOSIS - Monolith Thrash Metal | review permalink
RIVERSIDE - Shrine of New Generation Slaves Metal Related | review permalink
SOILWORK - The Living Infinite Melodic Death Metal | review permalink
NEAL MORSE - Live Momentum Metal Related | review permalink
HYPOCRISY - End Of Disclosure Melodic Death Metal | review permalink
AVANTASIA - The Mystery of Time Heavy Metal | review permalink
DARK SERMON - In Tongues Deathcore | review permalink
SPIRITUAL BEGGARS - Earth Blues Stoner Rock | review permalink
BLACK STAR RIDERS - All Hell Breaks Loose Hard Rock | review permalink
STALA & SO. - Play Another Round Glam Metal | review permalink
VANDROYA - One Power Metal | review permalink
ORPHANED LAND - All Is One Folk Metal | review permalink
HYPOCRISY - Penetralia / Osculum Obscenum Death Metal | review permalink
8 FOOT SATIVA - The Shadow Masters Melodic Death Metal | review permalink
LINGUA MORTIS ORCHESTRA - LMO Symphonic Metal | review permalink
WE CAME AS ROMANS - Tracing Back Roots Metalcore | review permalink
WATAIN - The Wild Hunt Black Metal | review permalink
HAKEN - The Mountain Progressive Metal | review permalink
DROTTNAR - Stratum Black Metal | review permalink

See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Hard Rock 74 3.64
2 Progressive Metal 65 3.95
3 Death Metal 58 3.95
4 Power Metal 54 3.55
5 Heavy Metal 52 3.50
6 Black Metal 47 3.79
7 Thrash Metal 44 3.63
8 Melodic Death Metal 28 4.14
9 Alternative Metal 18 3.58
10 Technical Death Metal 18 3.89
11 Doom Metal 15 3.60
12 Folk Metal 14 3.89
13 Deathcore 14 3.79
14 Metalcore 13 3.46
15 Groove Metal 13 3.85
16 Symphonic Metal 12 3.79
17 Brutal Death Metal 11 3.91
18 Glam Metal 8 3.38
19 Hardcore Punk 8 3.44
20 US Power Metal 8 3.88
21 Melodic Black Metal 7 3.64
22 Melodic Metalcore 7 4.07
23 Metal Related 7 4.79
24 Non-Metal 6 3.75
25 Atmospheric Black Metal 6 3.83
26 Atmospheric Sludge Metal 6 3.58
27 Symphonic Black Metal 6 4.42
28 Stoner Metal 4 3.75
29 Avant-garde Metal 4 3.50
30 Crossover Thrash 4 3.38
31 Gothic Metal 4 4.00
32 Death-Doom Metal 4 4.13
33 Sludge Metal 3 2.50
34 Speed Metal 3 3.00
35 Heavy Psych 3 4.00
36 Industrial Metal 3 3.50
37 Stoner Rock 3 4.33
38 NWoBHM 2 4.00
39 Funeral Doom Metal 2 4.00
40 Grindcore 1 3.50
41 Depressive Black Metal 1 2.00
42 Cybergrind 1 3.50
43 Pagan Black Metal 1 3.00
44 Nu Metal 1 4.00
45 Mathcore 1 4.00
46 Heavy Alternative Rock 1 3.00
47 Technical Thrash Metal 1 4.00
48 Trance Metal 1 2.50

Latest Albums Reviews

FIT FOR AN AUTOPSY The Nothing That Is

Album · 2024 · Deathcore
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Here we have the seventh album from New Jersey deathcore outfit Fit For An Autopsy. They have had a remarkably stable line-up wit this being the third album to feature guitarists Pat Sheridan, Will Putney and Tim Howley, drummer Josean Orta, vocalist Joe Badolato, and bassist Peter "Blue" Spinazola. I am not always a fan of deathcore, and there are very few bands within the genre who I will happily turn to, but FFAA is probably top of that small but perfectly formed list. The reason for that is many deathcore bands somehow come across too twee, trying to put in the different elements because they think they ought to, as opposed to where the music takes them. That is not the case here, as FFAA always know the right time to drop, the right time to groove, when to add real melody, or space, for Badolato to totally change his singing style. The result is music which gets heavier the more it is played as they have this innate knowledge of the need for contrast and that music can only get heavier when there is a contrary approach for it to be pitched against.

The artwork may be a somewhat retrograde step from the last two releases, but musically they have kept moving in the same direction with high octane music which is brutal yet accessible, bludgeoning but with a hint of velvet around the sledgehammer as they move into nu-metal with some tracks which would not sound out of place with Slipknot. They are taking deathcore to the extremes, and it is no surprise to see that yet again they have managed to achieve some chart success as this has class throughout. This is one of the bands on my “must see” list so let’s hope they manage to find New Zealand on a map, and given the reception bands like Slipknot have had when they make it here (supported by Machine Head, I was in heaven!) it would be truly worth their while.

DÅÅTH The Deceivers

Album · 2024 · Death Metal
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Dååth began their journey in 1999, releasing four studio albums and touring with Slayer, Nile, Cattle Decapitation, Dark Funeral, Cynic, Dragonforce, Goatwhore, Chimaira, Dying Fetus and others before going on hiatus in 2011. They have finally returned with their first album in 14 years, although founder/guitarist Eyal Levi has overseen a complete overhaul of the lineup, with only singer Sean Zatorsky still there from the old days. Together they have been joined by Kerim “Krimh” Lechner on drums, Jesse Zuretti on orchestration and guitar, Rafael Trujillo on lead guitar, and David Marvuglio on bass. In addition, there are numerous guests providing guitar solos including Jeff Loomis (Nevermore, Arch Enemy), Mark Holcomb (Periphery), Dean Lamb (Archspire), Per Nilsson, (Scar Symmetry, Meshuggah), Spiro Dussias (Platonist), and Dan Sugarman (Ice Nine Kills), while video game composer Mick Gordon (Doom Eternal) contributed sound design and synth to “Purified By Vengeance.” By the way, for those who are interested the name "Daath" is a Hebrew word meaning "knowledge", which is certainly much more interesting than their original name, Dirtnap.

I remember reading about Dååth when they were around first time, but I don’t think I had previously come across their music and picked this up due to a combination of name recognition and them being on Metal Blade, but I am so very glad I did as this is a belter. Having not heard their earlier material I cannot comment as to how much they may have changed musically, but what I can say is that here is melodic death metal which also relies heavily on huge arrangements and orchestration. In some ways they come across as a mix of Fleshgod Apocalypse and classic Dimmu Borgir, with complex layering of guitars, always driven from the back by a great rhythm section, orchestration over the top and some great growls out front. Zatorsky has been keeping himself busy with Chimaira and Sinsaenum, but this is where he is truly at home, with his relationship with Levi continuing on as if they have never been apart. They may have been away for well over a decade but Dååth are back with a vengeance.

EXODUS British Disaster: The Battle of '89 (Live At The Astoria)!

Live album · 2024 · Thrash Metal
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The full title of this album is ‘British Disaster! The Battle of ’89 Live At The Astoria’, from which one might guess this is a live recording from 35 years ago when the band were promoting their third album, ‘Fabulous Disaster’. They may have lost Kirk Hammett to Metallica before their debut album, but they never let that small matter get in the way of them making huge waves in the thrash scene and by the time of this recording they had already been playing for a decade, and it shows. This is hungry, angry and in your face, showing exactly why thrash made such a huge impact when it hit.

Back then the line-up was Steve Souza (vocals), Gary Holt (guitars), founder Tom Hunting (drums), Rick Hunolt (guitars), and Rob McKillop (bass), and it really says something about the band that the first three can still be found in the current version of the band. They have obviously given the title they have as it was recorded in London on March 8th, 1989, and they were touring ‘Fabulous Disaster’, but this is certainly not what one might think given the title as this is a triumph from beginning to end. Here we have a thrash band who have often been touted as one of the ‘Big 5’ alongside Metallica, Slayer, Megadeth, and Anthrax and there is a strong argument for them to be included as such given the impact and importance of what they were doing in the Eighties (and given that Metallica have done nothing of note since ‘And Justice For All’ I would personally happily kick them out altogether). Here we have a band who are out to attack the UK on the last night of their headlining tour (supported by Acid Reign), before heading back to the USA to open for Anthrax, and the 20+ gigs in just over a month had the band incredibly honed and battle ready.

Thrash rarely gets better than this, and one can only wonder as to why it has taken so long for the tapes to be released, but at long last we have them. If you ever wondered what Exodus sounded like in their heyday and why they are still deemed to be so important then put this on and crank it up, LOUD!

RIOT Mean Streets

Album · 2024 · US Power Metal
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Riot were a band who appeared in many ways to get more praise in the UK than they did in their home of New York, with both ‘Rock City’ and ‘Narita’ gaining lots of praise during the NWOBHM era although their sound was quite different. It was always Mark Reale’s band, and after his death in 2012 the question was whether or not to continue, but continue they did with a slight change to the name, and this is the third release with the same line-up of Todd Michael Hall (vocals), Nick Lee (guitars), Mike Flyntz (guitars), Don Van Stavern (bass), and Frank Gilchriest (drums). There may not be any original members left but both Stavern and Flyntz originally joined in the Eighties while Gilchrist was there more than 20 years ago, so while none played on the classics, they have every right to use the name.

This is American commercial metal with high vocals, some harmonies, all played in a style where the bottom end seems almost transparent and it all feels very Eighties, as if Bon Jovi had never really gone away. But you know what? I always enjoyed this style of music and felt the likes of Poison, WASP and the rest had far more musical chops than they were often given credit for, and these guys can trace their beginnings back to 1975 and a debut in 1977. There is no doubt in anyone’s mind that Riot deserved to be huge, and the reason that never happened was out of their control. In fact, Classic Rock wrote a great piece on them a few years ago which started with “In the late 70s, Riot were the Great White Hopes of American rock. But that was before the public ignored them, their label disowned them, and their singer quit. And then things got really bad…”.

Given what they have been through, there is no way Riot (V) should be here all those years later producing something which is a modern American hard rock/metal classic which brings back the days when they were young and hopeful, but they have. This is a superb release which made me smile the first time I played it, the grin getting wider with each song. This could well be their best release since ‘Fire Down Under’ more than 40 years ago, and that is saying something. Essential.

PATHOLOGY Unholy Descent

Album · 2024 · Brutal Death Metal
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Pathology are back with their twelfth studio album, and their third with the same line-up of Dave Astor (drums), Daniel Richardson (guitars), Richard Jackson (bass) and Obie Flett (vocals). Astor is the only person who has been there since the beginning and is also known for being a founder of Cattle Decapitation in the Nineties (where he provided bass and vocals). Since their inception in 2006, Pathology have created quite a name for themselves in the brutal death genre, and I was certainly a fan of their last album, ‘The Everlasting Plague’, and it is great to see just how strong this outfit have become since Astor undertook a reset in 2018 when he invited Flett back into the fold (he had briefly been in the band in 2010) along with two new members.

This release was designed, recorded and mixed at Sharkbite Studios by Zack Ohren (Aborted, All Shall Perish, Decrepit Birth) in June 2023, mastered by Alan Douches at West West Side Music (Origin, Cannibal Corpse, Cattle Decapitation) while the cover artwork is by Pär Olofsson (Exodus, Abysmal Dawn, Immolation), so even before putting this on there is a certain level of expectation. I am glad to say that is reached with a death metal release which is both pummelling and complex. The drums are everywhere, while the guitars are hugely complicated, providing both chords and runs in an intertwining pattern which is somehow melodic and massively over the top at the same time, with the bass switching between backing up the guitars and going into foundation mode. Then at the front we have the growls of Flett who appears to be at risk of losing his lungs at any moment. Given who was involved, it is no surprise that the sound is top quality, the result being an album which really rewards being played at high volume – there is a depth within which makes this powerful and easy to listen to, without ever remotely falling into anything like easy listening.

Over the years there has been a significant output from these guys (Astor’s old band, Cattle Decapitation, has released half the number of albums in the same period), yet there is no doubt that there is no reduction in quality as this is a blast from beginning to end.

Latest Forum Topic Posts

  • Posted 5 months ago in wrong release date, and missing info
    [QUOTE=GwennyLOLmusic]Crucifix Doll - Fuck This Floweryes its me againhttps://www.metalmusicarchives.com/album/crucifix-doll/fuck-this-flowerThe date is wrong. Currently listed as 2006, fully wrong. All though on streaming services it is said to be released 2005, the CD says 2004Proof = https://www.newgrounds.com/dump/item/99f17d9eddb5a132316764679bcd7577ALSO Kalen Chase IS lead vocals, YES. But Dan and Tyson are also background vocalsProof = https://www.newgrounds.com/dump/item/6b47f88d656ad31aa86845496dab4809THE MISSING INFO:Recorded, mixed, and mastered in 12 days during the month of September 2004.Executive Producer – Rick MusmecciProduced by Dan FaraciAssistant producer – Kalen ChaseRecorded by Dan Faraci @ Tommy Tedesco Studios and DC11 Productions (Darren’s Apartment)Assistant record engineers – Max Fritz and TJ HelmrichMixed by Doug Kern @ Tommy Tedesco StudiosAssistant mix engineer – Dan FaraciMastered by Doug Kern @ Doug’s houseAll artwork by Jenny StonePhoto by Debbie FaraciLayout by Dan FaraciProof =  = https://www.newgrounds.com/dump/item/42d0addbfd75541362e21312a3b9da34[/QUOTE] Thanks for this - I have amended accordingly
  • Posted more than 2 years ago in Band Member Revision
    Done 
  • Posted more than 2 years ago in My error on Whitesnake
    Removed as requested - no problem 

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