The Crow
I am sure that All is One was a difficult album to make for Orphaned Land... Moreover, the music shows the band's problems at the time.
Avi Diamond, their drummer in their two previous (and excellent) albums did not return this time, along with their female (and great) singer Shlomit Levi. The founder guitarist Matti Svatitzki also left the band in 2012, and the main guitarist Yoshi Sassi also gave up shortly after the releasing of All is One, being this album his less inspired work.
The result is a disjointed and irregular record, which sounds like a mixture between the epic Mabool and the more intimate and folk ORwarriOR, but without reaching the quality of none of them and showing a worrying inability to bring anything new to the band's career.
Been there, done that feeling the whole time.
The production is fine, and the sound of the album is more orchestral than ever with violins sounding all the time. However, they cannot hide the lack of inspiration (or energy) that this album has with exceptions as the energetic All is One, the beautiful Brother and the epic Our Own Messiah.
Best Tracks: All is One (splendid opener), Brother (the best lyrics of the album), Our Own Messiah (a song which almost achieve to retrieve the magic of ORwarriOR)
Conclusion: All Is One was the reflection of the problems and line-up changes of this great band at the time. I has its good moments and a pair of fine additions to the band's classic song list, but after a the seond or third listening it turns out to be boring, repetitive and not challenging at all, being a clear step back in Orphaned Land's career.
I almost lost my faith in the band with All is One... Fortunately, this would change in 2018 with the release of Unsung Prophets and Dead Messiahs!
My rating: **
P.S.: this review was originally written for ProgArchives.com