APPEARANCE OF NOTHING — All Gods Are Gone (review)

APPEARANCE OF NOTHING — All Gods Are Gone album cover

Album · 2011 · Progressive Metal

4.5/5 · 2011-01-24
The Block

The rise and hopefully not the soon fall of a great prog metal band

So far this year, and at the end of last year, there has been a plethora of bands that have gone with the flow, and sounded like every other prog metal band out there. But, Appearance of Nothing has shown that not all bands strive to be normal. With a great group of guests that include Dan Swanö of Nightingale and Edge of Sanity, and Devon Graves of Psychotic Waltz and Deadsoul Tribe. This album is a great mix of genres that include prog and hints of power metal. Though it’s early in 2011, this has a huge chance to make my top ten, or even top five albums of the year.

The musicianship on this album is top notch. I especially like the guitar style of Peter Berger, which blends in very well with Appearance of Nothing’s great prog sound. One song that showcases this is “The Mirror’s Eyes”. Peter Berger and Marc Petralito show off bursts of electric power that is highlighted by the drums, which back up the vocals very well. The bass lines on this album are also very nice, and thick, backing up the guitars and blending in with the drums evenly. The solo to begin “2nd God” by Peter Berger is superb, and it offers a nice transition into a nice vocal section highlighted by great drumming. This is a testament to how well both the production is and how great these guys play together.

The diversity of this album also sets it apart from other recent releases, and adds to its greatness. Songs like "The Mirror's Eyes", "... I said Silence" and "2nd God" swing between dark symphonic prog metal and death metal. The way Appearance of Nothing was able to incorporate Dan Swanö into “All Gods Are Gone” shows how good they are as a band, too. “The Mirror’s Eyes” is a prime example of the diversity of this album with since it also has hints of power metal in it, too. After the death vocals, it transfers into the power metal section with much faster drumming and resonating lead vocals by Pat Gerber and Omar Cuna. Those two work together so well, that they almost sound like one voice. “Sweet Enemy” changes up the feel of the album, with Devon Graves on lead vocals and a much slower feel with a lot less drums than normal. What’s great about it is that it doesn’t feel out of place at all, it blends right in with the rest of the album. One thing that was unexpected on this album was that it also had techno elements in it. I know many people don’t think that techno would fit in with prog metal, but surprisingly it does. On the track “The Call of Eve” the keyboards start the techno riff, but it is soon taken up by both the drums and guitars. Then it flows seamlessly back and for the between metal and techno until the vocals, which as with every other song are superb.

I can say absolutely nothing about the production of “All Gods Are Gone” because it left me speechless. It is flawless and smooth, another reason to pick this one up.

Some of the best progressive metal comes from Sweden, but now some people will have to turn their attention to Switzerland. Appearance of Nothing has brought everything I love to the table in their newest release; great vocals, originality, great sound. With hints of power, and prog metal they will capture the ears of many listeners. For their grand release Appearance of Nothing gets 4.5 stars.