IRON FIRE — Among the Dead (review)

Album · 2016 · Power Metal

4.5/5 · 2017-06-29
DippoMagoo

Sometimes, even a long anticipated album will sneak up on you from out of nowhere. The latest case of this is Among the Dead, the eighth full length album by Danish power metal band Iron Fire. I loved their previous release, Voyage of the Damned and had been looking forward to a follow up for a long time, but aside from the occasional update, I knew little about the album (not even its final name) or when it was coming, so when I checked my promos one day and saw the release there, I was shocked and excited, to say the least. Better yet, as soon as I heard the album I was instantly satisfied, and it has only grown me more since then. While it doesn't quite match its predecessor for me, I'd still rank it ahead of all prior Iron Fire releases, and it's certainly a great example of how to modernize power metal in a way that actually works.

Iron Fire started out as a rather typical Euro power metal band, with releases like Thunderstorm and Revenge representing some great, mostly fast paced power metal with fun choruses and epic songwriting, and vocalist Martin Steene had a rather typical voice for the genre, except he sounded a bit more animated than usual at times. By the time their fifth album To the Grave was released, the band had mastered their classic sound and were at a point where they were consistently producing great album after great album. So it was a bit surprising that with their next album Metalmorphosized, they started adding in some modern elements, giving their music a bit of an edge and Martin started doing some death growls. That album was my introduction to the band and at the time I didn't like it much, but I've since realized that it was somewhat of a transitional album, moving away from their old sound and into something new. The band only evolved further with Voyage of the Damned, where their usual guitar dominated sound was somewhat dialed back to allow for the inclusion of keyboards, which managed to fit in well with the Sci-Fi concept of the album, and between that, a more extensive use of symphonic elements, and even a bit of prog, especially on the title track, it ended up being their most ambitious album to date and by far my favorite. Sadly, the album wasn't particularly well received, and so the band went through a bit of an overhaul, and have since returned as a three man band.

After Voyage of the Damned proved to be a rather divisive album, I was expecting some kind of return to the roots with Among the Dead, but suffice to say, that's not what what happened. While the new album lacks the experimentation found on the previous album, it's still very modern sounding compared to their first 5 albums, and it's also much rougher. In fact, this is by far the darkest and heaviest Iron Fire release to date. Which makes sense, as this time around the concept centers around the ever popular theme of a world being overrun by zombies. While not the most original concept, it's executed pretty well here, with a cool and rather entertaining voice over filled intro track, and the lyrics fit in well with the music. Getting back to the music, it's a much more aggressive sound than the band has had in the past, with the keyboards from Voyage removed completely, and now some of the riffs have a bit of a thrashy feel to them. If anything, the growls and metalcore screams from the previous two albums are even more prominent this time around. In fact, Martin's delivery all around is a lot rougher, with a much deeper and more gruff voice than he's displayed in the past. He remains the band's biggest asset, though, and shines throughout the album, as always.

One area where the band somewhat toned it down this time is the songwriting. Listeners won't find the kind of experimental tracks found on the previous two albums. Instead, most songs here are fast, furious and straight to the point. After that rather enjoyable intro, the title track kicks things off and right away the more aggressive, modern riffs are on full display, and the song charges ahead at a fast paced, with Martin mixing clean and harsh vocals effectively. The chorus is very good, and overall it's an excellent start to the album. Next is “Hammer of the Gods”, a slower track that still has a lot of energy to it, and again the riffs are very strong and the harsh vocals are used effectively. The rest of the album doesn't stray too far from these two tracks, though there are some amazing moments throughout.

My favorite song on the album is “Tornado of Sickness”, a very speedy track which has the best chorus on the album, and it's a very aggressive track with a ton of energy. Other highlights include the more melodic but still rough up tempo track “Higher Ground”, the fast but largely more melodic “Last Survivor”, which alternates between clean and harsh vocals in an awesome way during its chorus, “Iron Eagle”, where the guitar lead sounds like something from a classic Iron Maiden album, and “No Sign of Life”, which has the thrashiest riffs on the album, with even the chorus feeling like it would have fit well on an 80's thrash album. “Made to Suffer” is a very good fast paced song, while “Ghost from the Past” is a slower track and probably my least favorite on the album, but it's still fairly enjoyable, if not one of the band's more memorable efforts. One last song to mention is the closing track “When the Lights Go Out”, a nice ballad where Martin's vocals really shine. I usually don't like when albums end with a ballad, but this is a very well written track and after the intensity that precedes it, it feels like a nice way to end the album. Lastly, the band has included as a bonus track, a cover of the classic Metallica song “For Whom the Bell Tolls”, which fits their sound surprisingly well, and Martin's harsh vocals add a new element to the song that makes it a pretty interesting cover.

While I don't see Iron Fire ever making another album that's so in line with my musical tastes as Voyage of the Damned was, Among the Dead isn't too far behind and it's definitely a great, aggressive and more straight-forward release that demonstrates how a band can effectively add in modern elements to the genre and make it work. I can see it being another divisive release for the band, but I'd recommend that fans of their previous works at least give it a try, and I'd strongly recommend it to anyone looking for a power metal album with more of an edge to it, and especially to anyone who won't be scared off by all the harsh vocals.