CYNIC — Ascension Codes (review)

Album · 2021 · Metal Related

3.5/5 · 2022-05-10
UMUR

"Ascension Codes" is the 4th full-length studio album by US progressive rock/metal act Cynic. The album was released through Season of Mist in November 2021. It´s the successor to "Kindly Bent To Free Us" from 2014, although the "Uroboric Forms - The Complete Demo Recordings" compilation album was released in 2017, and Cynic also released the "Humanoid" single in 2018 (the first new music from the band since 2014), and the "Integral" single in 2021.

It´s safe to say that Cynic have been through some years of turmoil and tragedy since the release of "Kindly Bent To Free Us" (2014) as drummer/original member Sean Reinert left in 2015 and subsequently tragically died of a heart attack in January 2020. A few years after he left and some disputes over the continued use of the Cynic name later, Reinert was replaced by Matt Lynch in 2017, who plays on "Ascension Codes". Bassist Sean Malone stuck with lead vocalist/guitarist Paul Masvidal, but another tragedy struck as he chose to end his own life in December 2020. Masvidal opted not to recruit a new bassist, and "Ascension Codes" actually doesn´t feature bass at all. Instead Masvidal hired keyboard player Dave Mackay to record the bass parts using a bass synthesizer.

Although Masvidal was always the main composer in Cynic, losing 2/3 of the lineup who have recorded most of the band´s previous material is bound to be a big loss and to have an impact on future material. Anyone familiar with Cynic knows how skilled, unique, and important for the band´s sound both Reinert and Malone were, and "Ascension Codes" is therefore in many ways a new beginning for Cynic.

Stylistically there is no doubt that you´re listening to a Cynic album though. Although Max Phelps is creadited for performing additional vocals, the extreme metal vocals are very few and far between. When they occur they are layered with the clean vocals and buried in the mix, which means they sound more like rough whispers than anything else. Masvidal performs his usual effect laden and futuristic sounding clean vocals. The atmosphere of the music is tranquil, spiritual, and mellow, although the album does feature more heavy parts. The complex heavy riffs aren´t the primary focus of the music though, so it´s the fusion influenced rhythms, futuristic synths, and mellow atmospheres which the band have opted to make their focal point. "Ascension Codes" is generally a layered and very busy album, but the great dynamics in the music make it a slightly more accessible release than what it may appear upon initial listens (at least in terms of being a pleasant listen).

"Ascension Codes" features 18 tracks and a total playing time of 49:09 minutes. Only half of the tracks are regular length (3-5 minutes long) songs though and the remaining tracks are short intros, transitions, or outros. Very few would probably despute that Masvidal is a musical genius and that his approach to writing and performing music is very unique, but even after repeated listens "Ascension Codes" is an album which is hard to crack. For all it´s technical finesse, gorgeous melancholic melodies, and multible layers of intruments and vocals, the tracks seem to melt together into one long flowing listening experience, and a few more memorable hooks would have been welcome. The album has a tendency to become a little too ambient and atmospheric, and just a little more attitude or edge could have made the album a more interesting listen. The whole UFO, celestial beings, ethereal spritual lyrics/imagery isn´t a surprise and fits with the general impression of how Masvidal appears as a person, but again the whole thing ends up a little light weight new age tinged. It´s proabably exactly what Masvidal is aiming for, but a few darker moments wouldn´t have hurt.

Upon conclusion "Ascension Codes" is still a quality release by Cynic, but it´s audible that it´s now the work of only one man, and the lack of Malone´s fretless bass playing and Reinert´s creative virtuosic drumming (although Lynch is definitely a capable replacement) do have a slightly negative impact on the music. Masvidal is also credited for producing "Ascension Codes" and therefore there are simply no one left to make a constructive (and sometimes necessary) criticism of his songwriting ideas or song arrangements. A 3.5 star (70%) rating is deserved, although "Ascension Codes" is the type of album which may (or may not) grow on repeated listens, and therefore my rating is prone to change.