DREAM THEATER — Awake (review)

Album · 1994 · Progressive Metal

5/5 · 2014-06-23
arcane-beautiful

After the incredibly successful “Images & Words”, the band where on a pedestal. The problem with releasing a masterpiece is that you have to follow it up with another masterpiece. Now, this album was met with a tiny bit of confusion when released, but I do believe that out of all their albums, this album is probably the one which has aged the best.

The album is definitely a lot more darker than any of Dream Theater's other releases, and I think the reason is because they were a band that got dicked about a lot by their record company. At around this period, metal was starting to go towards a heavier and groovier motion (with the birth of Nu Metal on the rise), so the band where convinced to go heavier. These guys could have really faked this notion and released a god awful Pantera rip off, but the band where able to adopt this style and meld it into their own very successfully.

Sadly this album was the last to feature Kevin Moore. Apparently he became very introverted during the making of this album, but there is something about his playing and sound that I really love on this album. James' vocals are also some of the best I've ever heard him. Sadly this album was made before his tragic vomiting food poisoning incident which damaged his vocal chords. But, for all we know, this album is the one which wrecked his voice.

The opening track “6:00” is a drummers wet dream. Opening off with a very noticeable drum intro the song turns into a pretty great pop metal tune. The rather comical lyrics and sound clips also add a lot of atmosphere to the track too.

“Caught In A Web” is probably one of the most aggressive and heaviest songs the band have released. With some pretty heavy riffs and a brilliant keyboard riff, the song is really propelled by James' incredibly rough and angry vocals.

The album's instrumental “Erotomania” is definitely up there with one of the bands best instrumental pieces. Technically proficient with some pretty great riffs, the song is pretty impressive.

One of my personal favorite tracks has to be “Voices.” A brilliant composition with some brilliant arrangements, the song really is a surprising shining moment from the band. With incredibly poetic and cryptic lyrics that deal with mental health, the song is a beautiful and twisted tune with some very haunting moments.

A very weird choice for a single, “The Silent Man” is an acoustic ballad. With a very nice arrangement with some nice lyrics and a great performance from James, the song is very touching. I have had a great history with this song (having covered it a lot of times myself) and is up there with one of my favorite Dream Theater ballads.

A song that has started to grow on me would be “Lifting Shadows Off A Dream.” I do think this is a bit of a rip off of U2's sound, but the poetic lyrics and great keyboard riffs do save this song. I know a lot of fans really like this song, but I do know when to call a bluff a a bluff, and this is a bit of a bluff.

The album's longest track “Scarred” is a very interesting tune. With some pretty cool riffs and a pretty mad vocal performance from James, the song really comes to a climax with an amazing instrumental section in the middle of the track.

The album closer “Space-Dye Vest” is a very different moment for the band. Being a solo composition from Kevin Moore, the song is a very minimalist composition with very simple keyboard riffs and a low pitched vocal performance from James. Brilliant ending to the album.

In conclusion, this album is pretty much a classic Dream Theater album. After making the album of their career in “Images & Words” and go through some serious turbulence, the band came back with a dark and brooding masterpiece. It may not be my favorite Dream Theater album, but it definitely is a milestone in the bands career.

8.9/10

Genres: Progressive Metal, Progressive Rock, Heavy Metal, Groove Metal, Hard Rock, Pop Rock

Country of origin: USA

Year of release: 1994

more than 2 years ago
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arcane-beautiful wrote:

more than 2 years ago

i agree. reminds me of the keyboard work in some Pain Of Salvation stuff, especially One Hour By The Concrete Lake. You can hear Kevin's playing similar to the stuff he did in Chroma Key and OSI

UMUR wrote:

more than 2 years ago

I´m not much of a fan these days, but those early albums were incredible. I agree that Kevin Moore´s playing really is special on Awake. Very tasteful and innovative for the time.