EDGE OF SANITY — Crimson II (review)

Album · 2003 · Melodic Death Metal

3/5 · 2017-01-21
UMUR

"Crimson II" is the 8th full-length studio album by Swedish death metal act Edge of Sanity. The album was released through Black Mark Production in August 2003. It´s been 6 years since the release of the preceding album "Cryptic (1997)". An album which didn´t feature regular frontman Dan Swanö. A dispute over the future musical direction of the band made Swanö split and pursue other projects. Edge of Sanity disbanded in 1999, but Swanö revived the band name in 2003 for the release of "Crimson II". He is the sole member of the band here though and plays and sings everything on the album except for a few parts performed by session musicians like Mike Wead (Mercyful Fate, Hexenhaus, King Diamond, The Project Hate MCMXCIX) and Roger "Rogga" Johansson (Paganizer, The Grotesquery, Ribspreader...etc.).

As the title suggests "Crimson II" is the sequel to the band´s arguably most lauded album "Crimson" from 1996. A single track 40 minutes long sci-fi/fantasty concept album performed in a sophisticated and powerful progressive death metal style, that was something new and fresh at the time of release. Neither "Infernal (1997)" nor "Cryptic (1997)" managed to reach the same creative songwriting heights of "Crimson (1996)" and paired with the internal disputes over musical direction, that probably meant the end of the band. Swanö apparently felt the "Crimson (1996)" story wasn´t closed though and "Crimson II" therefore continues the story of the evil queen and the struggles of her people.

Like "Crimson (1996)", "Crimson II" is one 40 minutes long track (actually 43 minutes) divided into subtracks which seque into each other. There are several musical references and use of themes from "Crimson (1996)" featured on the album, which along with the concept story ensure conceptual continuity. The vocals vary from death metal growling, to black metal styled screams, to clean vocals. Overall the music is unmistakably the sound of Edge of Sanity. Swanö has chosen to add a lot of keyboards to the band´s sound though, which provides an even more progressive touch than what was heard on "Crimson (1996)". Unfortunately the songwriting is a bit lacking and the material is generally not that memorable, and I often find myself waiting for one of the themes from "Crimson (1996)" to appear, because at least those moments are catchy and memorable.

The whole thing simply seems a bit messy, and that´s everything from the tracklist flow, to lack of memorable hooks, to the sound production, which may be professional but still sounds a bit wrong. The musicianship is not surprising of high quality and it´s not like "Crimson II" is a terrible album, but when you make a sequel to an album like "Crimson (1996)", you better put out something of great quality, because a sequel will always be compared to the original, and in that regard "Crimson II" doesn´t stand a chance. "Crimson (1996)" is simply in a whole other league. Viewed upon as an individual release it´s not exactly Edge of Sanity´s finest hour either, but a 3 star (60%) rating is still warranted.