NECROPHAGIST — Epitaph (review)

NECROPHAGIST — Epitaph album cover Album · 2004 · Technical Death Metal Buy this album from MMA partners
4.5/5 ·
UMUR
"Epitaph" is the 2nd full-length studio album by German death metal act Necrophagist. The album was released through Relapse Records in August 2004. Necrophagist was formed in 1992 by lead vocalist/guitarist Muhammed Suiçmez and originally featured a full lineup. By the time of the recording of the 1999 "Onset of Putrefaction" debut full-length studio album, Necrophagist was essentially a one-man project with Muhammed Suiçmez handling all instruments and vocals. The album was recorded using a drum machine. In connection with the release of "Epitaph", Relapse Records took the opportunity to re-release "Onset of Putrefaction (1999)" with re-recorded drum parts by Hannes Grossmann. Grossmann also handles the drums on "Epitaph". In addition to Grossmann and Suiçmez the lineup on "Epitaph" includes Christian Münzner (guitars) and Stefan Fimmers (bass).

Stylistically the material on the 8 track, 32:56 minutes long album continues the brutal technical death metal style of "Onset of Putrefaction (1999)". The songwriting has improved since the debut though and "Epitaph" is quite the sophisticated death metal release, featuring occasional neo-classical leanings, surgical precision playing, and a powerful detailed sound production, which suits the material perfectly. It´s ultra brutal music featuring deep and predominantly unintelligible growling vocals, brutal riffs and both heavy and very fast blasting drumming, but it´s still quite original sounding. Especially some of the lead guitar work is relatively creative. It´s in the songwriting department that "Epitaph" separates itself greatly from the standards of the genre though. It´s one of the few brutal technical death metal albums, that you´re instantly able to recognize when it´s playing. There are other standout releases/artists on the scene, which share the same strengths, but overall too many brutal technical death metal releases/artists imitate and copy each other and tend to become one large grey mass.

With music this extreme you need hooks to hold on to and varied songwriting to keep full album releases interesting. "Epitaph" fully meets those criteria as the album is loaded with catchy riffs, lead melodies, and drum patterns. The vocals are the least intriguing feature on the album, but they get the job done without becoming a distraction. It´s simply a high quality release through and through. From the opening notes of album opener "Stabwound" until the closing notes of album closer "Symbiotic in Theory", the listener is treated to some of the most energetic, well produced, and well written brutal technical death metal around. A 4.5 star (90%) rating is fully deserved. Had the vocals been more distinct sounding, passionate, and convincing, it could well have been a full 5 star (100%) rating.
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