ARGUS — From Fields of Fire (review)

Album · 2017 · Heavy Metal

4/5 · 2017-09-24
Nightfly

My introduction to Argus came with their second album, Boldly Stride The Doomed, an album that received such universal praise it was impossible to not want to check it out. My initial impressions were good but it was to take a few plays before it really hit home with its combination of doom and old school metal. After a while though I couldn’t leave it alone and it became a firm favourite in my collection. Its follow up, Beyond The Martyrs arrived in 2013 and listening to that after BSTD I have to admit it was a bit of a disappointment. Yes, it was good, sometimes very good but they’d reduced the doom element which might have been part of the reason but overall some of the songs lacked that killer punch, only occasionally reaching the greatness of its predecessor.

Roll on to 2017 and From Fields Of Fire arrives on my doorstep. See, I still had enough faith to buy it without hearing first and I’m very happy to say that I don’t regret it. After the short acoustic instrumental Into The Fields Of Fire, Devils Of Your Time is a good omen of what’s to come. The old school metal vibe of past work is retained as it moves along at a fair pace, rolling double kick drums pushing it along overlaid by compelling staccato riffing and a well thought out solo, i.e., not just a blur of fast notes. Brian ‘Butch’ Balich’s vocals are the icing on the cake, an excellent singer in the classic 80’s metal mould of which there aren’t enough of these days. This is epic stuff! The galloping As A Thousand Thieves is more of the same, maintaining the momentum and only marginally missing the mark set by Devils Of Your Time. As the album progresses it becomes clear that the doom element that added greatly to Boldly Stride The Doomed has been pretty much ditched, but this time it’s not missed as they’ve really upped their game on the strength of the compositions as one after another the hook laden songs keep coming. By today’s standards this is not particularly heavy when you compare it to the more extreme metal that’s prevalent. This album screams 1980’s in style and delivery and if it had come out then it would have seemed heavier and they’d have been massive. However, there’s not too many bands doing this stuff, particularly so well, at the moment so it’s like a breath of fresh air with an organic production in keeping with the vibe.

This album beats Beyond The Martyrs, not only because the songs are better but also with its sheer consistency, with no weak tracks to speak of. As with most albums though it has its highlights. One of these comes mid album with the eleven minute plus Infinite Lives, Infinite Doors which has plenty in common with Iron Maiden in their more epic moments – the Maiden comparisons being nothing new to this band. This dynamic and dual guitar work of Dave Watson and Jason Mucio is key to this and indeed the whole albums overall success. Another highlight is the slow build of No Right To Grieve, the only time anything approaching doom appears. For the most part its slow and melancholic and whilst it throws in a few doomy power chords it’s not doom per se.

Argus have really excelled expectations here. I never doubted it would be good but with From Fields Of Fire they’ve made an album at least the equal of Boldly Stride The Doomed. Some may even think it better. For me, I’m on the fence.