DARK SUNS — Grave Human Genuine (review)

DARK SUNS — Grave Human Genuine album cover Album · 2008 · Progressive Metal Buy this album from MMA partners
4/5 ·
voila_la_scorie
I found Dark Suns while checking out progressive metal bands on iTunes. I don't remember which of their albums I sampled first, but I later read that their first album sounded a lot like Opeth, their second began moving away from that, and their fourth I listened to a bit and found it very jazz-influenced. This one made the biggest impression on me and so I ordered a CD from Amazon.

My experience with progressive metal is still somewhat limited; however, at times I was reminded of Tool's "Aenema" because of the slow heavy bombast of guitar chords, bass, and drums. Dark Suns shy away from catchy riffs or speedy trash sequences. Instead they often use the louder instruments (electric guitar, bass, drums) for deafening blasts of doom-heavy sonic assaults. The opening instrumental in part sums up much of the heavier parts of the album.

What makes "Grave Human Genuine" so interesting, though, is everything else that Dark Suns employs to create the music. You'll find piano, flute, bongo drums, electronic effects, acoustic and clean electric guitars, strings, synthesizer, and possibly more that I have missed. The band uses all these to create delicate and beautiful acoustic music with drums and bass, symphonic metal, haunting and lonely musical passages, and music by which to go mad. They also don't hold back and fire full volley when it suits them. Listen to the wonderful acoustic guitar/piano/bass/drums opening to "The Chameleon Defect" which abruptly turns into an auditory bombardment at a rate that can hardly be counted in beats per second. Though the general atmosphere is dark and there are no catchy melodies to sing in your head, the music is very intelligent if not experimental.

A few words on the vocals, Nico Knappe's vocals tend to be sung very delicately and softly, which can work wonderfully to contrast the dark heavy side of the music. Sometimes though I wish he would put a little more edge into his voice. At times I think his style bothers me a bit but other times I am okay with it. There are also death growl vocals placed to good effect but I don't know who is providing them. Also, Vurtox of Disillusion guests on a couple of tracks for spoken parts. It's interesting that I ordered Disillusion's "Back to Times of Splendor" at the same time as Dark Suns, discovering them during the same iTunes hunt.

The album is both diverse and cohesive. The approach to the dark heavy music doesn't vary much but there's so much else on there that the album doesn't get tiresome. If you are looking for more standard metal then this one might not please, but for something in a progressive vein, I think this is rather original among the prog metal albums I have heard so far.

I don't feel it quite deserves five stars but a very strong four stars.
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