RIVERSIDE — ID.Entity (review)

Album · 2023 · Metal Related

3/5 · 2023-03-16
Negoba

A Very Uneven Endeavor with a Few Bright Spots Riverside has been creating a unique take on progressive metal for over 20 years now based in part on Mariusz Duda's amazing voice and heavy use of Floyd-ian atmospherics. ID.Entity still has these elements, and some very solid riffage. But the band has also decided to slide in the pop / 80's direction to mixed effect. Though I don't usually review song by song, this album almost demands it as there is so much variation in approach and quality.

1. Friend or Foe - maybe it was Stranger Things. Pulling in early 80's keys is trendy and Riverside goes full in on the opening track and promo single. The song reminds a bit of the similarly intention retro 80's synthpop of the Weeknd's 2019 hit "Blinding Lights." Luckily, I think the move works here. It's a great melodic hard rock song. Hard to call it prog, besides the fact that it's (too) long.

2. Landmine Blast - my favorite song on the album. The band takes a great riff (yes a throwback to their own previous work) and trades it through different instruments and permutations almost like a classical piece. Some of the guitar solos also intentionally point back to early work (even though it's not the same player).

3. Big Tech Brother - after a clumsy, dumb spoken word intro, we get another very strong song. It opens with a great riff in odd time that almost has an R&B feel (a horn like keyboard patch is used and I can definitely hear a Tower of Power horn section taking it on). Duda uses a staccato delivery in the verses a la Haken to great effect. It has a strong aggressive rhythm, and plenty of layering. So far so good.

4. Post-Truth - here things start to slow. The lyrics, meant to be political criticism, start to sound obvious and whiney. The songs itself it pretty straight forward. Nothing wrong here but no surprises.

5. The Place Where I Belong - and we go off the rails. This epic length song has almost nothing progressive, or even interesting. The first half is quite boring. The second half is PF/PT moody and does carry some emotion, but there is absolutely no excuse for a song of this kind to be this long. There just isn't enough happening, too repetitive.

6. I'm Done with You - another relatively straightfoward rock song with bad lyrics. The main riff and intertwining parts are pretty driving and form a good groove, but the verses are boring and the chorus is bad. The "Fire Away!" section is pretty cool. The instrumental breaks toward the end are good. But like the album as a whole, really uneven.

7. Self Aware - starts with a riff straight out of the 80's that Ghost has already used with more menace and I consider them a tongue-in-cheek parody / novelty act. Not as tightly constructed as Friend or Foe, but seems to have a similar intention or inspiration. Harmless.

Perhaps that word is the best description of the album. Harmless. The first time I listened to this album I actively disliked it, probably because the last 3 tracks are the weakest. But on repeat listens, I can appreciate it. It has it spots. But overall - harmless. Not compelling. Mostly solid. A little better than meh. Not sure I would ever put this on just for enjoyment (I listen to alot just to see what's new in the world) when there is so much better music out there (even from Riverside). I may steal track 2 for a 2023 prog playlist. That's about it.

Good but really non-essential