SAINT VITUS — Lillie: F-65 (review)

SAINT VITUS — Lillie: F-65 album cover Album · 2012 · Traditional Doom Metal Buy this album from MMA partners
3/5 ·
Nightfly
Few would argue the importance of Saint Vitus in the doom/traditional doom sphere and they certainly went out on a high with 1995’s Die Healing. Fast forward to 2012 and Lillie: F-65 was their first studio album for 17 years. Bassist Mark Adams and guitarist Dave Chandler remain from the line-up from Die Healing and in came new drummer Henry Vasquez to replace the sadly now deceased Armando Acosta. It also saw the return of Vocalist Scott “Wino” Weinrich (The Obscessed, Wino) replacing Scott Reagers once again.

The sound on Lillie not surprisingly is dominated by Chandler’s fuzzed guitar sound and while he’s never been the most busy player his playing seems even more minimal here as well as upping the fuzz quotient, from Die Healing at least. This to a certain extent seems to rob the riffs of some of their power unfortunately. Weinrich’s vocals whilst doing the job lack the range and expressiveness of Reagers. He was more convincing in The Obsessed to my ears. At only 34 minutes it’s pretty short and whilst there’s a few good songs time is wasted considering the short running time by album closer Withdrawal which is basically three minutes of feedback. Vertigo is better but is really another filler being a short guitar only instrumental. Of the five remaining songs nothing jumps out as great which is disappointing. Pick of the bunch is probably opener Let Them Fall and Blessed Nights. The faster and busier Blessed Nights has the edge but Let Them Fall whilst being very basic has a riff that gets under the skin. The Bleeding Ground for the most part is a bit too basic but scores points for Chandler’s searing guitar solo on the more up tempo ending.

Not the comeback album I would have hoped for from Saint Vitus then after the excellent Die Healing but I know it has its fans. However at the time of writing Saint Vitus have a new album due imminently with Reagers back on vocals. Whilst it’s too early to say, based on the two tracks currently available this is sounding far more like the return I’d have hoped for. Time will soon tell.
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