ÖXXÖ XÖÖX (2) — Nämïdäë (review)

Album · 2015 · Avant-garde Metal

5/5 · 2016-06-28
siLLy puPPy

After gracing the world with their new musical style created to foment the blooming of the mind that takes root in inner universal truths, the umlaut loving ÖXXÖ XÖÖX spent four long years crafting their sophomore album NÄMÏDÄË which once again displays their invented language created from their intuition and set to their own codification of rules. Once again we are treated to the progressive amalgamation and musical alchemy of the musical soul to create another haunting and riveting sequel to their debut “Rëvëürt.” After releasing the debut independently, this bizarre atmospheric goth and doom symphonic metal band moved things over to Blood Music and deliver another long winding operatic metal extravaganza that spans the lengthy time of 74:46 but like the previous offering leads the listener through a sonic epic musical journey that unfolds and reveals its charms slowly but never fails in the entertainment department as to keep me enthralled for the entirety of playing time.

Stylistically NÄMÏDÄË delivers the exact same recipe as the debut by incorporating classically inspired keyboard runs tainted with odd time signatures, technical drumming wizardry of Isarnos with the operatic dramatic flair of vocalists Laurent Lunoir and Laure Le Prunenec all accompanied by doom and gothic metal aggression. While the atmosphere and instrumentation remain the same on album number two, this one has more intense and interesting compositions. It seems that all the ingredients have been put on a higher flame and the result sizzle in a more dynamic and varied sounding album. The synthesized atmospheric generator is thicker than a fog filled evening in a cemetery, the metal is much more aggressive and appears more often with even scant traces of thrash creeping in whilst the lyrical delivery is even more vehemently pronounced, passionate and prophetic sounding. The compositions meander though softer and heavier passages and while Lunoir’s Gothic vocals are dominant on the softer passages, he utilizes more extreme metal shouting and growls on the heavier parts at times thus bringing the mood into more aggressive musical arenas, however the music generally marches along at mid-tempo.

Once again ÖXXÖ XÖÖX constructs a beautifully delicate album where the mixing and production of the all the sounds on board are perfectly woven together to create one of the most atmospheric drenching dark ambient gothic doom metal meets operatic classical music that easily sets this band apart from virtually any other in the world and beyond today. Where else are you gonna hear doom and goth metal played together with lush string sections, haunting church organs, harpsichords, tech drumming, passionate pleas in some exotic tongue all enshrouded in unorthodox song structures that eschew any rules yet all rooted in catchy classically based melodic developments? Well, if that sounds interesting to ya, then look no further than NÄMÏDÄË because this is the real progressive / avant-garde metal deal that takes all this disparate elements and blends them together seamlessly in sprawling epic tracks that flow together to create an utterly unique and mind-blowing listening experience.