FATES WARNING — Night On Bröcken (review)

FATES WARNING — Night On Bröcken album cover

Album · 1984 · Heavy Metal

2/5 · 2015-05-24
siLLy puPPy

FATES WARNING was formed all the way back in 1982 in Hartford, CT in the midst of the NWOBHM really taking the world by storm. In the beginning the band consisted of the twin guitar assault of Jim Matheos (the only constant member since the beginning) and Victor Arduini, drums handled by Stever Zimmerman, bass by Joe DiBiase and the trenchant vocal duties of John Arch whose well developed tenor head voice earned him comparisons to Geoff Tate of Queensryche and Midnight of Crimson Glory, but as the majority of reviewers of this album have already pointed out, it’s Iron Maiden who gets most of the credit for pretty much all of the influences on board on this debut release NIGHT ON BRÖCKEN. The title comes from a mountain in Germany associated with witches in Goethe’s “Faust.”

It’s hard to believe this band would go on to become one of the most innovative progressive metal bands of the ages on this release. First of all there is nothing progressive here at all and it is debatable if there is really anything original at all to be heard. To me this sounds like an Iron Maiden demo in a parallel universe where Bruce Dickinson was in the band at the beginning and recorded a demo or two. I have a highly sensitive ear to plagiarism and it doesn’t get any stronger than on this first album. Not only does Arch nail Dickinson’s vocals in tone, register and intensity but the guitars and bass perfectly mirror Maiden’s thundering galloping and chord progressions. The three albums “Number Of The Beast,” “Piece Of Mind” and “Powerslave” are the fertile grounds of choice to copy here and it sounds to me like they simply rearranged riffs, leads, drum rolls etc to create newly assembled songs with new titles.

Just a few examples: “Kiss Of Death” uses a “2 Minutes 2 Midnight” riff and “Rhyme Of The Ancient Mariners” gallop. “Night On Bröcken” employs a “Quest For Fire” drum roll which is followed by the band almost exactly like the original. “Shadowfax” copies “Losfer Words (Big ‘Orra).” I could go on and on about which track rips off which riffs, lead, drum roll etc but…. yawn! The acoustic “S.E.K.” may be the most original piece on here sounding like something different but unfortunately it only lasts over a minute. This one is an extreme disappointment. Not progressive. Not original. Not even a decent copycat job. I can stand it from time to time when a band simply nails every aspect of the band they are ripping off but in the case of NIGHT ON BRÖCKEN i find it hard to even sit through it without cringing. If you want a really good Iron Maiden clone band then go straight to Russia’s АРИЯ (Aria) who not only matches Maiden’s intensity and skill sets but also adds some original touches to the mix. This, i’m sorry to say, does none of that. For completists only.

more than 2 years ago
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voila_la_scorie wrote:

more than 2 years ago

Wow! Well, considering that I have in the last few months heard three or four albums that sound like musical anagrams of other more famous releases, this doesn't surprise me. But we all have to start somewhere.

siLLy puPPy wrote:

more than 2 years ago

Sorry, UMUR. 1984 was a great year for metal with lots of stellar releases that didn't resort to blatant copycatism. Metallica - Ride The Lightning, Iron Maiden - Powerslave, Mercyful Fate - Don't Break The Oath, Priest - Defenders, Metal Church, Trouble - Psalm 9, W.A.S.P., Scorpions - Love At First STing, Spinal Tap Soundtrack!, Bathory, etc I really don't find anything interesting about this release even if a few redeeming qualities are slipped in. Luckily they would get MUCH better

UMUR wrote:

more than 2 years ago

I agree that "Night On Bröcken" isn´t the most interesting or promising debut album out there, but you got to remember it was released in 1984, and taking that into consideration I think there are some redeeming qualities. Not my poison either though.