DREAM THEATER — Octavarium (review)

DREAM THEATER — Octavarium album cover Album · 2005 · Progressive Metal Buy this album from MMA partners
4/5 ·
martindavey87
After the all-out metal assault that was 2003's 'Train of Thought', Dream Theater continue to develop their "metal" sound, while at the same time paying homage to their progressive roots. And so it is, that 'Octavarium' is seen from two perspectives. There's the fans who see it as Dream Theater's 70's-era prog rock album, and there's the ones who think it's just a smorgasbord of stolen ideas.

Admittedly, there are songs that sound similar to artists such as Muse, Linkin Park, U2 and the very Pink Floyd-sounding title track. But does that really make them bad? Does a band consisting of some of the finest musicians in the world really need to resort to plagiarism? And when did it become such a sin to wear your influences on your sleeve? Stolen ideas or not, I like the songs, and that's all that truly matters to me.

The main focal point of the record is the 24-minute title track, 'Octavarium'. A song that builds from a hauntingly ambient intro to one of the most climatic finishes in a Dream Theater track, it perfectly appeals to fans of both old progressive rock and modern metal alike, and will easily go down as one of the bands most memorable pieces.

The rest of the album features a mixture of heavy, rocking songs and soft, radio-friendly ballads. 'These Walls' and 'Never Enough' take the group into more alternative rock-inspired territory, whilst others such as 'The Root of All Evil' and 'Panic Attack' continue in the same vein Dream Theater have been on since 'Six Degrees of Inner Turbulence'. And while the musicianship is incredible, as expected with Dream Theater, it's keyboard player Jordan Rudess who really gets to shine on this album, with many of the songs being heavily synth-driven.

Riddled with Easter eggs and hidden references to the number eight, Dream Theater's 'Octavarium' sees the band continue to challenge themselves by trying new things and taking inspiration from different sources. It's a throwback to 70's and 80's progressive rock, whilst maintaining the bands own signature take on the metal subgenre they helped pioneer, thus making it a worthy addition to fans of both genres.
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