VEKTOR — Outer Isolation (review)

VEKTOR — Outer Isolation album cover Album · 2011 · Technical Thrash Metal Buy this album from MMA partners
3.5/5 ·
Phonebook Eater
7/10

"Outer Isolation" is one of the best Thrash Metal records of the last few years.

One of the most acclaimed Thrash Metal bands of the last few years, Vektor wowed plenty of Metal fans with the 2009 release 'Black Future', and was a tough one to follow. However, 'Outer Isolation' comes pretty darn close, showing that this band has no intent to slow down. This latest release is easily one of the great monsters of modern Thrash Metal, this said by someone who isn't exactly a fan of the new wave of the genre.

'Outer Isolation' from the first seconds of play is an album that loves to experiment with a somewhat spacey theme, not only in the lyrics but also in some futuristic sounding samples of machines and electronics. This is probably what makes the album very original sounding. But 'Outer Isolation' is also extremely violent, thrashy, in your face, and fiercely technical. Each one of these songs is extremely complex and flows in such a way that maximum attention is required. In one song, it feels like the band is constantly throwing at you different riffs, all of them pretty much face melting. The technical side of the band is quite impressive, each musician is incredibly skilled, to the point that saying this is Technical Thrash Metal is very much accurate.

Even after repeated listens, however, many parts here are very hard to follow, and everything passes by quite quickly, and by the end of the song, you won't remember all of the things happened. It gets almost frustrating at times, but knowing that every single note of a song was enjoyable ends up compensating the frustration somehow.

Examples of such sort of tracks are all over the place, starting from the ten minute opener 'Cosmic Vortex', mixing space ambience with fierce Thrash and tons of time changes. The two following song 'Echoless Chamber' and 'Dying World' are not only extremely fun to listen to but also have excellent ideas and riffs within them, maintaining that technical feel in every note. 'Tetrastructural Minds' and 'Fast Paced Society' seem to be not only two of the best pieces of the album but also the easier ones to get into, while the more complex songs 'Venus Project' and the title track actually feature more variety in the sound, both of them being more open towards doing slower moments or strange, low toned vocals.

An album very hard to get into, but when it reveals itself it's a wonderful joy of a Thrash Metal record, one of the best of that genre of the last few years. Essential listening for Thrash Metal fans.
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