BUCKETHEAD — SIGIL Soundtrack (review)

BUCKETHEAD — SIGIL Soundtrack album cover Boxset / Compilation · 2019 · Alternative Metal Buy this album from MMA partners
3/5 ·
siLLy puPPy
BUCKETHEAD has been rather low key in the last couple of years as he’s probably kicking back in the Bucket-Cave after exhausting himself from the explosive frenzy of activity during the earlier part of the decade when he released something like 300 albums in a few short years. Or maybe he’s just recharging his batteries! Brian Patrick Carroll is of course not only a chicken loving eccentricity but is without a doubt an extremely versatile and talented musician who has inspired many far and wide with his mold of William Shatner’s Captain Kirk mask and signature KFC pale upon his head.

One of his biggest fans has been John Romero who created the classic 90s video game Doom which in the year 2019 is celebrating it’s 25th anniversary. In honor of this landmark occasion, Romero has decided to go all out and create a deluxe boxed set that adds on new levels to the Doom game in the form of SIGIL which will surely please fans with eight new regular levels, one new bonus level, an epic boss fight and the most difficult episode yet to emerge. Of course all of this needed a new soundtrack and as he has spent countless hours programming code to the music of BUCKETHEAD, which Romero deemed the perfect sort of sounds to exist side by side with his masterful classic video game extensions.

The SIGIL SOUNDTRACK isn’t exactly a custom made score for the Doom universe’s latest installment but rather is a compilation of tracks from the massive PIKE series with the sole exception of the opening track, “Romero One Mind Any Weapon” which is the only new track to be featured. Romero’s hope was to introduce BUCKETHEAD to a wider audience and although many have heard of this mysterious legend, many still probably have never been exposed to his music, therefore this SOUNDTRACK is more like an introductory compilation of sorts.

“Romero One Mind Any Weapon” (9:04) -The only new track displays the avant-garde metal intensity of BUCKETHEAD’s earliest albums when he emerged in the 90s on such albums as 1992’s “Bucketheadland.” This track conveys a standard classic metal approach with lightning fast metal guitar riffing that keeps a “normal” metal groove in place but with a BH track creeping past the 9 minute mark, you’re bound to get a pocketful of electronic weirdness, progressive off-kilter breakdowns and a mix of sizzling solos and ambient mood enhancers. And of course there’s a touch of funk! This track is sort of a tribute to BUCKETHEAD as it has a dash of this and a dash of that which makes up the chicken lover’s lengthy career. While the track isn’t unusual from anything from his past, i can understand why this makes a wickedly cool addition to the SIGIL experience.

“13th Floor (7:15) from PIKE 118 - Elevator - I can understand why this track was chosen. It’s a heavy rocker that has a marching into battle drive to it. The track goes through a series of nice emotionally charged passages with elegant soloing and an epic feel. A great choice for SIGIL.

“Buildor 2 (13:43) from PIKE 224 - Buildor - This track utilizes a Pink Floydian Gilmour type of space rock guitar lick before being joined by another distorted power chord guitar and then it totally mellows out back to a space guitar lick, ambient background and very slow drumbeat. This tracks basically goes on and repeats the riff, adds solos, takes breaks with ambient passages and follows the traditional PIKE playbook but has found its true calling on SIGIL.

“The Patrolman” (7:30) from PIKE 8 - Racks - This track starts out with a clean guitar lick and more energetic drum beat joining it. It lets the melody gently unfold but this is one of those tracks that doesn’t really go anywhere. It is predictable and by the books without any improper freakiness. It’s too much like something off of the “Electric Tears / Sea” albums and sounds like a leftover track or something. OK as an active listening experience but perfect for the multi-tasking of video game playing.

“Cold Frost Part 6” (5:10) from PIKE 205 - 2 Days Til Halloween: Cold Frost - This is a snippet of the dark ambient releases from 2015’s Halloween countdown. Now this is prime video game music as it has a Twilight Zone feel with icy darkened atmospheres and spooky chilling effects. While many didn’t like these ambient releases, i find the electronica of BUCKETHEAD to be some of the most refined and interesting of all.

“Melting Man Part 2” (6:38) from PIKE 10 - The Silent Picture Book - This track is one of those distorted and mellow ballads which also is not very engaging actively but is a nice chill pill for intense video game action.

“Far 5” (10:41) from PIKE 266 - Far - This track begins with an atmospheric ambience and begins immediately with heavier guitar riffs along with the space rock sounds. A guitar solo is finally allowed to erupt into a sped up bluesy frenzy. Although this one has more of rockin’ feel, it still is nothing more than a repetitive loop of a few chords that continue on with soloing over the main rhythm.

“Poseidon 4-6” (16:56) from PIKE 264 - Poseidon - Like the PIKE from which these three tracks are stitched together here, they seamlessly transition together. A nice mix of heavy rock with crunchy riffs, licks and solos with some downtime for ambient sections and other deviations from the norm.

“Fastpass” (7:03) from PIKE 231 - Drift - This track starts out slow and mellow with a synth, a slow guitar and it sounds like it’s gonna be one of those Pink Floyd slow tempo bluesy guitar tracks. Yep. Continues as the same style and doesn’t really go anywhere interesting. Nice tones and does have chord changes but BH has done this much better before. OK but not OMG

At a running time of 84 minutes, this one might be a little too long for many as an active listening experience but as a series of musical experiences in conjunct with the SIGIL playing it is perfect! I think many of the PIKEs were too simply constructed for active listening experiences but make perfect background music for a multi-media project such as this. BUCKETHEAD Pikes have found their calling at last and Romero has expressed interest in incorporating more of the chicken lover’s music into his future projects. All in all this is a decent introduction to anyone unfamiliar with the PIKE series but personally i enjoy the more adventurous and experimental sector. For those not so adventurous as i, this is a decent PIKE 101 stepping stone into the greater universe but for true fans this will be of little interest with only the first track providing new material.
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