CULT OF LUNA — Somewhere Along The Highway (review)

CULT OF LUNA — Somewhere Along The Highway album cover

Album · 2006 · Atmospheric Sludge Metal

4/5 · 2011-07-23
Xaxaar

It's truly a beautiful and emotional trip, this album is.

I think many people would agree with me when I say that this is Cult of Luna's best piece. That being said, it's an album that requires all of your attention while listening. It's also not an album for the ones with short attention spans. As you can imagine, it being a post metal album and all, there is a lot of repetition. As some look at this as a bad thing, I truly feel more immersed in the whole experience.

The bass and guitars are just so perfect on this album. They have a perfect tone and add to what the album is all about. They also add another element to the music. Besides the main melody and the bass riff, you'll often hear the other guitar(s) doing something to enhance the mood even further. You can tell how much thought they put into these songs, just trying to get it absolutely perfect. These are the things you can really miss and thus if you pay attention to it you'll have a more enjoyable listening experience.

Now one thing that definitely surprised me about this album is how good the drumming is. Is it the most technical stuff ever? Of course not; the whole album is not one you listen to for technicality. The drumming is just very creative. It's hard to imagine another drummer on this album just because he has so many memorable parts. But what I will say is that the drumming could have definitely went a more basic and uninspiring route and I'm very glad it didn't. Oddly enough, the drumming is one of the hilights for me on this post metal record.

Lastly, the vocals and lyrics. To me, the lyrics are perfectly reflected by the vocals. The whole album gives this sense of claustrophobic loneliness and the vocals do not disappoint in that respect. The shouting vocals in the climax of their songs never gets old and the haunting clean vocals in songs like "And With Her Came The Birds" are just wonderful. This album really has no weak points in the line-up; everyone is just so strong. Truly the best post metal record I've heard.

Marching To The Heartbeats - the first song off the album. It is just an intro, though, but it greatly succeeds at what it's trying to do: sets you up for the journey to come. Basically a bunch of droning guitars with the clean vocals, definitely an excellent start to the album, though.

Finland - this is where the album kicks off. After you heard all of that ambience, the drums just come in with full force. It then later calms back down to another ambient guitar thing, but this time with some drums, and they do really add a very nice touch. The things beyond the basics of this song are the things you have to pay attention to to really "get it." The song climaxes perfectly and everything scaling up to that is a wonderfully memorable experience. An awesome song, indeed.

Back To Chapel Town - Droning guitars, we meet again. That's another thing I should add, if you're against guitars being ambient to enhance the mood, you'll absolutely hate this album. But personally, I love it, as I also do the way the use it in this song. When the drums kick in, it's another great-sounding composed drum beat. I really do appreciate the drums in this album because I could imagine just a normal beat going there and it doesn't sound nearly as awesome. But this song achieves what it's trying to do. Sorta slowly fade in, then climax, then slowly fade out again. The synergy that all of these instruments have between each other in this song is also something great.

And With Her Came The Birds - For me, this song is kind of the intermission. It's 6 minutes of very ambient stuff. By intermission, I do not mean "Oh and it's this, going to get up and get a drink real quick." No, not at all, it's a very good song, it's just here I feel like the album divides itself. The calm before the storm is the best way I can describe it.

Thirtyfour - One of the more interesting songs of the album song structure wise. It kinda slowly climaxes up, introduces the drums, they start doing those awesome fills and whatnot, but then it just kinda drops again. But I do like it. That drop gives more of a claustrophobic feeling for when the real climax actually does hit. But then it drops out again after that climax and then builds towards another one. I do love a song with song structures like this and this is sure no exception.

Dim - Now this song is really an experience. Definitely one of the hilights on the album. The first 8 minutes of the song are just pure instrumental genius. The mood is actually kind of up-beat, almost giving a sense of hope. But then, like I said 8 minutes in, the more distorted guitar along with the shouting vocals come back in and you get that old sense the album had on you. And, probably how weird it is to point out alone, I really like the keyboard outro. You can faintly hear it growing in the back until that's the only thing you can hear. Well, of course not including the next song.

Dark City, Dead Man - This song I can safely say IS an utter masterpiece. My favorite song on this wonderful album, hands down. Definitely in my "top 5 songs of all time." It's just so perfect and so powerful. Whenever I hear this song, it always is just such a powerhouse. Every moment after the drums first go on the toms and then flams on the snare twice. It's just awesome stuff. I also can't say how cool I think that riff really is. I also love how the drums slowly progress in the song by only utilizing the hi-hat. Opening to get a more powerful effect and also just using more hits to get a feel of more of a driving force. You get such a sense of darkness and being sealed in at this point. The ending is one of the most powerful, if not the most powerful, ending I have heard. The sense of drag that the instruments give is just magical, honestly. It's the best way to sum up this song, and this album in fact: it's just powerful.

If you're on the fence about picking up this album, I will definitely be the one to push you over. One of the best musical journies I have taken and this one may have the best ending.

Highly recommended!