SUBTERRANEAN MASQUERADE — Temporary Psychotic State (review)

SUBTERRANEAN MASQUERADE — Temporary Psychotic State album cover EP · 2004 · Progressive Metal Buy this album from MMA partners
4/5 ·
avestin
A short EP, but what great music!

The first chapter of the trilogy of an individual named X. It begins in his room, number 63, where he tells us his story abut his madness, his desires and hallucinations. And the music that he plays fits this mood so perfectly, you feel as if you are with him in his mind. You can feel his agony, his tormented soul, his psychological scars caused by the woodpecker in his head.

This band is the brainchild of Tomer Pink who wrote here the lyrics along with Yishai Swaerts (An Israeli metal figure and previously vocalist for Israeli metal bands Nail Within and Moonskin). Pink surrounded himself with very good musicians in order to achieve the best possible result, which he has. Every note here is carefully thought of, planned and carried out in a very good manner.

The first song starts with a tune that sounds as a park show amusement theme. Then you hear an acoustic guitar greeting you in, and a slightly mad voice welcoming you. Then the music starts and the violin makes sure you understand you have entered into a hall of insanity. The vocals at first are clear and "normal" and in the second part of the song change to death growls which are Paul Kuhr's specialty (He is the vocalist of Chicago's doom band November's Doom). The music flows on perfectly; creating weird, disturbing soundscapes that along with the lyrics make you wonder where the hell it is that you have wondered into. At about 4:20 begins the part that leads to the climax of this song. The lyrics and the music together create an effect that surpasses anything each one alone could have achieved. And then Paul switches to death growls singing abut his Psychotic State of Mind. His voice/growls just points out how much disturbed X is, and in how much pain he is. The music itself is so beautiful, making you sympathize with X, feel sorry for his pain.

Then the second song, starting again acoustically with the violin's perpetual company to warn us, this insanity is not over yet. In here we hear Susan Naud's beautiful vocal performance that perhaps personifies X lost love and his memories of her. Then the music changes again its style to the last part which is a cry for help.

The music is somewhat eclectic in that, that there are many genres blended perfectly into one composition. You get rock, metal, some folkish tunes (which the violin creates) and other bits of other styles - the result is progressive music that keeps on evolving all the time, not resting in its place, searching for more ways of developing and original.

The music is beautiful, the musicianship very good, the emotions expressed are overwhelming. A brilliant piece of work.
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