FELIX MARTIN — The Gathering (review)

FELIX MARTIN — The Gathering album cover

Album · 2024 · Progressive Metal

3.5/5 · 2024-07-24
siLLy puPPy

Venezuelan guitarist FELIX MARTIN has been on the technical guitar music scene for almost 15 years now and still remains quite unique with his self-designed 12, 14 and 16-string guitars that he has perfected the art of finger tapping on. After studying at the Berklee School of Music in Boston and relocating to Los Angeles, MARTIN has been touring with other guitar wizards ranging from Bumblefoot (with Sons of Apollo) and Marty Friedman to Tony MacAlpine across the world. MARTIN has delivered a steady stream of nerdy instrumental albums since his debut “Bizarre Rejection” in 2010 and currently in 2024 he has released his latest power trio assault THE GATHERING.

For a guitar virtuoso MARTIN plays it cool and on the 10 tracks featured on THE GATHERING he definitely showcases his two-handed double-neck guitar tapping approaches with his collection of multi-stringed guitars and accompanying 10-strong basses but he integrates inspiration derived from progressive rock and metal along with medieval music, video game soundtracks, Japanese anime themes and an abundance of jittery math rock time signatures. Unlike other modern guitar gods such as Tosin Abasi who favor djent-fueled guitar heft, MARTIN offers a gentler approach making his music a bit more light and breezy despite the incessant flow of finger-tapping techniques permeating the album’s run.

Add to that MARTIN infuses his Latin musical roots into the mix and the entire album has a bit of the jazz fusion vibe that has been more prevalent on his previous albums. First and foremost MARTIN is dedicated to intriguing melodies and dynamic rhythmic drive with the virtuosity supporting the overarching theme, a trait lost on many virtuosos although that has been changing in the 21st century as gifted guitarists have found new musical avenues to incorporate their shredding skills into. Perhaps the most dynamic feature of MARTIN’s music is the fact that his 16 and 12-string guitars along with the 10-string basses offer a huge palette of sounds and technical possibilities. Add to that MARTIN uses two hands on two necks to craft contrapuntal guitar techniques, some of the most advanced technical wizardry possible.

Each track on the album includes its own artwork of an anime character that represents it as seen on the album cover art. While usually tucked into the world of progressive metal, THE GATHERING is less metallic than previous albums and offers a cleaner less distorted array of tones and timbres. The trio is flawless in its nerdy execution of the string attacks however i find the drummer to be the least interesting of the bunch as he basically only exists to maintain a steady beat with no outbursts of virtuosity in his own right although he doers offer some moments of interest. Even more exhilarating than hearing MARTIN play is to experience the visuals on his videos where you can marvel at the beefy excessively stringed guitars that he and bandmate Joan Torres double tap with amazing grace and ease.

Overall this like any MARTIN release is impressive on a technical level and even competent as far as painting interesting melodic developments and balancing the elements involved however even with all the attention focused on the songwriting with the finger tapping a secondary process, the album still comes off as a bit one-dimensional as the tracks don’t vary significantly enough from one another and by the time the album nears its final tracks the wow factor has diminished. While MARTIN has learned the discipline of toning things down and honing his skills into a greater sum of the parts, unfortunately the music isn’t diverse enough to maintain the interest of the listener for an album’s run but the craftsmanship is rather brilliant and the clean tones and timbres that MARTIN has eked out of his guitar army is quite pleasing indeed. Personally i prefer the faster tracks as the slower ones are a little too pandering to the non-techies but really there’s nothing horrible about this album other than a little monotony at times.