AYREON — The Theory of Everything (review)

AYREON — The Theory of Everything album cover

Album · 2013 · Metal Related

4/5 · 2013-12-23
arcane-beautiful

Having loved Ayreon's last album, I was so excited to hear that Arjen had decided to get this project off the ground again. Not sure whether this was due to his failed projects Guilt Machine and his first solo album, but whatever...I am so glad to see him get this project off the ground again.

Now Arjen's reason for stopping the project was due to the criticism on Ayreon's last album “01011001.” Now personally, this album is one of my all time favourites, but some harsh words from critics who claimed the album to be “the same old thing”. Hurt by these comments, Arjen decided to put the Ayreon project to bed...but now he's decided to wake it up, and it's ready, awake and an album is here for us to listen to.

Now, Ayreon's biggest quality is the ability to take some of the greatest talent in music. And I have to admit, I was rather surprised at who he got. With big names like John Wetton (King Crimson, Asia) Cristina Scabbia (Lacuna Coil), Tommy Karevik (Kamelot, Seventh Wonder) and Marco Hietala (Nightwish, Tarot), the vocals really shine, with each vocalist surprising me and impressing me multiple times throughout. The biggest shock was seeing Michael Mills name on the credits. Being from a rather unknown band called Toehider, who I've just recently gotten into these past years. I knew this dude was a good singer...but...wow...people need to check the talent this guy has. JB from Grand Magus also has one hell of a role in this album too. One of the slight criticisms I had with this album (same I had with “The Human Equation”) was the lack of attention focused on the main character. The Prodigy (as played by Tommy Karevik) is really one of the top vocalists for this album, but sadly he really doesn't get a big enough part, which is a shame. I do think allowing the other vocalists time was a good idea, but a bit more focus on him really would have fleshed this album a lot more.

The musical line up is also a lot bigger than it has ever been. Bringing in some help from Jordan Rudess, Rick Wakeman, Keith Emerson, Steve Hackett, Troy Donockley and some other famous faces. I have to admit, with this help, musically this project hasn't been stronger. In fact, this also may be Ayreon's heaviest album to date.

Story wise, it's a rather odd one. Based around the trials and tribulations of a child prodigy, the album does have a pretty strong and encapsulating narrative throughout. I have to admit, some of the lyrics aren't the best in the world, but as you listen and enjoy, you get hooked. Also, no spoilers, but a rather surprising twist can be seen at the end...which in all fairness, I really liked.

Whenever I saw the track listing for the album, I was surprised slightly. 4 big suites! My first impression was...'is this going to be some sort of “Tales Of A Topographic Ocean.” Luckily it wasn't. Unlike Yes, this album doesn't seem too over indulgent...in fact, it's pretty to point, which is one of the reasons I actually liked the suites being split into separate tracks. Now, I wouldn't have minded 4 long tracks, but I was surprised at how much I enjoyed the separate tracks.

In conclusion, I am rather mixed with this album. By far this isn't the best or worst effort from Ayreon...but at least it's something different. While the music and vocals in this album are absolutely stellar, the songwriting isn't as strong, due to the lack of hooks and songs that where in the previous albums. Still a great album from Arjen, and proves that what he thought was getting old is still sought after, and whatever he decides to do next, there will always be an audience for Ayreon.