COMA CLUSTER VOID — Thoughts From A Stone (review)

COMA CLUSTER VOID — Thoughts From A Stone album cover

Album · 2017 · Technical Death Metal

4/5 · 2017-12-17
siLLy puPPy

After becoming one of underground metal’s most up and coming revered tech death bands of 2016 with their debut album “Mind Cemeteries,” the multi-national COMA CLUSTER VOID unleash their second offering to the world of sonic sadomasochism seekers with THOUGHTS FROM A STONE which while at running length of only 21 minutes and 40 seconds could possibly be thought of as an EP but in reality i haven’t seen any reference to it as such by the band themselves so despite clocking in a roughly half the time span as their debut, i would have to assume that this is in fact their second album. While the time length has been shortened, the number of musical cast members has gone up by two. While the five members on the debut all make a reprise, they have also expanded their roles beyond their retrospective instruments or vocal duties. This meaning that there is more of a classical music approach in the intro and other segments strewn throughout that find bassist Sylvia Hinz also playing recorder and guitarist John Strieder tearing it up on the violoncello. Two guests appear with Alexa Renger on violin and Anthony Lipari adding yet more guttural death growls and other vocal utterances.

Once again COMA CLUSTER VOID are on a mission to create the harshest and most atonal dissonant din there is to be experienced. While mostly centered on the bizarre surreal tech death soundscapes of Gorguts’ “Obscura” for their source of proggy inspiration with flurries of zigzagging math rock time signatures run amok, the heavy bombast also brings the kings of dissonant djent-fueled orotundity, Meshuggah to mind but it’s those slowed down creepy jarring atonal chords and arpeggiations that always point the finger to Deathspell Omega’s most demanding listens. While not quite as murky and layered as bands like Portal and Pyrrhon, the distortion that bleeds to infinity adds an extra layer of tension that only becomes ratcheted up to the ultimate creepy climaxes. While the tech death metal parts are fairly similar to the first album, what really sets this one apart is the use of the chamber rock classical music pieces which start to sound like Kayo Dot’s most experimental earlier albums however it’s the semi-spoken declarative poetic proses uttered by both male and female members that gives it a sense of urgency and unique flavor.

Personally i find THOUGHTS FROM A STONE to expand fairly well from the debut as it takes all the extreme elements set forth and adds new layers of surreality, brutality and technical complexity which all conspire to unleash a startling spine-chilling sonicscape of extremes. Perhaps my favorite is the ending “We Are As Low” which is a jangling distortionfest mess of chords, eerie atmospheric dread and guttural growls trading off with Diamanda Galas-esque types of litanies of horror and anguish. This is the type of complexity that requires acclamation as it is the equivalent of transversing an oxygen-starved environment while climbing Mt Everest. The elements exposed here are built upon the complexities of the high tech arts that preceded and will surely leave the uninitiated into this cult of chaos utterly bereft of any connection to a musical experience whatsoever. Proggy as hell and brutally extreme to the max yet an almost undetectable thread of beauty that stitches the whole thing together. Another winner in my book. COMA CLUSTER VOID is the real deal.