TESTAMENT — Titans Of Creation (review)

TESTAMENT — Titans Of Creation album cover Album · 2020 · Thrash Metal Buy this album from MMA partners
4.5/5 ·
Kingcrimsonprog
Its 2020 and the 1980s Thrash Metal legends Testament have dropped their twelfth canonical studio album (ie. not counting First Strike Still Deadly, since that is re-recordings of old material). I was pretty hyped up for this album before it even arrived as the band have been on such great form for the last decade with no weak releases in recent memory. Their latest effort is called Titans Of Creation and has the same killer production style as the last two albums and also features the same line-up as the previous album Brotherhood Of The Snake, which is actually a rare thing nowadays as they usually seem to have at least one line-up shift on each new record since the ‘90s.

Interestingly though, although it has the same line-up as the last record, it kind of sounds like there has been a shift. The album is a lot less direct and a lot more technical and musically complex than ‘Snake was. Its also about 15 minutes longer. Don’t get me wrong, there’s still no intros and no ballads, just metal fury from start to end, and there are still some blunt force all-out Thrashers on there (see the red hot ‘WW3’ or ‘Curse Of Osiris’ for example), but they do take the foot off the gas a few times to flex their musicianship rather than just sanding faces off and full speed for an hour. It ends with a biblical sounding instrumental for example. ‘Symptoms’ goes down quite a technical and melodic route, that really lets you know the current rhythm section were both also previously members of the band Death. Single ‘Night Of The Witch’ should give you some idea of the direction of the record. Songs crammed with numerous tempo shifts, complex structures, virtuoso solos, loud and flashy drumming, as well as little hints of the mid-late ‘90s Groove Metal and Death Metal-influenced Testament style creeping in at points amongst their modern-Thrash style of the last four albums. ‘City Of Angels’ takes things even further, and is probably the closest thing to Low the band have done in a very long time.

Basically, the record takes the building blocks of the few previous records’ style, but really pushes it in several different directions and adds more variety. Whether you prefer this album to previous albums will really just come down to personal preference in issues of precision and succinctness versus experimentation and breadth. In terms of quality however, it is unquestionably as good as anything the band have put out since Chuck recovered from cancer.

In terms of highlights; I think my second favourite track on the album is the off-kilter ‘Ishtar’s Gate’ which is very bass driven, has a nice eastern-sounding intro and guitar solo, and revolves around a very satisfying loud/quiet dynamic that reminds me a tiny bit of Annihilator. My favourite song however, and the catchiest song on the album, is probably ‘Dream Deceiver’ which could probably be described as the bastard son of ‘Electric Crown’ and ‘More Than Meets The Eye’ and which is somehow even better than that sounds. It is arguably the most memorable song they’ve written since 2008’s The Formation Of Damnation album (and this is coming from someone who loves the last two albums, so this is saying something!). Oh and in case you were wondering, its not a Priest cover, that was ‘Dreamer Deciever’ you’re thinking of.

Overall; a damn fine modern day effort from a world class Thrash act, still at the top of their game, that is both similar enough to recent records that if you like them you’ll love this, but differnt enough that you haven’t just heard it all before. Highly recommended.
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more than 2 years ago
I saw him live about a month ago and he was just as good live as he was on Live In London
UMUR wrote:
more than 2 years ago
Testament have released another very strong album, I agree...and my own backlog review reads a lot like yours.There are so many impressive features on this album, but I have to give a special praise to Billy. I mean...the man is pushing 60!!! How he manages to keep his voice in such a great shape and not sound just a little tired and old is incredibly impressive.

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