WOODS OF DESOLATION — Torn Beyond Reason (review)

WOODS OF DESOLATION — Torn Beyond Reason album cover Album · 2011 · Atmospheric Black Metal Buy this album from MMA partners
3.5/5 ·
Vehemency
Like I mentioned in my recent review of Woods of Desolation’s EP release Sorh, I had my doubts about the upcoming second full-length that was said to change the direction a little and cleanse the sound. And now that I’ve heard Torn Beyond Reason, I can’t but confirm those claims. Whereas the band’s previous material leaned more heavily on obscure and nature-like foggy atmosphere, Torn Beyond Reason is basically Austere’s To Lay Like Old Ashes part two: rather well produced majestic depressive black metal with some post-rock influences.

I can’t stress enough how much this is identical to the previously mentioned band and album, and no surprise there, knowing how closely these groups are intertwined: from the impressive howls and screams (and clean vocals of ”Somehow...”) to the tight battering and - most importantly - the tremolo picked melodies full of sorrow, everything is done the same way throughout the 38 minutes. A perfect length for the album, by the way. Some differences do occur, though: the three-minute interlude ”November” is a little surprise here with its hopeful acoustic strumming that builds up to include the rock instrumentation, not quite what you would expect from the song title and from a Woods of Desolation album - perhaps more likely from Anathema’s last year’s offering.

Do I necessarily need another To Lay Like Old Ashes if the differences are few and far between? Well, Torn Beyond Reason does offer some brilliant moments, such as the title track and ”Darker Days” that provide some truly heart-rending melodies, and also the 9-minute centerpiece ”The Inevitable End” starts to show signs of ingenuity after repeated listens. Thanks to these best moments of the album - that occur just about enough often - I could say yes, Torn Beyond Reason is a worthy album and it would be a shame to rate it poorly.

In terms of musicianship and production, I’m sure this album is a step forward for Woods of Desolation’s members, but for me it’s one step back from evolving into something more unique; instead, Torn Beyond Reason follows the current trends a tad too closely and hence consists of maybe too unsurprising elements. In a way, it’s not a bad thing when it’s done this convincingly, but on the other hand these similar melodies don’t have the same impact anymore because most of them have been heard already. Once again I’m interested to hear how the band evolves from here: if another album like this is to be expected, I’m not sure will I be that interested anymore.
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