AGENT STEEL — Unstoppable Force (review)

AGENT STEEL — Unstoppable Force album cover Album · 1987 · Speed Metal Buy this album from MMA partners
4/5 ·
Time Signature
CoVinyl Part 4

So I came across an 1987 Music for Nations pressing of the classic album that is Agent Steel's "Unstoppable Force". I figured I might as well pick it up and I'm glad I did.

"Unstoppable Force" is the band's scond full-length effort following up on the debut "Skeptics Apocalypse" and the EP "Mad Locust Rising". While definitely similar in style and sound to the preceding releases in blending traditional metal and speed metal and combining more conventional song structures with more innovative ones, it seems to me that "Unstoppable Force" leans more towards traditional heavy metal than speed metal. Moreover, the song structures also strike me as a tad less innovative.

That said, this is still a magnificent album showcasing great musicianship - in particular on the part of the guitarists Juan Garcia and Bernie Versailles who treat the listener to both great riffing and awesome guitar solos as well as the occasional twin lead melody. In comparison to the debut album, the solos strike me as a bit more melodic with less focus on speed. The drums are also a bit more varied than on the debut. All of this probably owes to the fact that there are more midtempo songs than speed metal songs on this album. John Cyriis' vocals are still in the vein of Geoff Tate on this album, and the lyrics are still in the realm of sci-fi, UFOs and conspiracy theories, so there's not much new here. While all the songs are great on this album, the highlight to me is the instrumental "The Day at Guyana" (which is also found on "Mad Locust Rising"). With its dynamic borderline progressive structure, it's a real musical journey.

The production is very similar to that on the debut and on the preceding EP. So it's very 80s but there is less reverb than on your standard 80s metal release and a bit more richness. Thus, it should appeal to both old school 80s metal fans and younger fans of more contemporary metal.

The cover artwork is kind of weird, depicting what seems to be a bunch of laser beams blasting through rocks. It looks like something out of a sci-fi B-movie, so I suppose it does fit the overall lyrical themes of the album. So, yeah, a bit cheesy looking, but I also kind of like it. The logo still looks awesome in all its 80s glory. I can't decide whether I prefer this gold version or the silver version on the debut album.

In any case, if you are a fan of old school heavy metal and don't mind high-pitched pseudo-operatic vocals, then you should grab this album if you come across a version of it.
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