SYMPHONY X — V: The New Mythology Suite (review)

SYMPHONY X — V: The New Mythology Suite album cover Album · 2000 · Progressive Metal Buy this album from MMA partners
3/5 ·
Phonebook Eater
"The New Mythology": an album where astrology, lost worlds and Egyptian mythology come together.

The most acclaimed and famous album of Symphony X is an excellent opus and another step forward for the band's style; the first three albums were always concentrated on medieval themes, and also on greek mythology. Also, the solos and the "progressiveness" were more highlighted. In "V" the production is rough, the songs sum up to thirteen, and the influences are closer to Power Metal, more than to Progressive. The guitars here have a crunchier sound, the drums have a deeper resonance, the keyboards aren't focused on soloing and virtuosity, instead they are more concentrated on the production of mythical and majestic atmospheres. A great loss that is heavily missed is the departure of bassist Thomas Miller,who is a true fiend when playing his instrument. He is replaced by Lepond, who obviously can't maintain the same levels Miller did. This album, however, is an utterly unique example in Symphony X's discography, because it has a style that belongs only to this album, since "The Odyssey" and "Paradise Lost" are more addressed towards a very heavy and powerful Progressive Metal, abandoning this way all the typical moods of "The New Mythology".

"V" is like listening to a dream; everything seems to fade in and out so quickly, especially thanks to the brief interludes, that always have a certain mystery to them. The album is said to be a concept album, since it mainly concerns about Atlantis, Egyptian mythology, and also astrology, like I said in the beginning of this review. The lyrics aren't particularly intriguing though, but not always banal, like in "Evolution", where the concept is well presented.

The songs aren't all excellent, but at least half of them are: the already mentioned "Evolution" has a great chorus, and perfectly represents the album. "Egypt" is another fantastic track,with obvious med oriental references, even musically speaking, and here too the chorus is brilliant, like no other Symphony X song. "Communion and The Oracle" has also some pretty cool moments, especially the calmer ones. I enjoyed almost all the interludes, my favorite one would be "Death Of Balance", which can be considered more as just a simple instrumental track. But boy, these moments are incredible. Although I would like to express my disappointment for the epic title track, which didn't always grab my attention, like it could have.

In conclusion, an excellent album, very unique for being a Symphony X album. Excellent, but not a masterpiece.



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