MOONSORROW — Verisäkeet (review)

MOONSORROW — Verisäkeet album cover Album · 2005 · Folk Metal Buy this album from MMA partners
4.5/5 ·
Phonebook Eater
9/10

Folk Metal's greatest achievement so far, where the word epic acquires a new meaning.

Moonsorrow's masterpiece "Kivenkataja" ended up being the tip of the iceberg: the follow up to that album is "Verisakeet", an album that is just as haunting and well done, although the two are completely two different beasts. But it is definite now that Moonsorrow are one of the best cult Metal bands of all time, thanks mostly to these two landmark achievements, and have not, so far, released an album that was less than really good.

Like it was mentioned, "Verisakeet" is completely different than "Kivenkantaja": the songs are significantly longer, less in quantity, richer in instrumentation, and boast beautiful production and polished sound. There is a more progressive approach in structuring these long winded, complex and diverse songs, where there is an even larger use of exotic, Nordic instrumentation. All of the instruments(flutes, acoustic guitars, flutes, or synthesizers) individually have a prominent place, somewhere here, in this more than an hour long experience. But there is also a significant amount of blast beats and traditional Black Metal here, and a certain passage can go on for several minutes without there being any Folk elements. Nevertheless, this is compensated by the moments in which these Folk elements are present, and they become absolutely essential for that particular passage. There are also, in the beginning and end of each song, some nice nature recordings: this last element gives the impression that legends, with the passing of time, fade in and fade out, but nature remains the same.

Compared to other Moonsorrow albums, "Verisakeet" is the one in which there are more nature themes; it is the most earthly LP of the band, still somewhat focused on battles, but more emotions, such as fear, are heavily connected with the lyrics, in a time before or after a tragic war. If "Karhunkynsi" narrates the pre-battle and how it is not wanted by the people fighting it, "Haaska" is about the devastating aftermath, describing the bleak battlefield, and how futile the event was. "Pimea" is the most pessimistic track, depicting a dying world, another typical latter Moonsorrow theme. The final words that to me are interesting in this album are the ones sung in the intimate "Kaiku", a brief elegy of forefathers.

Musically, each one of these songs is amazingly done, starting from the huge opener, the fourteen minute epic; possibly the heaviest, more Black Metal driven song, but it has massive riffs which reoccur in a beautifully studied way throughout the track, thanks also to great production and musicianship. The second track is less accessible but almost as high of a level and just as long, with more additional instrumentation ( the acoustic guitar gives the main hook for the entire song), more complex, more triumphant, but still of supremely high quality. "Pimea" is still another very long and intricate listen as a whole, with the glossy keyboards giving a strong addition to some melodies, but it has a handful of quite beautiful Folkloric moments, as well as haunting hooks played with either guitars or exotic instruments. "Jotunheim" mixes a huge amount of sounds together, as well as another handful of successful riffs, and amazing musicianship. What differs in this track is that it has a more climactic nature, but also it boasts the most emotionally challenging riffs of the album, them being very desolate sounding. When the final moments of this track, consisting of the routined nature recordings, blend in with the starting moments of "Kaiku", the final track, it is obvious that this amazing journey is coming to an end: this last track is a melancholically campfire-set acoustic jam between an intimate chorus of vocals and acoustic guitar.

"Verisakeet" is possibly the most complete and successful Moonsorrow release; it's possibly also the greatest, most important Folk Metal of all time. With more and more years increasing the album's age, it's quite possibly going to become a Metal classic. For now, this remains stuck in a somewhat cult status, but that doesn't diminish its quality one bit.
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