Nightfly
AT War With Reality, 2014’s comeback album from At The Gates was criticized by some for being too safe and clinical sounding. Personally, I had no problem with it at all and welcomed the bands return to the upper echelons of melodic death metal. In fact I thought it so good I voted it my album of the year on this site and felt that many songs such as The Night Eternal and Eater Of Gods, to name just two, were showing the band at the top of their game.
No such criticism is likely to levelled at To Drink From The Night Itself. It’s a heavier, darker and murkier sounding album. In fact my eyebrows were initially raised over the production where the vocals and drums sound like they’re coming from the opposite end of a very long room to the rest of the band which took a bit of getting used to. I must admit that initially I was a little disappointed but after spending quite a bit of time with it my opinion has changed a hell of a lot. The biggest concern prior to the album’s release was how much of difference it was going to make to the band’s sound minus original guitarist Anders Björler who left in 2017. Fortunately, none at all. This is clearly the sound of At The Gates – the melancholic and melodic riffs, tremolo picked guitars and of course Tomas Lindberg’s distinctive high register growl. New guitarist Jonas Stålhammar has fit seamlessly in, no doubt an advantage having already played in The Lurking Fear with Lindberg and drummer Adrian Erlandsson.
As I said earlier this album did take a few plays to fully reveal itself, in part down to the production. The title track was the first song I heard when the band released it 2 or 3 months back. I must admit that despite being good I wasn’t blown away by it, it being pretty much At The Gates by numbers. It has since grown on me more but there’s much better on offer here, the second half of the album being particularly impressive where they barely put a foot wrong, with songs like In Nameless Sleep and The Mirror Black, after a slow start, having a vibe similar to The Night Eternal, my favourite song from At War With Reality with their use of guitar arpeggios and Erlandsson’s triplet double kick pattern. The latter closing the album in a similar fashion until the strings kick in at the very end. The first half still has some impressive moments though with A Stare Bound In Stone and Palace Of Lepers being particularly good.
To Drink From The Night Itself may bring nothing new to the table, it may not be better than At War With Reality overall, but that’s more to do with my love of that album than any weaknesses here and the production was certainly better last time around. It does however prove to be a consistently excellent album and contains some of the bands finest moments. I keep getting drawn back to it and I can’t give it a better recommendation than to say it’s my most played album since it was released.
