UMUR "Hidden History of the Human Race" is the second full-length studio album by US, Colorado based death metal act Blood Incantation. The album was released through Dark Descent Records in November 2019. It features the same quartet lineup who recorded the band´s debut full-length studio album "Starspawn" from August 2016. Three of the four members of Blood Incantation are also involved in death/doom metal act Spectral Voice and they released the "Eroded Corridors of Unbeing" debut album with that band in October 2017, so it´s been some busy years for at least some of the members of the band.

Stylistically the four tracks on the 36:20 minutes long album continue the technical/progressive yet old school oriented death metal style of the preceding releases, but Blood Incantation have improved in all departments since their debut album. The songwriting is now more memorable and less chaotic, the band are even more well playing, and "Hidden History of the Human Race" features more detailed and powerful production values than the releases which came before.

Blood Incantation are still worshippers of the cavern mode old school death metal style of Incantation, but they are so much more than that, as they add highly technical playing and progressive song structures to the mix, making their sound and overall style relatively unique for the genre. So while this at times is both brutal, grim, and murky old school death metal with abysmal deep unintelligible growling, it´s at other times progressive and atmospheric music painting a very different picture than the basis raw and brutal death metal of the band´s music.

As mentioned "Hidden History of the Human Race" features four tracks. The first three are between 5 and 7 minutes long, while closing track "Awakening From The Dream Of Existence To The Multidimensional Nature Of Our Reality (Mirror Of The Soul)" is an 18:02 minutes long track and naturally the most progressive oriented track on the album, although the remaining tracks are by no means regular death metal songs either. Every track on the album features twists and turns, challenging musical ideas, and song structures which are quite unconventional and doesn´t feature regular vers/chorus format structures (if something is repeated it´s definitely not done in an easy commercial manner).

So this is quite challenging music and "Hidden History of the Human Race" may not initially resonate with all listeners, but it´s worth giving many spins, because as challenging as it may be, it´s also quite brilliant and the tracks have a great flow. It¨s not an easy feat to write material which is not cyclical but instead almost linear in structure without losing catchiness and recognizability, but I think Blood Incantation do a great job on "Hidden History of the Human Race" doing just that. Add to that the fact that they are still pretty authentic old school death metal and don´t appear sophisticated technical for the sake of it, and there´s a further plus in the book. A 4 star (80%) rating is fully deserved.

Warthur Album cover that could have been ripped off a 1970s sci-fi paperback? Check. Themes pulled from the likes of Erich Von Daniken's "Chariots of the Gods" schtick? Check. Song titles, lengths, and even compositional structures which could be prog rock numbers from a lesser-known band of the 1970s? Check.

But don't be fooled - Blood Incantation's Hidden History of the Human Race isn't some sort of attempt at straight-ahead retro-prog. Instead, it takes the song structures of classic prog and applies to them the sonic toolkit of technical death metal, yielding a short but sweet 36 minutes of mashup mayhem which sets Blood Incantation as a band to watch.

siLLy puPPy BLOOD INCANTATION has really made a name for itself in the last few years with its unique blend of psychedelic metal inspired by the legendary underground act Timeghoul mixed with the more rabid venomous bombast of classic early 90s Morbid Angel. While this Denver band hasn’t exactly reinvented the wheel when it comes to the world of death metal, they have managed to forge several disparate strains of extreme metal into the same playing field and in the process have managed to stand out in the seemingly endless supply of bands that are vying for recognition. Formed all the way back in 2011, the band released a few demos and the EP “Interdimensional Extinction” in 2013 but didn’t unleash the first full-length release upon the metal world until 2016 with “Starspawn” which displayed a fully seasoned band that mastered the art of the challenges of tech death metal without the ceaseless rapid fire assaults that turn many off. In other words they mastered the art of varied soundscapes.

“Starspawn” put the band on the map for its innovative mix of death metal and progressive rock with psychedelic elements and after that the band went even further with its sophomore release HIDDEN HISTORY OF THE HUMAN RACE which displays the 70s art of Bruce Pennington as cover art and incorporates many sci-fi and alternative history theories as a basis for its subject matter. This thematic approach goes hand in hand with the increased use of Timeghoul inspired psychedelia and in the process has increased awareness of a new strain of what is being called psychedelic death metal which merges the orotundity of the instrumental bombast and death vocal growls with more atmospheric eeriness that has been much more popular in the world of black metal. Due to the lengthy slower passages, it not surprising that the death metal cedes to a more doomy dirge-like pace.

While death metal is clearly the star of the show here, BLOOD INCANTATION led by guitarist / vocalist Paul Riedl has exponentially increased the influences from progressive rock as well and as a result this album of 36 minutes and 20 seconds only consists of four tracks with the showcase crown jewel “Awakening From the Dream of Existence to the Multidimensional Nature of Our Reality (Mirror of the Soul)” swallowing up half the playing time with classic prog twists and turns fortified with the metal attributes the band has already established for itself. Touted as one of the best new metal bands of contemporary extreme metal, HIDDEN HISTORY OF THE HUMAN RACE certainly has its appeal. It’s well paced with no nonsense tech death metal passages that will please the most jaded extreme metall-o-phile along with lengthy drifting passages that explore surreal and psychedelic textures with atmospheric eeriness that evoke astral terror. However there are a few things that bug me about this album as well so let me tell you about them!

“Slave Species Of The Gods” is a feisty and appropriate opener as it not only delivers the crushing metal riffs and blastbeat frenzies expected of metal’s most dangerous offspring but establishes the band as one that doesn’t compromise its core principles for the sake of expanding its tentacles into non-metal arenas. The subject matter evokes the mysteries of the hidden history that reminds me of the possibilities presented by such alt history researchers as Zecharia Sitchin which really make you wonder if humanity has been controlled all along by unseen alien forces that have the ability to shape shift and travel between dimensions. While establishing the band as a pyroclastic explosion of death metal energy, this is also the least varied track but manages to throw in a few classic Morbid Angel guitar squeals and yes this band does owe a lot to Morbid Angel in the heavier aspects of its sound.

“The Giza Power Plant” follows suit as another bombastic blood curdling example of tech death metal only the riffs are more jagged and angular while Riedl’s vocals are more tortured and set back in the mix. The track is more varied in that it not only pummels with an exhaustive array of tech death riffs but throws in some classic old school death metal parts as well. All is well until about the 2 minute mark a stylistic shift suddenly occurs and the death metal turns into a psychedelic menagerie of Egyptian styled folk music that sounds lifted right out of the Nile playbook. Given the theme and folk segment, it just seems way too derivative for its own good. The music is more melodic than the average Nile romp through along with the ancient Pharaohs and it does offer some interesting variations but considering Nile is a contemporary band this seems a little rip-offy for my tastes.

This brings me to my next complaint about this album. “Inner Paths (To Outer Space)” serves more as a psychedelic intermission between the first two tracks and the lengthy progressive closer. This one begins with dark ambient sounds bubbling up from the abyss and slowly percolates with synth swirls and a percussive groove that slowly builds up momentum. Joined in by guitar and bass, it sounds like a great idea but after hearing this it kept nagging me that i’ve heard this riff before. After a few spins it came to me that the melodic guitar riff is the same as the intro of “Red Barchetta” from Rush’s classic “Moving Pictures” which once realized gives you insight into how much the great Rush inspired BLOOD INCANTATION as well. Now mind you, this track is very cool and very well done especially how it builds and builds until it climaxes in a death metal orgasmic flow of angst and then drifts off into psychedelia but i honestly can’t get past that the riff was so blatantly lifted.

The true gem of this album is the grand finale “Awakening From The Dream Of Existence To The Multidimensional Nature Of Our Reality (Mirror Of The Soul)” which kind of amasses everything that came before, mixes it together in different proportions and then adds a bunch of new ideas that deliver a cosmic death metal delivery that lasts for over 18 minutes. Chock full of both finger breaking metal wankery and long existential drifts into surreality, this track embodies the very essence of what one would consider progressive death metal, that being a creative lengthy sprawl of death metal magic that is teased out into lengthy massive chunks of real estate. Basically this track is a multi-segmented one that meanders and trades off between surreal passages and more bombastic metal rampage. There’s even a small tribute to Pink Floyd’s “Dark Side Of The Moon” around the seven minute mark where those oscillating electronic noises gurgle up from behind the scenes before the metal mania resumes. This is a phenomenally brilliant track and is worth the price of admission alone.

Despite my gripes (which are significant) about this album and how BLOOD INCANTATION chose to use some too obvious references in its compositions, i cannot help but admire how well the album is stitched together otherwise. HIDDEN HISTORY OF THE HUMAN RACE basically carries the torch of the possibilities that could have been attained by the legendary Timeghoul if only they had stuck around beyond two mere demos. While very few probably ever heard those legendary sounds tucked away in the 90s underground, BLOOD INCANTATION has done a huge service in not only bringing Timeghoul to the metal world’s attention but has also taken the baton and run away with the stylistic approach never realized. In that regard BLOOD INCANTATION has crafted a brilliant display of psychedelic and progressive death metal unlike anything else. If only it weren’t for those too close for comfort experiences with Rush and Nile and i’d rate this even higher. One thing is for sure, BLOOD INCANTATION is an act to keep your eyes on. The next album will be eagerly awaited with high expectations.

Nightfly Back in 2016 I was mightily impressed with the debut album from a little known death metal band from the USA called Blood Incantation. On starting this review I decided to start by referring back to my review of said album, Starspawn. While I could have sworn I’d done a review, apparently not, I’d only rated it – 4 stars by the way. Anyway here we are three years down the road and Blood Incantation are back with another dose of cosmic death metal and they’ve just got even better.

Hidden History Of The Human Race is only four tracks long clocking in at a meagre 36 minutes but thankfully every track earns it’s place here. Slave Species Of The Gods opens up and it sounds immense. With its crushing dissonant riffs and organic production fans of Immolation and Morbid Angel should love it. Likewise The Giza Power Plant which follows though adding some light and shade and getting a bit more trippy over its seven minutes. Compared to their debut the sound here is tighter and not quite as dense – less chaotic. That’s not to say I prefer it that way but HHOTHR shows considerable growth with a more progressive approach. Inner Paths (To Outer Space) was the first track I heard from the album and initially I was a bit concerned. It has a slow build starting with a clean sounding cosmic trippy section and took it’s time before anything resembling death metal kicked in. Hearing it in the context of the album though it works and I like it.

Not surprisingly the highlight of the album is the eighteen minute Awakening From The Dream Of Existence To The Multidimensional Nature Of Our Reality (Mirror Of The Soul) which takes up side 2 of my vinyl copy. It’s a mind blowing death metal trip with some of their heaviest riffs but even including a Pink Floyd-ish lull before kicking back in with full force again. The rhythms twist and turn, constantly shifting mirroring the riffs, never staying in the same place too long and it feels like only half its length. It’s a stunning piece of work and perhaps the finest piece of death metal I’ve heard all year.

Just when I was more or less sorted in my mind on my favourite albums of the year along comes another contender. HHOTHR is a staggering achievement and I can’t wait to see where this band goes next. The future of death metal is in safe hands.