UMUR "Absolute Elsewhere" is the third full-length studio album by US, Colorado based death metal act Blood Incantation. The album was released through Century Media Records in October 2024. It´s the successor to "Hidden History of the Human Race" from 2021, although the two full-length studio albums are bridged by the 2022 "Timewave Zero" EP. Three of the four members of the band have also been busy recording the second Spectral Voice album titled "Sparagmos", which was released in February 2024. Blood Incantation and Spectral Voice share all members except for the drummers of the two bands, who exclusively play in one of the groups.

While Blood Incantation have been brewing music since 2011 and have been relatively active since their formation, it wasn´t until the release of "Hidden History of the Human Race" that they had their underground breakthrough. Almost universally lauded for it´s intricate, progressive, and abstract death metal sound, "Hidden History of the Human Race" certainly made sure that Blood Incantation were placed firmly on the death metal map. It´s an interesting death metal release, because for all its sophistication, technical playing, and complex song structures, it´s still inherently an old school death metal release, featuring a gloomy and filthy brutality.

While a large part of the playing time of "Hidden History of the Human Race" was made up of the 18:05 minutes long "Awakening from the Dream of Existence to the Multidimensional Nature of Our Reality (Mirror of the Soul)", writing such a massive progressive death metal track obviously haven´t satisfied Blood Incantation´s cravings for abstract and complex death metal constructions, as "Absolute Elsewhere" contains only two 20 minutes plus tracks titled "The Stargate" (20:20 minutes long) and "The Message" (23:23 minutes long). Both tracks are subdivided into three shorter tracks, but you still get the experience of listening to two long tracks, as the sub-tracks seque into each other.

Stylistically Blood Incantation take their music to a new level. While still featuring loads of old school technical death metal parts, the album features just as many 70s influenced tripped-out space rock parts (Artists like Tangerine Dream, Eloy, and Pink Floyd haven´t lived in vain), which have nothing to do with death metal. So how does two such different music styles co-exist? It should be impossible, but it actually works incredibly well. Blood Incantation ensure that there is a good balance between death metal brutality, technical playing, progressive song structures, and the 70s progressive/space rock influences. "Absolute Elsewhere" is epic, melodic, and atmospheric, but also brutal, dissonant, and raw. Gloomy atmospheres are followed by epic melodic moments, and laid-back psychedelic journeys into space.

The growling vocals are cavernous, but higher in the mix than on the previous releases from Blood Incantation, which is a plus in my book. "The Message [Tablet II]" features a strongly Pink Floyed influenced section with clean singing in the Gilmour vein, and although they are relatively sparse and subtle, they provide a great contrast to the brutal growling vocals, which dominate "Absolute Elsewhere". The instrumental part of the album is well performed too, and the band are arguably a talented unit. It´s the multifaceted songwriting and unconventional progressive ideas which make "Absolute Elsewhere" such an interesting release though. These days you kind of expect that bands can handle their instruments, but it´s never a given that they can write intriguing music. Blood Incantation master both disciplines with ease. Featuring an organic, powerful, and detailed sound production "Absolute Elsewhere" is a high level release on all parameters and a 4.5 star (900%) rating is fully deserved.

adg211288 The US death metal act Blood Incantation has already established themselves as a major act of their genre. It was apparent, I think, from at least as early as their debut album Starspawn (2016) but really asserted on Hidden History of the Human Race (2019). They played progressive death metal but without over reliance on the technical death metal sub-genre. Absolute Elsewhere (2024) is their third studio album and although they've left it so long between their primary records Blood Incantation has been far from idle and in the intervening years has taken the time to explore other avenues of music, most notably space ambient on the EP (which is actually album length and was until Absolute Elsewhere actually their longest release) Timewave Zero (2022). They then released the maxi-single Luminescent Bridge (2023) which saw them combining elements from both their progressive death metal and ambient work. Luminescent Bridge's two songs are included on the deluxe edition of Absolute Elsewhere as a bonus disc as is a second completely ambient release not currently available elsewhere calls All Gates Open.

Absolute Elsewhere is a very different beast to either of the previous Blood Incantation studio albums and if you haven't been paying attention to what they've been doing since Hidden History of the Human Race, it may come as a surprise but if you have been you will know that Blood Incantation isn't content to be a one trick pony. This album features just two songs (broken up into three tracks each and branded as Tablets by the band) which see them combining all different kinds of music into their sound. Expect lots of shifts between their cavernous death metal sound and lighter music, including synth driven stuff which also included a guest spot for Thorsten Quaeschning, the current band leader of Berlin School giants Tangerine Dream. As an album Absolute Elsewhere owes as much to Pink Floyd as it does Morbid Angel. Both the songs or suites, if you prefer, cross the twenty minute border.

It is simply one of those albums where there are so many intricacies present that coming back to it for more time after time again reveals more and more about it. I'm already on my twelfth listen as of putting this review together. While it may need saying that they might be now too far gone for the more purist of death metal fans, for whom these continual let-ups in the intensity may serve as unnecessary distraction, I don't feel that Blood Incantation has moved into the world better described as extreme progressive metal as inhabited by Opeth or Ihsahn: they leave no doubt over their death metal allegiances when they're really giving it welly. This is death metal, just enhanced into a cosmic experience, taking you through stargates to deliver it's message. I am floored by it.

For me, Blood Incantation just released in Absolute Elsewhere not only their best album yet, but also one of the most outright interesting death metal albums to be released for a long time. It is the album that sets the standard for the rest of the year that other bands are going to have to better if they are to dethrone it from being my top album of 2024.

siLLy puPPy The Denver based BLOOD INCANTATION has wrested its way up to the top ranks of the world of technical death metal in the last decade through a meticulous melding approach of morphing the old school death metal magic of bands like Morbid Angel and Immolation with the retro space rock effects of 70s progressive rock, a trait that a few intrepid extreme metal pioneers like Opeth and Enslaved have been tinkering with for over two decades now. Finding itself at the right place at the right time just as the world of psychedelic death metal was poised to break through to the mainstream as the newest death metal strain to come of age, BLOOD INCANTATION was more than ready to slay the competition and declare themselves the kings of this adventurous hybridization that finds space rock cozily commingling with brutal death metal bombast laced with concepts of our suppressed history and science fiction (often proven to be science fact).

The band immediately made a splash with its 2016 debut “Starspawn” which showcased the band’s meaty metal hooks and technical wizardry but it wasn’t until 2019’s “Hidden History Of The Human Race” that the band really unleashed its true psychedelic potential with heady concepts wrapped up in psychedelic death metal splendor. The band while always technical in nature also proved to craft a mighty fine progressive metal album and the stage was set for this new extreme metal royalty to wear the crown. Despite the seeming certainty that BLOOD INCANTATION was in it for the long run, along comes the curveball release “Timewave Zero” in 2022 which found the band dropping all traces of metal music like a hot potato and rather totally rocketed off into space with a pure space ambient and progressive electronic style that took more inspiration from Berlin School giants like Tangerine Dream or Klaus Schulze. Had BLOOD INCANTATION gone the way of Leprous, Opeth or Ulver and completely shifted gears midstream?

It comes as great relief (as much as i love progressive electronic music) that BLOOD INCANTATION did nothing of the sort and rather was just allowing themselves to dabble in non-metal playgrounds while recharging their batteries for the next chapter of their metal mojo jounrey. Finally in 2024 we are treated to the newest installment of the BLOOD INCANTATION universe in the form of ABSOLUTE ELSEWHERE, a crafty conceptual sci-fi saga divided into two overarching 3 sections that are called tablets: “The Stargate” and “The Message.” While many were wondering if BLOOD INCANTATION had abandoned metal for the world of progressive electronic on “Timewave Zero,” it seems they were simply honing their chops to bedazzle their fans with an amazing fusion of their already masterful technical / progressive death metal with the more cosmic meanderings of 70s proggy space rock and Berlin School progressive electronic. Even Tangerine Dream member Thorsten Quaeschning appears for a cameo thus cementing this new development as a major leap in death metal ingenuity.

While such a collision of disparate musical worlds can result in a convoluted unconvincing disaster in the wrong hands, BLOOD INCANTATION has proven once again that this quintet of talented musicians can achieve the seemingly impossible on the same level as Opeth and Enslaved have done in the past. ABSOLUTE ELSEWHERE seems to have attained the perfect balance between the detached technical brutality of death metal and the more chilled excursions into the cosmos in the form of heady space rock. While the juxtaposition of these two seems rather dubious, somehow this band forges the perfect bridges to allow the disparate genres to trade off without a hitch. While “Hidden History Of The Human Race” was greatly praised and lauded as some sort of pinnacle of the style, i personally found the album to not flow as coherently as i had imagined however on ABSOLUTE ELSEWHERE the band seems to have ironed out all those peccadillos and forged a veritable masterpiece of progressive psychedelic death metal like no other. While Opeth has tackled both genres independently on different albums, BLOOD INCANTATION brings it all together in a most convincing way.

I think it goes without saying that psychedelic death metal has truly come of age and no better example exists than this latest BLOOD INCANTATION bombshell which produces a bountiful buffet of psychotropic bombast and kaleidoscopic calamity throughout ABSOLUTE ELSEWHERE’s six-track / 43-minute excursion into the realms of sci-fi fueled proggy death metal extraordinaire. Now if anyone told a hardened death metal fan back in the early 90s that someday a band would successfully meld the meaty metal bluster of Morbid Angel with the psychotropic expansiveness of Pink Floyd and the Berlin School scene, nobody could have imagined that such a thing was even possible but here in the calendar year 2024 BLOOD INCANTATION has taken such possibilities into the realms of plausibility with one of the most well-crated examples of psychedelic death metal to emerge. I think it goes without saying that BLOOD INCANTATION has not jumped the shark in any possible way but has only improved its unorthodox genre coalescing manyfold. For my liking there are no missteps on this one, no moments that seem out of place and even the production that links the various styles is impeccable. This is BLOOD INCANTATION’s finest moment yet!

UMUR "Hidden History of the Human Race" is the second full-length studio album by US, Colorado based death metal act Blood Incantation. The album was released through Dark Descent Records in November 2019. It features the same quartet lineup who recorded the band´s debut full-length studio album "Starspawn" from August 2016. Three of the four members of Blood Incantation are also involved in death/doom metal act Spectral Voice and they released the "Eroded Corridors of Unbeing" debut album with that band in October 2017, so it´s been some busy years for at least some of the members of the band.

Stylistically the four tracks on the 36:20 minutes long album continue the technical/progressive yet old school oriented death metal style of the preceding releases, but Blood Incantation have improved in all departments since their debut album. The songwriting is now more memorable and less chaotic, the band are even more well playing, and "Hidden History of the Human Race" features more detailed and powerful production values than the releases which came before.

Blood Incantation are still worshippers of the cavern mode old school death metal style of Incantation, but they are so much more than that, as they add highly technical playing and progressive song structures to the mix, making their sound and overall style relatively unique for the genre. So while this at times is both brutal, grim, and murky old school death metal with abysmal deep unintelligible growling, it´s at other times progressive and atmospheric music painting a very different picture than the basis raw and brutal death metal of the band´s music.

As mentioned "Hidden History of the Human Race" features four tracks. The first three are between 5 and 7 minutes long, while closing track "Awakening From The Dream Of Existence To The Multidimensional Nature Of Our Reality (Mirror Of The Soul)" is an 18:02 minutes long track and naturally the most progressive oriented track on the album, although the remaining tracks are by no means regular death metal songs either. Every track on the album features twists and turns, challenging musical ideas, and song structures which are quite unconventional and doesn´t feature regular vers/chorus format structures (if something is repeated it´s definitely not done in an easy commercial manner).

So this is quite challenging music and "Hidden History of the Human Race" may not initially resonate with all listeners, but it´s worth giving many spins, because as challenging as it may be, it´s also quite brilliant and the tracks have a great flow. It¨s not an easy feat to write material which is not cyclical but instead almost linear in structure without losing catchiness and recognizability, but I think Blood Incantation do a great job on "Hidden History of the Human Race" doing just that. Add to that the fact that they are still pretty authentic old school death metal and don´t appear sophisticated technical for the sake of it, and there´s a further plus in the book. A 4 star (80%) rating is fully deserved.

UMUR "Starspawn" is the debut full-length studio album by US, Colorado based death metal act Blood Incantation. The album was released through Dark Descent Records in August 2016. Blood Incantation formed in 2011 and released three demos before being signed for the release of the 2015 "Interdimensional Extinction" EP. There has been one lineup change since the EP as bassist Jeff Barrett has joined Blood Incantation, making them a quartet on "Starspawn".

Stylistically the material on the 5 tracks, 35:19 minutes long album is a continuation of the progressive and at times almost abtract death metal of the "Interdimensional Extinction" EP. This time just even more complex in structure and challenging on the ears of the listener. Although some riffs and ideas are repeated the tracks often feel like a long journey with new ideas and riffs constantly being introduced. Some tracks feature some atmospheric parts which are nice for the variation of the album, because otherwise this is a very busy and layered release, which is quite relentless in its approach. The fact that Blood Incantation rarely play any riffs which are of the more regular death metal kind, but instead focus on playing unconventional and often dissonant and twisted riffs and rhythms make "Starspawn" a difficult listen with very few hooks to hold on to.

...and that is my main critique when it comes to evaluating "Starspawn". It features a relatively well sounding gritty sound production and the musical performances are arguably through the roof (how can these guys even rememeber these tracks?), but it´s an album with little soul or death metal integrity. Take the vocals for instance, which are delivered without any punch or aggression. They are just there and barely get the job done. The tracks are also so complex in structure and the riffs and rhythms so tech nerdy that they leave little impact on the listener other than an interest in how the hell they are played or how they got the idea to compose them this way...so to my ears this is a musicians album and less an album for the regular death metal listener to enjoy.

When that is said "Starspawn" is still an intriguing album on some levels and it´s certainly a bold and adventurous death metal release showing a band who defy tradition and want to challenge the concept of death metal. I can relate to- and respect that, but on the other hand "Starspawn" just ultimately leaves me cold and it´s definitely not an album which incites headbanging and moshing. It´s way too nerdy and focused on something completely different that the primal energies of regular death metal. A 3.5 star (70%) rating isn´t all wrong.