CATTLE DECAPITATION — Terrasite

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CATTLE DECAPITATION - Terrasite cover
4.12 | 9 ratings | 2 reviews
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Album · 2023

Tracklist


01. Terrastic Adaptation (5:01)
02. We Eat Our Young (3:55)
03. Scourge of the Offspring (4:28)
04. The Insignificants (4:43)
05. The Storm Upstairs (5:27)
06. ...and the World Will Go On Without You (4:14)
07. A Photic Doom (4:26)
08. Dead End Residents (5:09)
09. Solastalgia (4:56)
10. Just Another Body (10:15)

Total Time 52:34

Line-up/Musicians

- Travis Ryan / Vocals
- Josh Elmore / Guitars
- David McGraw / Drums
- Olivier Pinard / Bass
- Belisario Dimuzio / Guitars

Guest musician:
- Tony Parker / Keyboards

About this release

Metal Blade Records, May 12th, 2023

Official music video:
- We Eat Our Young
- Scourge of the Offspring

The album is dedicated to the memory of Gabe Serbian. The title is the fusion of the words "terra" ("earth" in Latin) and "sitos" ("food" in Greek). According to the band, this word has 2 definitions: 1. A devourer or destroyer of land or earth 2. Post-Anthrophopocene "Humanity"

Recording information:Produced, mixed and mastered by Dave Otero at Flatline Audio. Denver, CO.

Thanks to Vim Fuego for the addition

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CATTLE DECAPITATION TERRASITE reviews

Specialists/collaborators reviews

UMUR
"Terrasite" is the ninth full-length studio album by US, San Diego, California based death metal/deathgrind act Cattle Decapitation. The album was released through Metal Blade Records in May 2023. It´s the successor to "Death Atlas" from November 2019 and the quintet lineup who recorded the predecessor is still intact. "Terrasite" is dedicated to former Cattle Decapiation drummer Gabriel Serbian (also of The Locust among other acts) who died from a fentanyl overdose in April 2022.

Stylistically the material on "Terrasite" is a continuation of the technical death metal/deathgrind of the previous couple of releases. Cattle Decapitation have added some black metal elements to their sound (some of the tremolo riffs and blasting parts), but other than that, they sound unmistakably like they´ve done since "Monolith Of Inhumanity" (2012) or at the very least since "The Anthropocene Extinction" (2015). So this is still frenetic, energetic, brutal, and sharp sounding deathgrind featuring loads of tempo changes, riff and rhythm styles, experimental songwriting ideas, and of course the versatile voice and varied vocal delivery of Travis Ryan in front. He screams, snarls, growls, and performs his gnarly clean vocals when that is called for (this time around he even sings "real" clean vocals on the closing track "Just Another Body"), and nothing sounds like it doesn´t fit or as if it has been forced to fit a song. No clean vocal parts are for example added for mainstream appeal. They are there because they fit the song, and only if they fit the song. Something a lot of more formulaic contemporary artists could learn from.

The lyrical themes are still all sunshine and flowers, describing end of the world scenarios (particularly the end of human life), extreme misanthropy (the lyric line: "There's so many of us that need to die, Like a swarm of flies, there's too many of us" from "Scourge of the Offspring", describes it pretty well), and the need for environmental change. Cattle Decapitation were always a politically charged act and Ryan successfully treads the line between giving up/delivering black hole despair and fiercely fighting for the changes he thinks are necessary for both human and animal life to survive and exist in harmony.

As every Cattle Decapitation album before it, "Terrasite" is not an easy listening experience. Although the sound production values are clear, powerful, and detailed, and you can easily hear every instrument and vocal part in the mix, the tracks are generally pretty complex and requires some spins to sink in. When they do it´s incredible how many details and interesting songwriting ideas Cattle Decapitation are able to cram into their songs, and as a result there is a longivity to their music, which extents beyond just listening to the album a few times. As far as development of their sound I hear several new elements, but most prominently on the 10:15 minutes long album closer "Just Another Body", which is partially a pretty slow and almost doomy track, featuring dominant use of keyboards, which provide the track with an occasional symphonic edge. The clean vocal part on the track is also something new for Cattle Decapitation and shows that Ryan is not done surprising the fans. Thankfully he is still able to keep things authentic and he doesn´t deliver anything too anthemic and mainstream oriented... so fear not clean vocal haters, this is still very extreme metal.

Upon conclusion "Terrasite" is another triumphant death metal/deathgrind release by Cattle Decapitation, which stays true to the style of music they introduced on "Monolith Of Inhumanity" (2012), but follows the natural development of said style from "The Anthropocene Extinction" (2015) to "Death Atlas" (2019) to now this more diverse and varied take on that style. These guys are at the forefront of the contemporary extreme metal music scene and they deserve every bit of hype and recognition they´ve received over the years. A 4 - 4.5 star (85%) rating is deserved.
Kev Rowland
I must admit, it has been a few years since I last came across an album by Cattle Decapitation, and to say I was surprised when I played this is something of an understatement. This is their eighth studio album, their second with the five-piece line-up of Travis Ryan (vocals), Josh Elmore (guitar), Dave McGraw (drums), Belisario Dimuzio (guitar) and Olivier Pinard (bass), and is way more polished than anything I ever expected from them. They may have started in the grindcore movement, but they are now much more in progressive death, never satisfied and always moving. Ryan has been there pretty much since the beginning and has long had a reputation as one of the more varied singers in the scene, but here he seems to reach into deeper lows, truly guttural, while also providing solid black metal stylings while also able to move into the melodic. At the back is McGraw, long regarded as one of the finest blast beat drummers in the business and here he demonstrates he is far more than just vicious speed, providing a real groove and switching styles and tempos to provide an ever-moving platform for those in front of him.

May people view ‘Death Atlas’, their 2019 album, as the pinnacle of their career to date, right up to the release of this one as the consensus is they have pushed ahead and created something that is just more, in every way. Certainly, there is a power and drama within this which is visceral and will appear to those who want their music to be brutal and uncompromising but there is far more going on than just heads down and meet you at the end as there is a huge amount of complexity within this, with styles changing and complicated arrangements which demonstrate there is far more to this band than just playing riffs quickly. The use of space and different tempos means that when they decide to hit hard there really is an impact as it is not being lost among all the noise but instead there is plenty of contrast to give the dramatic effect it deserves. If you ever felt that Cattle Decapitation were somewhat one-dimensional then this album proves otherwise.

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