CORROSION OF CONFORMITY — Blind

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CORROSION OF CONFORMITY - Blind cover
3.75 | 16 ratings | 2 reviews
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Album · 1991

Tracklist


1. These Shrouded Temples... (02:37)
2. Damned for All Time (05:52)
3. Dance of the Dead (04:29)
4. Buried (05:18)
5. Break the Circle (04:10)
6. Painted Smiling Face (04:24)
7. Mine Are the Eyes of God (05:00)
8. Shallow Ground (02:21)
9. Vote With a Bullet (03:27)
10. Great Purification (04:33)
11. White Noise (04:19)
12. Echoes in the Well (05:33)
13. ...Remain (00:28)

Total Time 52:31


CD remaster / 2LP editions:

14. Condition A/Condition B (01:08)
15. Future Now (02:48)
16. Jim Beam and the Coon Ass (02:34)

Total Time 59:01


2021 vinyl edition:

C1. Future/Now (MC5 cover)
C2. Jim Beam and the Coon Ass
C3. Damned for All Time (Demo 91')
C4. Dance of the Dead (Demo 91')
C5. Days of Rage (Hard Reign) (Demo 91')
D1. Buried (1988 Demo)
D2. Fast Song (Instrumental) (1988 Demo) instrumental
D3. Slow Song / Buried (Instrumental) (1988 Demo)

Line-up/Musicians


- Karl Agell / lead vocals
- Woody Weatherman / lead guitar
- Pepper Keenan / rhythm guitar, backing vocals, lead vocal on "Vote With a Bullet"
- Phil Swisher / bass
- Reed Mullin / drums, backing vocals

About this release

CD and cassette released 5th November 1991 on Relativity Records (88561-2031).

12" 33⅓ RPM vinyl LP released 1991 on Roadracer Records (RO 9236 1).

Cassette released 1991 on Sony Music (07464664634).

CD released 21st February 1992 in Japan on Sony Records (SRCS-5775).

CD remaster released 17th January 1995 on Columbia Records (CK 66463).

12" vinyl 2LP released 14th November 2014 on Prosthetic Records (88883788281), limited to 1000 copies:

- 100 copies on clear vinyl
- 200 copies on black vinyl
- 700 copies on purple vinyl

CD released 2015 on Hear No Evil Recordings (HNECD049).

12" 180 gram vinyl 2LP expanded 30th Anniversary Edition released 2nd November 2021 on Century Media Records, limited to 1150 copies:

- 350 copies on clear with blue and yellow splatter vinyl (Revolver magazine exclusive)
- 500 copies on purple vinyl (CM Distro exclusive)
- 300 copies on transparent pink black marble vinyl (European exclusive)

Recorded and mixed at Baby Monster Studios, NY.
Mastered at Masterdisk, NY.

Thanks to Stooge, Unitron, MorniumGoatahl, Bosh66 for the updates

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CORROSION OF CONFORMITY BLIND reviews

Specialists/collaborators reviews

UMUR
"Blind" is the 3rd full-length studio album by US hardcore/heavy metal act Corrosion of Conformity. The album was released through Relativity Records in November 1991. It´s the successor to "Animosity" from 1985, although the two albums are bridged by the "Technocracy" EP from 1987. "Animosity (1985)" featured the original trio lineup of Mike Dean (bass, lead vocals), Woody Weatherman (guitar), and Reed Mullin (drums, additional vocals). On "Technocracy (1987)" lead vocalist Simon Bob was added to the lineup, but he is not featured on "Blind" where he is replaced by Karl Agell. In addition to a new lead vocalist, second guitarist Pepper Keenan has also been added to the lineup. Bassist Mike Dean temporarily left Corrosion of Conformity in the years 1987-1993 and is replaced here by Phil Swisher.

Stylistically the music has also developed quite a lot since "Technocracy (1987)" and the other early releases by the band, which featured a hardcore/crossover thrash metal sound. "Blind" features a combination of thrash and stoner metal elements, with the scale predominantly tipping to the latter. Labelling the music on "Blind" thrash or crossover thrash is wrong in my book as especially the influence from 70s Black Sabbath is much stronger. A track like the thrashy "Damned for All Time" and the fact that Agell´s voice and delivery sometimes enter James Hetfield (Metallica) territory are probably the most weighty reasons that people sometimes label "Blind" a thrash metal release.

Agell´s voice and performance are decent enough, but when Keenan steps up to the michophone to sing "Vote With a Bullet" it´s obvious here is a singer with a much greater personality and a stronger and more distinct sounding voice. The instrumental part of the album is well performed. The riffs are heavy and mostly blues based and the rhythm section play organic and tight. The sound production is mostly well sounding, although I could have wished for a slightly more powerful guitar tone. Upon conclusion "Blind" is a good quality album by Corrosion of Conformity and definitely a step up on quality and originality compared to their previous releases but it´s not a flawless release and therefore a 3.5 star (70%) rating will do.
Kingcrimsonprog
Blind is a very interesting and unique record within the C.O.C discography both historically and musically. A transitional record for a band who have had several very distinct and separate sounding periods and musical-directions over the years.

In the ’80s C.O.C were a raw, gnarly Hardcore Punk band (but with Sabbathy doomy tracks here and there too) and gained more and more Thrash influence with each release. In the 2012-2015 one of the earlier line-ups reformed but made more sludgy stonery Metal. The band are most famous however for their 1990s period especially the fan favourite Deliverance and Wiseblood albums which saw them add in Southern Rock, Groove Metal and Stoner Rock elements together into one big melting pot resulting in some of the best music of all time (real top 100 albums to hear before you die type stuff, seriously, if you don’t own those two albums yet, drop what you are doing and explore!).

In 1991 however, C.O.C had an interesting and one-off change of pace, direction and line up. Usual bassist and occasional singer Mike Dean was out (he’d be back again) replaced by Phil Swisher. Karl Agell joins the band and takes the mic, about their fifth singer alreay. For the first time guitarist Woody Weatherman finds himself in company as a second guitarist is added to the line-up, a big step in changing their sound from ramshackle Punk flavour to something else, something more metallic. That guitarist was none other than Pepper Keenan. Pepper of course being famous not only as the guitarist in supergoup Down nowadays, but also the band leader and singer of C.O.C for their most famous and beloved work in the ’90s.

Well, all that history and line-up information is certainly interesting, but it really doesn’t give you any guide as to what this particular record sounds like and if you’ll like it or not. Let me ask you a few questions. Do you like Chaos AD? Do you like Burn My Eyes? Do you like Vulgar Display Of Power? Do you like Cleansing? …if so then you’ll probably love Blind too!

The music is a far cry from the early Hardcore Punk and Crossover Thrash directions. It has yet to gain the Stoner Rock vibes, bounciness or Southern Rock influences that meshed into the sound of their most famous stuff. It is a strange pure perfect early Nineties Metal record. The intro and outro tracks are noisy-ass Doom-sounding sludgy dirges; otherwise however, the rest is a little harder to define. I know some people argue that Groove Metal or Post-Thrash or whatever you want to call it is not a real subgenre. I’ve heard this album called all sorts from Thrash (not really right) to Sludge (no…not right either) to Doom (…nope, not right either). The only one that really fits for me is Groove Metal. Take those above-mentioned four albums, Blind sits somewhere in a cross section somewhere the middle of all of them.

Karl’s vocals are James Hetfield/Chuck Billy influenced, semi-barked and semi-melodic, often very reverby and very, very well-suited to the music. The drums are very rumbly and varied. The guitar is very raw and heavy, never Slayer-fast but with a nice Thrash-style chug mixed in with hardcore fueled long ringing chords. Imagine a Supergroup that was half Black Label Society and half High On Fire trying to cover one of the deeper cuts from The More Things Change. In terms of production, it doesn’t have the warm Hard Rock ready sound of the next two records or the tinny budget-sounding job of the earlier stuff, instead it has a very distinctive early-’90s sound, the kind of thing that Pissing Razors had before the millennium. Something somewhere like Demanufacture only without the futuristic robotic vibes. Its a real charming sound.

Highlights include the ridiculously catchy single ‘Dance Of The Dead’ (Seriously; why don’t the band play this live more often!?) as well as the excellent drum-powered ‘Damned For All Time’ and of course the concert favourite ‘Vote With A Bullet’ which has the interesting point of having Pepper sing lead vocals, a hint of what was to come.

Overall; there’s no band quite like C.O.C and there’s no C.O.C release quite like Blind. If you like the band you really ought to check it out if you haven’t already, and if you don’t like the band yet but are a fan of the albums and bands that I’ve been mentioning throughout then this is a serious gap in your collection, do yourself a favour and give it a try!

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  • zombie667
  • Daniel Wallace
  • Vim Fuego
  • SilentScream213
  • GWLHM76
  • Psydye
  • MorniumGoatahl
  • Anster
  • Colt
  • luanpedi
  • FMOTP
  • Nightfly
  • Unitron
  • kllytrrnc

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