DECAPITATED — Anticult

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DECAPITATED - Anticult cover
3.83 | 9 ratings | 3 reviews
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Album · 2017

Tracklist

1. Impulse (6:01)
2. Deathvaluation (4:23)
3. Kill the Cult (4:40)
4. One-Eyed Nation (4:59)
5. Anger Line (3:44)
6. Earth Scar (5:09)
7. Never (6:04)
8. Amen (2:49)

Total Time 37:49

Line-up/Musicians

- Vogg / Guitars
- Rafał Piotrowski / Vocals
- Młody / Drums
- Hubert Więcek / Bass

About this release

Format: CD, Vinyl, Digital
Label: Nuclear Blast Records
Release date: July 7th, 2017

Thanks to adg211288 for the addition

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DECAPITATED ANTICULT reviews

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UMUR
"Anticult" is the 7th full-length studio album by Polish metal act Decapitated. The album was released through Nuclear Blast Records in July 2017. It´s the successor to "Blood Mantra" from 2014 and features one lineup change as bassist Paweł Pasek has been replaced by Hubert Więcek.

Stylistically the material on the 8 track, 37:49 minutes long album continue the technical extreme metal style of it´s two direct predecessors. It´s a combination of death and heavy groove/thrash metal, with aggressive screaming "core" tinged vocals. There are audible references to artists like Meshuggah, Machine Head, and Gojira, at various points throughout the album (especially "Earth Scar" features a clear Gojira influence), but Decapitated still manage to produce something which doesn´t sound like a clone of any of the mentioned artists.

The technical level of playing is high. Tempo changes, heavy grooves, fast precision drumming, aggressive vocals, and sharp riffs, are some of the elements which make up the band´s music. Everything is delivered with great conviction and passion, and it´s a great joy listening to a band as skilled as Decapitated perform their music. They also manage to put atmospheric parts on the album (predominantly created by effect laden lead guitar parts), which provide the music with some variation. Not that "Anticult" is a one-dimensional release by any means. It only takes a few listens to remember all tracks, and the material are generally pretty catchy. A good example is "Kill the Cult", which features a killer groove laden riff, and a punchy hook laden chorus.

"Anticult" features a powerful, raw, and detailed sound production, which isn´t especially organic, but isn´t sterile either, and ultimately the production suits the material featured on the album perfectly. "Blood Mantra (2014)" was a great quality album by Decapitated, but "Anticult" ultimately comes off just a bit more focused and memorable. Vogg´s crushing precision riffing is as always the greatest asset of the band´s music, but there are many high level performances on the album. I could have wished for a more personal vocal style, but Rafał Piotrowski arguably does what he does with great conviction and passion. A 4 star (80%) rating is deserved.
Nightfly
The demise and resurrection of Decapitated is well documented in the realms of death metal with the tragic death of guitarist Waclaw "Vogg" Kieltyka’s brother Witold "Vitek" Kieltyka, drummer extraordinaire in a bus crash in 2007. Then vocalist Adrian "Covan" Kowanek has still not made a full recovery from his injuries. The previous year the band had released perhaps their best album Organic Hallucinosis, the only one to feature the vocals of Covan. Forward to 2011 and Vogg returned with a new line-up and Carnival Is Forever, an album marking a considerable change in the band’s sound that wasn’t well received by some fans.

Not surprisingly Anticult is clearly in the tradition of the last two albums but with added groove. I’ve heard a lot of talk lately that Decapitated have abandoned death metal and turned into a groove metal band. Well this clearly isn’t the case – sure, this has more groove than Blood Mantra, in fact more than any album they’ve released but go back and take a listen to Organic Hallucinosis or The Negation and you’ll find groove. Though the balance has been tipped Decapitated are still making technical death metal. The sound of Anticult is huge – very percussive and I don’t just mean Mlody’s driving drum patterns but also new boy Hubert Więcek’s bass and Vogg’s razor sharp riffs. Rafał Piotrowski’s vocals echo this with his aggressive staccato delivery. The album of course was going to live or die by Vogg’s guitar playing and he delivers on all fronts with jaw dropping riffs, licks and some incendiary soloing. Earth Scar is my pick of the bunch and as good an example as any as to define Decapitated’s current sound with driving double kicks behind precision riffing and a brutal ending with the snare mirroring the riff to perfection rounding it off.

If you still mourn for the old style Decapitated then forget it – this is a different band and they clearly aren’t planning on making any U-turns. Out the last three, including this, I’d say I’d still rate Blood Mantra as my favourite, an album I gave four stars to, but in all honesty I couldn’t award Anticult any less.
Kev Rowland


When a band is formed at music school, the chances are that the guys behind it know what they are doing with their instruments, and this is how Polish technical death metal act Decapitated burst onto the scene more than twenty years ago. Since then they have released albums, suffered tragedy (in 2007 their tour bus collided with a truck, and drummer and founder member Witold "Vitek" Kieltyka died from his injuries) and been through line-up changes, so that only guitarist Waclaw ‘Vogg’ Kieltyka is still there from the beginning, but they show no signs of slowing down. There has been a slight line-up change since the last album, ‘Blood Mantra’, with bassist Hubert Więcek (Banisher), officially replacing Paweł Pasek last year. Hubert is normally a guitarist, and that is his role in Banisher, so he has a different approach to many bassists and has really locked in with both Vogg and drummer Michal Lysejko, allowing singer Rafał ‘Rasta’ Piotrowski to get on with what he does best.

Although this is still death metal, it isn’t nearly as “pure” as could be found in the band’s early days, as they have combined death, thrash, rock ‘n’ roll, even black metal, and atmospheric parts together. I am also convinced that it was no accident that they chose Daniel Bergstrand to be involved with the mixing and mastering, as there is a distinct Meshuggah flavour to much of this. It is heavy, it is loud, it is raw, and it is most definitely passionate. This is music with balls, attitude, attack, and a refusal to conform, and all power to them for that. They included many first takes on this album, including many of the solos, and the vitality and power shines through in everything they do. They are planning on touring throughout the world to promote this album, and I can only hope that they include New Zealand in that list as this is a band I really want to see. This is superb.

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