DISCORDANCE AXIS — The Inalienable Dreamless

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DISCORDANCE AXIS - The Inalienable Dreamless cover
2.50 | 8 ratings | 2 reviews
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Album · 2001

Filed under Grindcore
By DISCORDANCE AXIS

Tracklist

1. Castration Rite (0:58)
2. The Inalienable Dreamless (0:41)
3. Sound Out the Braille (0:32)
4. Oratorio in Grey (0:54)
5. Vacuum Sleeve (1:02)
6. Angel Present (1:28)
7. The Necropolitan (1:42)
8. Pattern Blue (1:27)
9. The End of Rebirth (1:04)
10. Loveless (1:27)
11. Radiant Arkham (1:14)
12. Use of Weapons (0:35)
13. Compiling Autumn (0:48)
14. Jigsaw (2:08)
15. The Third Children (2:16)
16. A Leaden Stride to Nowhere (4:07)
17. Drowned (0:58)

Total Time: 23:29

Line-up/Musicians

n/a

About this release

Full-length, Hydra Head, August 2001

Released on DVD case.

Thanks to UMUR for the updates



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DISCORDANCE AXIS THE INALIENABLE DREAMLESS reviews

Specialists/collaborators reviews

SilentScream213
Music is crazy, vocals are horrendous. As far as Grindcore goes, this is just as manic and erratic as everything else, but somehow, manages to capture a little bit of melody in the riffs and chords at times. Now, it’s just as often (actually much more so often) chaotic and dissonant, but the occasional dip into what sounds like conventional music boosts this tremendously. The songs are more memorable than your average Grindcore experience because of the tasteful riffs thrown in. The drumming is endlessly impressive, but it is more boring because it is much more liable to just blast beat all the time, leaving little room for anything else. The only time the drums do anything normal is on “Loveless.”

The thing that could have been really interesting about this album is that it supposedly has a ton of references about Neon Genesis Evangelion, and deals with much more depressive and personal lyrics with a sci-fi twist. Now, here’s a big part of where the vocals come in. There are two vocals styles used here; the more often high pitched screams, and the occasional Deathgrind growls. The highs are very annoying and abrasive, and aren’t even intelligible, which is usually one of the benefits of using a higher pitch scream. The lows sound alright, but are beyond unintelligible, garbled nonsense. So, what then, is the purpose? Even when reading along with the lyrics, not a single word is decipherable. The vocals add nothing to the music (for this listener) and instead shriek as much as possible to take away from any nice music going on underneath. It’s such a waste. This would honestly be one of my favorite Grindcore albums if it weren’t completely scalped by the awful vocals.
Xaxaar
Not being a grindcore expert, this review may be like a grindcore song: short. But I'll give you 10 short reasons why I like the album.

1) I hear definite mathcore undertonings, and for me that keeps the album interesting. Along the many time signatures, there are many different speeds as well.

2) Past the scary grindcore coating, there is some life to be found in the record. So for me, this satisfies both sides of me which want to analyze and feel.

3) The production, relative to other grindcore releases I've heard is great.

4) This record has a ton of riffs, and they never really get boring. This is just a rollercoaster that never really goes down, just slows down.

5) The vocal-styles, having both a high-pitched and pig-y low voice, are very well done. Their technique sounds flawless for their style to me.

6) Got some good grindcore drummin'.

7) To me, this was a breath of fresh air with grindcore. I heard some of the stuff they did with other mathcore bands, but to hear grindcore + mathcore, and executed well, was a treat.

8) I like the art.

9) Incredibly consistent.

10) Sounds like Converge at times.

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