Pekka
As a somewhat serious Dream Theater fan who lacked the funds to buy the original Official Bootlegs back when they came out and subsequently got burned by UNofficial versions multiple times when trying to hunt them down at Discogs.com, I greeted the news of the re-issue program Lost Not Forgotten Archives with glee. In addition to the Portnoy-issued releases the new series was to include brand new recordings from the Mangini era as well.
Recorded during Dream Theater's first visit to the iconic Wacken Open Air festival at the tail end of their 30th Anniversary Tour, the band does a chronological set starting from their first album and ending with the then-last one. As this is indeed a festival show with a shorter time slot than their usual headline events some songs have been dropped from the list, but what is left is a reasonably solid mix ranging from early deep cut Afterlife to some of their most enduring tracks like Metropolis pt. 1 and The Spirit Carries on.
Dream Theater being Dream Theater you know what you're getting from the instrumentalists, and thus any live album lives and dies by James LaBrie's vocal performance. What I really appreciate with these official bootlegs is that while the recent "properly" released Distant Memories live box set was noticeably auto-tuned, this series has always presented an honest picture of what went on any particular night. And in Wacken LaBrie was not having his strongest performance, to put it nicely. As has been the habit for many a show the last decade or so, he does fine when the going is mellow, but when in need of power and range it goes sideways. Bellowing somewhere around the correct notes his pronunciation of the lyrics is often cursory at best.
In addition to the general air of Inside Out half-assing the whole project compared to the lovingly put together originals, there have been a couple of inexplicable decisions made, and on this particular release I can't for the life of me think of a good reason why they left out the final track Behind the Veil. It's not space constraints since it would have fit just fine on any of the formats and it's not a LaBrie issue since there are some way more brutal moments on earlier songs. This would have been the first official live recording of that song, but for some reason they just didn't want to do it.
I'm hoping they have in their vaults a headline show from earlier on the tour with the complete setlist and a less strained vocalist. As it stands Live at Wacken is a nice addition to the series but nothing worth returning to very often.