Warthur Talk about your dramatic turns of events! With Mike Portnoy returning to Dream Theater out of the blue and Mike Mangini bowing out with good grace (so far as we can tell), expectations where high for this album. It's not that the Mangini era of the band is outright bad, so much as it's rather mixed; A Dramatic Turn of Events was pretty solid, but their self-titled album was less celebrated and The Astonishing met with a serious backlash.

Notably, with the latter they abandoned their usual full-band collaborative approach to songwriting, Petrucci and Rudess handling all the music themselves and Petrucci writing the lyrics solo, further contributing to the sense that the well-honed Dream Theater creative engine wasn't quite working as it should. Then again, Distance Over Time and A View From the Top of the World seemed to find the band back on an upward swing - the question was, would the return of Portnoy reinvigorate the band or disrupt them just as their creative process was recovering from the weird experiment of The Astonishing?

Before you even get to the music here, you're confronted with cover art that seems designed specifically to build high expectations. Sure, it's a spookier, gloomier image than we've become used to from Dream Theater (though not so much that it feels completely uncharacteristic), but what really jumps out about it is that it's a big riff on the Images and Words cover; we've got an older girl stood next to her bed, and whilst the surreal features of the Images and Words cover suggested the colourful imagery of dream, here we're stepping more into the realm of nightmare.

So not only is this Portnoy's big comeback, but it's being set up as this big thematic sequel to the band's breakthrough album - if Images and Words was Songs of Innocence, this is Songs of Experience. Lyrically and thematically, this continues right into the album itself; "Parasomnia" is a term for a particular category of sleep disorders, and the songs here are all about sleep paralysis, nightmares, and other things of that nature. It's not a narrative concept album so far as I can tell, but it's definitely a thematic one, with the band taking us all on a thrilling trip through the realm of nightmare.

If the album's cover and lyrics showcase thematic unity, the credits suggest the return of the fivefold creative partnership responsible for the success of this lineup's successful run from Metropolis Part II to Black Clouds & Silver Linings. To the extent that Mangini got credits for songwriting, he did because Dream Theater typically share the credit for all of their musical compositions and generally only go for individual credits when it comes to song lyrics - which Mangini notably contributed much less of than Portnoy had. Portnoy's back on the lyrics again here, and one can only assume that he's settled back into making contributions to the musical compositions too, since all five men in this lineup had become well-used to workshopping ideas with each other.

All of this show of unity and co-operation would come to nothing if the music didn't hold together of course, and I'm happy to report that this is a decidedly strong Dream Theater album. It's not on the level of albums I'd personally put on the absolute tippy-top tier of the band's output - Images & Words, Metropolis Part II, and Octavarium - but it's a decidedly solid effort which refreshes their customary style with the combination of a well-defined and tightly targeted atmosphere and mood on the one hand, and on the other an injection of a few more gleeful retro-prog influences into the mix than we've heard on recent albums from the group.

One suspects Portnoy may have had a hand in that, given that he'd spent much of his time away from the group working with Neal Morse (both on Morse's own projects as bandleader and in more collaborative contexts like Transatlantics), and anyone who's that keen to keep contributing to Neal's prog projects probably has a healthy appetite for old-school prog stuff, but at the same time this isn't so much of a divergence from A View From the Top of the World as to represent an outright repudiation of that album, or the Mangini era as a whole.

Really, my biggest criticism of it is the needless Images and Words nod on the front cover - I think it's silly of the band to implicitly invite such comparisons when this isn't really a throwback to that era. The group aren't rewinding the clock here or pretending the last few albums didn't happen - they aren't hopping back to a pre-Mangini period, it's more like Mangini tagging out and Portnoy tagging in back in, the group carrying the lessons learned forward. It remains to be seen whether this new era of the band will have the staying power of the last time this particular lineup was all together - like I said, the Mangini era did start strong before it got into the weeds a little - but whilst this isn't a revolution in the band's sound, it's still a promising start.

martindavey87 ‘Taste the Memories’ is an album by progressive metal pioneers Dream Theater, released in 2002 by the bands official fanclub. It features a number of live tracks from two different shows in Japan, taking place in 1992 and 1993, as well as an early studio version of the bands first major epic, ‘A Change of Seasons’.

The sound quality and performances are very good, and the band are still fairly young here, meaning that, in particular, James LaBrie’s voice has yet to be ravaged by time and age. And the track list features a number of early hits, including ‘Take the Time’, ‘Under a Glass Moon’, ‘Only a Matter of Time’ and ‘To Live Forever’, as well as an interesting live jam titled ‘Moon Bubbles’.

Dream Theater have released much, much better live albums over the years though, and the only thing here that might appeal to fans is ‘Moon Bubbles’ and a weird, live jam of the ‘Mission: Impossible‘ theme. Overall, ‘Taste the Memories’ is a decent enough CD, but definitely one to leave to the die-hard collectors.

martindavey87 An exclusive look at how this CD came to be:

“Shit guys! The annual fan club CD is due! Quick, chuck some radio edits of our new album onto a disc, that’ll do!”

I mean, ‘Six Degrees of Inner Turbulence’ is a masterpiece, and so there’s no faulting the music here, on which is essentially a sampler of said album. But radio edits? As if you’d ever hear of these on any radio stations, anywhere, ever!

‘Four Degrees…’ is probably one of the most pointless fan club CD’s out there, but whatever. It’s Dream Theater, therefore it’s a must-have for any die-hard fans such as myself.

UMUR "Awake" is the third full-length studio album by US progressive metal act Dream Theater. The album was released through East West Records in October 1994. There have been no lineup changes since "Images and Words" (July 1992) but keyboardist Kevin Moore annouched during the mixing process of the album, that he would depart. Moore therefore didn´t tour in support of "Awake", although his keyboard style is an integral part of the sound of the album. Dream Theater hired Derek Sherinian as a touring musician to replace Moore on the tour supporting "Awake" but it took a couple of months before he was announced the official permanent replacement on the keyboard position.

Stylistically "Awake" is quite different to "Images and Words", which is a bit surprising since the predecessor was such a huge artistic and commercial success, but then again Dream Theater already this early on in their career showed that they were not content to release the same album twice and that they were willing to experiment a lot between album releases. It was a gamble considering that they were still not an established act at this point, but it paid off and "Awake" was a big success for them (although the label wasn´t satisfied), although "Images and Words" is still their best-selling release.

While "Images and Words" often featured a light and uplifting mood (although combined with both heaviness and melancholic atmospheres), "Awake" is the darker and heavier brother. The lyrics are darker, James LaBrie´s vocals are more aggressive (although he still sings melodic and hits the high notes when that is needed), the guitars are downtuned (or maybe it´s just a 7-string guitar used), and the rhythm section play some heavy parts too. But while "Awake" can be pretty dark and heavy, the album also features loads of melodic sensibilities and there are as many heavy riffs and rhythms as there are melodic AOR/hard rock influences. The complexity of the compositions and the virtuosic playing are in place too, and "Awake" is a both varied and intriguing release. Heavy tracks like "6:00" and "Lie" sets side by side with melodic inclined tracks like "Lifting Shadows Off a Dream" and "Innocence Faded". "Awake" closes with the atmospheric and melancholic Kevin Moore composition "Space-Dye Vest". A track which points in the direction Moore would take with his solo projects (Chroma Key and OSI) after he left Dream Theater.

Featuring 11 tracks and a total playing time of 75:00 minutes, "Awake" is a long album, but it´s one of the rare cases where a long running time is warranted. The tracks develop naturally and they need to be as long as they are. At no point during the album´s running time do I feel like the album is too long. Everything on the album is just where it´s supposed to be. Personally I don´t have a preference for softer rock/ballad type tracks like "The Silent Man" or "Innocence Faded", but I can´t argue that they don´t serve a function on the tracklist or that they aren´t quality material. The contrast of hearing a track like "Innocence Faded" seque into an increadibly technical instrumental track like "Erotomania" is one of the great strengths of Dream Theater. They master everything they do with what feels like ease.

"Awake" features a heavy, detailed, and powerful sounding production, which suits the new heavier direction of the band´s material. The drums feature a more organic tone than they did on "Images and Words" and that´s a good choice. Moore experiments a little more with his keyboard sounds here than he did on the predecessor and it makes that part of the sound more fresh and modern. It´s interesting to look back at "Awake" in retrospect, because I remember when it was released and the excitement it brought to my ears back then, but it´s aged really well too. It´s a pretty timeless release because of the sound production values and in the terms of Dream Theater´s discography it´s a unique album. It doesn´t sound like the two albums that came before it, and it certainly doesn´t sound like anything Dream Theater have released since. A one of a kind type of release and another seminal progressive metal release from the early- to mid-90s. A 5 star (100%) rating is deserved.

UMUR "Images and Words" is the second full-length studio album by US progressive metal act Dream Theater. The album was released through ATCO Records in July 1992. It´s the successor to "When Dream and Day Unite" from 1989 and there´s been one lineup change since the predecessor as lead vocalist Charlie Dominici has been replaced by Canadian singer James LaBrie. Dominici and Dream Theater parted ways in mutual understanding, and the remaining band members auditioned a couple of hundred vocalists before finding and hiring LaBrie.

While "When Dream and Day Unite" got Dream Theater noticed it wasn´t the grand entrance to the progressive rock/metal scene that Dream Theater had hoped for, but with a new lead vocalist on board, and a couple of years to hone their skills and songwriting craft, they hit the bullseye with "Images and Words". The mid-to late 80s produced progressive metal artists like Queensrÿche, Fates Warning, Crimson Glory, and Watchtower, which are all artists Dream Theater are arguably influenced by, but Dream Theater managed to perfect and develop upon the sound of the 80s progressive metal acts and take progressive metal into the 90s and they did that with the release of "Images and Words".

One of the things which made Dream Theater different from their 80s influences, was a permament keyboardist in the lineup (most of them to varying extents used keyboards in their music but didn´t have a permanent keyboardist in the lineup). In that respect they were more influenced by 70s progressive rock artists than the above mentioned 80s progressive metal artists. A sort of pairing of the complexity and virtuosic ideals of the 70s (and omnipresent use of keyboards) and the hard rocking and heavy metal oriented 80s. Dream Theater also helped change the perspective that most heavy metal acts through the 80s were predominantly focused on the lead vocalist or the lead guitarist. In Dream Theater all members were virtuosos and the focus are therefore on all members of the band.

"Images and Words" was originally intented to be a double album release, but ATCO Records refused Dream Theater´s ideas for a double album, and that for example meant that their over 20 minutes long epic "A Change of Seasons" was left off the tracklist. It was a track they had performed live in the previous years, but since they were only allowed to release a single album and not a double album, it had to be left off.

Dream Theater still manange to include a lot of different music styles and influenced into the 8 tracks featured on the 57:07 minutes long album. Opening track "Pull Me Under", which is one of the heaviest and less complex tracks on the album, starts the album in great style and immediately graps the listener and introduce the varied sound of Dream Theater. The heavy riffs and rhythms, the strong melodies, the epic atmospheres, the time-signature changes, the mainstream/AOR pop/rock oriented choruses, and the virtuosic playing and singing. "Pull Me Under" is followed by the ballad track "Another Day", which is a very mainstream pop/rock oriented track, featuring a soaring soprano saxophone melody (courtesy of session musician Jay Beckenstein). It´s by far the most accessible and technically simple track on the album. "Take the Time" follows and it´s quite the diverse musical experience, with both a funky opening, heavier riffs and rhythms as well as a melodic pop/rock chorus, and some pretty impressive technical guitar/keyboard playing.

"Surrounded" is up next, and it´s another softer track. But it´s more a power ballad than a ballad, and it´s not as simple or easily digested as "Another Day". It´s actually something as rare as a progressive power ballad. It´s quite the brilliant song. It´s followed by the most complex and technical track of the album in "Metropolis, Part I: The Miracle and the Sleeper". Another brilliant and complex composition, which upon release turned a few heads and helped convince people of Dream Theater´s virtuosic qualities. "Under a Glass Moon" is a track I´ve always thought of as being in the same vein as "Pull Me Under" and "Take the Time". A heavy track but with an uplifting mood and some great technical playing. Guitarist John Petrucci´s guitar solo on this particular track is legendary. The piano/keyoard and vocal ballad "Wait for Sleep" works as an introduction track to the closing 11:30 minutes long epic closing track "Learning to Live". Another brilliant and well composed track showing both the melodic, the atmospheric, the heavy, and the virtuosic sides of Dream Theater.

Featuring a clear, detailed, and powerful sounding production job (the drums feature a sometimes sterile and artificial sound, but it suits the music), brilliant musicianship, and a varied, adventurous, and powerful songwriting style, "Images and Words" is not only a high quality release in itself...it´s also a seminal progressive metal album and a true game changer in the genre. A 5 star (100%) rating is deserved.

martindavey87 Following on very closely to the format of 2004’s ‘Live At Budokan’, ‘Score: 20th Anniversary Tour’ is a fantastic DVD for fans of progressive metal icons, Dream Theater.

The first disc features an almost three-hour concert. Beautifully shot, with excellent sound and clear visuals, the band are on top form as always. The set is interesting in that, while touring in support of their ‘Octavarium’ album, (represented here five times), the band also go through various tracks throughout their discography in chronological order. Ending with an orchestra and treating us to ‘Octavarium’, ‘Six Degrees of Inner Turbulence’ and ‘Metropolis Pt. 1’, the set list is fantastic, and certainly differs to other live releases.

Amidst a number of bonus tracks and animated visuals, the true gem on the second disc is an hour-long documentary on the history of the band. While it’s a lot to cram into 60-minutes, this is still an interesting and enjoyable watch, and includes plenty of live footage, interviews and photos.

Rounding up the perfect trilogy of live albums/DVD’s, along with ‘Metropolis 2000…’, and ‘Budokan…’, ‘Score’ is an exceptional release, sure to please fans, and is an absolutely essential addition to every prog collection.

martindavey87 Compiling two previously released Dream Theater VHS’s (they were the days!), this DVD is around three and a half hours of various music videos, live footage and tour diaries. ‘Images and Words…’ focuses on the bands first visit to Japan way back in the early 90’s, while ‘Five Years…’ follows the bands career from around 1994 to 1998, covering the making of the ‘Awake’ and ‘Falling Into Infinity’ albums, as well as the subsequent tours.

There’s plenty of highlights on both discs, besides the abundance of live concert footage, seeing the band members loitering the streets of Japan, in the studio writing, recording, and dilly-dallying, as well as playing covers with guest appearances, there’s a lot here for fans to enjoy.

An added bonus for the dedicated fans are the commentaries for both discs, where the guys are absolutely hilarious in their ability to poke fun at themselves (and each other), and not take anything too seriously. Overall, two fantastic discs in fantastic package, definitely worth owning for any Dream Theater fans.

martindavey87 Filmed and released in 2004, ‘When Dream and Day Reunite’ was the first DVD to come out from Dream Theater’s Official Bootlegs series. Paying tribute to the band’s debut album, ‘When Dream and Day Unite’, on its 15th anniversary, this is an interesting look back at the bands first official album. An album which they no longer own the rights to, therefore meaning this is as good as a remix, remaster or re-release that we’ll ever get.

The concert footage is fantastic! Playing their debut album in its entirety, and featuring guest appearances by Derek Sherinian and Charlie Dominici, this is excellent stuff, and well worth watching. The sound and picture are great, and as expected, the performers are all on top form. As well as rehearsal footage and behind-the-scenes commentary, this is all great material for Dream Theater fans.

Then the icing on the cake, a 70-minute “home video” documentary compiled by Mike Portnoy, featuring concert footage and the band discussing their album, all in their early days. This is super interesting to watch, especially seeing them at such a young age. For an “official bootleg”, this DVD has an absolute wealth of material, and is truly a must-have for Dream Theater fans.