GRAVE DIGGER — Excalibur

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GRAVE DIGGER - Excalibur cover
3.91 | 23 ratings | 3 reviews
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Album · 1999

Filed under Power Metal
By GRAVE DIGGER

Tracklist

1. The Secrets of Merlin (2:38)
2. Pendragon (4:20)
3. Excalibur (4:45)
4. The Round Table (Forever) (5:10)
5. Morgane Le Fay (5:16)
6. The Spell (4:38)
7. Tristan's Fate (3:38)
8. Lancelot (4:45)
9. Mordred's Song (4:00)
10. The Final War (4:02)
11. Emerald Eyes (4:04)
12. Avalon (5:50)

Total Time: 53:06

Limited Edition Bonus Track:

13. Parcival (4:58)

Line-up/Musicians

- Sir Chris "Parcival" Boltendahl / Vocals
- Sir Uwe "Lacelot" Lulis / Guitars
- Sir Jens "Tristan" Becker / Bass
- Sir Hans Peter "Irec" Katzenburg / Keyboards
- Sir Stefan "Gawain" Arnold / Drums

with

- Sir "Balin" Bodenski / Drehleier
- Sir Eric "Balan" Fish / Bagpipes, Barockoboe, Schalmei, Whistles
- Sir Hacky "Vortiger" Hackmann / Vocals (choirs)
- Sir Hansi "Derfel" Kürsch / Vocals (choirs)
- Sir Piet "Merlin" Sielck / Vocals (choirs)

About this release

Released by GUN Records, September 6th, 1999.

Band members are guests were all credited as 'Sirs' with additional names taken from Arthurian legend, of which the album is based on. The credits on this page relect this.

Thanks to adg211288 for the updates

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SilentScream213
For me, Grave Digger were one of those bands that were always good, but not quite good enough. They were competent, but they were missing that X factor. The first run of the band in the 80’s had very little going for it, “generic” being the best descriptor I can think of. After their reformation in the 90’s, they came back with a lot more power, and hit their stride starting with Tunes of War. From there on out, they delivered some great songs, but the albums as a whole were still short of remarkable.

Enter Excalibur. Grave Digger’s 3rd medieval concept album, this one storying the legend of King Arthur and the Knights of the Round Table. Look, I dunno what happened here. Suddenly, the band is churning out banger after banger, with some of the most powerful, anthemic choruses I’ve heard. Drumming and riffing here is faster and heavier than ever, and even their usually unbearable slow tracks are magnificent here.

One thing that helps for sure is the undeniably dark sound of the album (by Power Metal standards, that is). Lyrically, of course it is full of epic heroism and gallantry just as much as it is death, betrayal, and longing. But the sound of the music accentuates that dark tone – the riffs are decidedly aggressive, and backed by pummeling double bass, you really feel the suspense of knights putting their life on the line. There is a ton of raw Speed Metal influence here.

Another point towards heaviness is the vocal style of Chris (or as he is named on this album, Sir Chris "Parcival" Boltendahl). He opts for a very grumbly warble, gruff and probably more befitting of a Thrash Metal band than Power Metal. I will say it’s an acquired taste, but the reason it works exceptionally well here is all the choruses are multi-layered, incredibly well harmonized near-choral levels of gang vocals. These choruses are ridiculously anthemic and epic, by far some of the catchiest I’ve heard in the genre. As far as I understand, multiple backing vocalists, including the great Hansi Kürsch (Blind Guardian) were brought in to help create these epic choruses. Chris’ usual grunting yell handling verse duties while brilliantly melodic gang vocals emphasize the choruses create a perfect contrast that helps you appreciate each vocal style even more.

The focus on Arthurian Legend makes the album that much more enjoyable. I will confess, I was only passively privy to the tales before listening, but the album got me so interested that I did a deep dive to learn all about the characters. Isn’t it wonderful how much we can learn from music? In any case, Grave Digger pulled all the stops here, and finally released an album that deserves to go down in the Power Metal canon as one of the greats.
Warthur
Sometimes it takes just one ingredient to be not to your taste or slightly off-kilter to ruin a musical performance for you. Take the example of Grave Digger's Excalibur; for the most part, the musical backing is tight, solid German-style power metal and pretty enjoyable for it. It all goes a bit wrong when vocalist Chris Boltendahl (taking on the "Sir Parcival" nom de guerre for this release) issues forth his vocals; these are in a harsh, brash, heavily accented style which throws me out of my enjoyment of the music, being both not especially to my taste and stylistically not really feeling like a natural fit with the music.
adg211288
Excalibur (1999) is the eighth full-length album by German power/heavy metal act Grave Digger. It is the third and final album so the so called Middle Ages Trilogy. The previous albums in the trilogy were Tunes of War (1996) and Knights of the Cross (1998). Excalibur is a concept album revolving around King Arthur and the Knights of the Round Table, making it more based on legend than fact, as the first two albums of the trilogy were. This is the last album from Grave Digger to feature guitarist Uwe Lulis who when then go on to form a similar band, Rebellion, with former Grave Digger bassist Tomi Göttlich (attempting to take the Grave Digger name with him in the process).

The music on Excalibur is a mix of aggressive power metal and traditional heavy metal, but with an emphasis on the former due to the general speed of the album. In typical Grave Digger style Chris Boltendahl's vocals are fairly harsh (but not growling); totally different from the more melodic tones employed by most acts from the genre, so you can guarantee that the music on the album is a far cry from the acts that typically get described as being cheesy by genre detractors.

Aside from the metal elements there's also a noticeable presence of folk music influences on Excalibur. The opening track The Secrets of Merlin is dominated by this style and the element keeps cropping up in small bursts in other songs including Pendragon, Morgane le Fay and The Final War. Given the lyrical concept the folk elements are an extremely effective addition to the Grave Digger sound, giving off vibes that I can only really describe as Old English. Very authentic sounding stuff and not at all cliché. The folk instruments used on the album include drehleier, bagpipes, barockoboe, schalmei, and whistles. They were played by Subway to Sally members Bodenski and Eric Fish.

The songs are among the best that Grave Digger has ever recorded and the album has an absolutely great flow to it, the way any concept album worth its salt should have. Tracks like Pendragon, Excalibur and The Final War are stomping metal anthems while others such as Morgane le Fay also add in a softer side but prove just as powerful as the most full on stuff, perhaps even more so because of the soft and heavy dynamics. There are some issues with Chris Boltendahl's pronunciation that may raise a smile or two and his gravelly vocals may sound out of place on a power metal record to some and even more so on the piano led ballad Emerald Eyes, but Grave Digger would not be the same without him and at the end of day Excalibur along with the earlier Tunes of War represents the band at their peak. Albums like this are, to me, what metal is all about; heavy, powerful, and timeless stuff and Excalibur is a genre classic without a doubt. 5 Stars.

97/100

(Originally written for Heavy Metal Haven: http://metaltube.freeforums.org/grave-digger-excalibur-t3563.html)

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