INTO ETERNITY — The Sirens

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INTO ETERNITY - The Sirens cover
4.00 | 2 ratings | 1 review
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Album · 2018

Tracklist


1. The Sirens (7:55)
2. Fringes of Psychosis (6:59)
3. Sandstorm (3:47)
4. This Frozen Hell (7:02)
5. Nowhere Near (7:17)
6. Devoured by Sarcopenia (7:18)
7. Fukushima (5:57)
8. The Scattering of Ashes Pt2 (3:48)

Total time 50:00

Line-up/Musicians


- Tim Roth / Lead Guitar/Vocals
- Amanda Keirnan / Vocals
- Troy Bleich / Bass/Backing Vocals
- Bryan Newbury / Drums
- Justin Bender / Guitar
- Matt Cuthberson / Guitar

About this release

Released by M-Theory Audio, 26 October 2018

Thanks to kev rowland for the addition

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INTO ETERNITY THE SIRENS reviews

Specialists/collaborators reviews

Kev Rowland
Canadian act Into Eternity released their debut album through DVS back in 1999, with another four coming in quick succession on Century Media, the last two of which two featured Stu Block (Iced Earth) on vocals. The band then decided to put recording on hold, so that they could concentrate on touring internationally. Amanda Keirnan joined on vocals to replace Block, giving the band more depth and breadth with her ability to growl with the best of them as well as providing strong soprano when the need arises. The band decided that after ten years away from the recording scene it was time to return with their sixth album, and they are back with ‘The Sirens’.

Spending many years on the road has obviously paid dividends as the guys are incredibly tight, with melodic guitar runs as sharp as one could wish for, while the rhythm section move between providing a foundation and moving more into the secondary melody. Amanda is a real find, the perfect conduit for the style of music they are performing, which is a mix between Arch Enemy, Death, Opeth and King’s X. It is deep, it is pummelling, it has hints of Judas Priest yet somehow stays more melodic while losing none of the brutality. Some of the guitar solos, such as on the killer song “Sandstorm”, are breathtakingly quick and somehow the band manages to groove and move while at the same time rocking like absolute and total bastards.

They have discovered that fine line between melodic metal and out and out brutality and speed, and have then trampled all over it. This is incredibly clever and solid metal that has much in homage to the death and thrash scene as it does to the prog, and then somehow mixes it all together to create something that fans of all three genres will do well to discover. Let’s just hope that we don’t have to wait another ten years for the next one, surely not.



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